Gabriel Garcia Marquez
Uploaded by fabs2hiphop on May 09, 2012
Gabriel García Márquez (Aracataca Columbia, 1928) is the figure of more representation of what has been going to be called magical realism.-Hispanic America. Journalist, storyteller, and novelist, he caught up with fame with the publication in 1967 in “the hundred years of Soledad,”( Novel already published in the world in the Millennium collection number 1) where he recreates the image of geography of Macondo , a place isolated from the world in the reality and myth which get confused. Other memorable works are: El coronel no tiene quien le escriba, El otoño del patriarca, crónica, de una muerte anunciada, el amor en los tiempos del Cólera y varias colecciones de cuentos magistrales. In 1982 he recieved the first nobel prize of Literature.
Crónica de una muerte anunciada, short story published in 1981, is one of the most recognized and appreciated novels of García Márquez. Relates to a form of reconstruction almost of the journalist the assassinator of Santiago Nasar in the hands of the Vicario twins. From the beginning of the narrative they say that Santiago Nasar is going to die: He is the young son of a migrated Arabic and seems to be caused of Angela’s dishonor, the sister’s twins, who has contrasted the matrimony the day before and was rejected from her husband. There has never been a death so announced, declared who recalls the actions twenty-seven years ago: the avengers, in effect, don’t get tired from proclaiming their purposes for the entire town, like as if they wanted to avoid the commands of the destination, but the heap of the casualties is who can avoid the crime doesn’t achieve intervene or decides too late. The own Santiago Nasar gets up that morning unworried, not knowing completely about the death that awaits him.
The fatality dominates everything that’s related: The crime is so public that it is inevitable. Garcia Marquez is trying to demonstrate that life, in occasions, works for many casualties that is impossible to convert the literature. His brief prose, precisely and stuck to the back and achieves to wrap the credibility of exaggerating incredibly, inventing a narrative tension where there is no argument, returning from reves in time for what reveals the truth, leaving a doubt in the air that will end by destroying the protagonists from the drama, it was adapted to the big screen in 1987, derived from Francesco Rosi, and...