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Essays 331 - 360

Franco Zeffirelli's Cinematic Interpretation of Romeo and Juliet by William Shakespeare

the still city, which is bathed in ethereal morning light, the city is shrouded in fog. This is also symbolic, in that its white s...

Shakespeare's Richard the Third and Hamlet in Cinematic Cross References Deconstruction

In five pages this report considers how famous literary works such as Shakepeare's plays must be deconstructed in order to be cine...

Silence of the Lambs Novel and Cinematic Versions

remained amazingly faithful to the book, in his commitment to retaining its essence, there were some changes that needed to be mad...

Cinematic Analysis of Oliver Parker's Othello

"right hand" man despite Iagos longer term of service (Null, 2002). Iago manages to incite a jealousy rage in Othello that results...

Horror Cinematic Genre

horror film, according to director Elias Merhige, "The horror film transforms itself, adapting to our fears, to the things that we...

Cinematic Narrative in Pulp Fiction and Citizen Kane

We note he grows to be a gregarious individual who seems driven to succeed in unusual ways, always seeking some adventure and some...

Robert Zemeckis's Forrest Gump Cinematic Analysis

possible, including the attainment of the American Dream. His childhood is in sharp contrast to that of his lifelong friend, Jenn...

Cinematic Gender Representation

choice to live and abide by a certain set of unwritten expectations. The movie, Menage, directly challenges this idea. Powrie al...

Cinematic Portrayal of Aliens

that the alien is given a sexual orientation. In the second movie of this series the alien is a Queen whose main goal (besides des...

Cinematic Analysis of Dead Man Walking and Schindler's List

This paper examines how character action is used by the director of Dead Man Walking, and commercially motivated criticisms of Sch...

Cinematic History of Filmmaker Francis Ford Coppola's The Godfather

In six pages this paper examines The Godfather in terms of how it represented gender, race, and class. Three sources are cited in...

Literary and Cinematic Portrayal of Slavery

In seven pages this paper considers how slavery has been portrayed in cinema, stories, and books. Eleven sources are cited in the...

It's a Mad, Mad, Mad, Mad World, The Great Race, and Cinematic Slapstick

" or literally "slapping the stick"(Von Busack ppg). It is a physical humor, reminding us that we are physical beings in a real w...

Shaping History Through Cinematic Narratives

rather how it appears to the person that is hearing or viewing the story. Does the narrative appear to distort or change what ha...

MGM and Universal's Cinematic Styles

their advertising campaigns asserted) more stars than there are in the heavens" (The Thin Man, 1995). Mordden (1988) asks, "What, ...

Once Were Warriors Cinematic Marxist Analysis

yield a very different analysis. In the film, Jake is unemployed. The family lives off the dole but it seems that whatever money...

Cinematic Comparative Analysis of L'Avventura and Sleepless in Seattle

narrative style. With Sleepless there is a sense of desperation as lives are changing. In LAvventura there is a real desperate sit...

The Bourne Identity Cinematic Analysis

to tell what might appear on first glance to be a tired old story. First, there is the scintillating color that enables the film ...

Cinematic Analysis of Singin' in the Rain

part of the scene while also seeing the entire dance routine. In many films of dancing the direction may not be on the long sho...

Detailed Cinematic Analysis of American Beauty

of confines. The overall metaphor of this movie is the symbol of the rose. At one point a neighbor asks how the roses are grown s...

William Shakespeare's Othello Cinematic Adaptations

box office. Welles was a product of his time and though he had tremendous creativity when it came to camera angles and budgets,...

The History of Cinematic Comedy

parodies American consumer culture as evidenced by the hilarious scene when grilled cheese sandwiches and coleslaw are ordered for...

European Cinematic Depiction of Gender from the 1920s to the Twenty First Century

story, mise-en-scene, editing, and music, they collectively provide a common theme that speaks of the uniqueness of the feminist e...

Comparing Rudyard Kipling's Prose with John Huston's Cinematic Narrative in The Man Who Would Be King

In five pages the voices used in these very different ways of telling the same story are compared and contrasted in terms of artis...

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

Cinematic Version of Anthony Burgess' A Clockwork Orange and the Problems Faced by Director Stanley Kubrick

In eight pages this paper discusses the problems filmmaker Stanley Kubrick struggled with while making his big screen adaptation o...

Cinematic Depiction of Deviance

In eleven pages this paper discusses how deviance is cinematically depicted in such films as Leaving Las Vegas and One Flew Over t...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...