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Essays 121 - 150

Director Kenneth Branagh's Hamlet (1996)

This paper pertains to Kenneth Branagh's adaptation of "Hamlet." The writer describes the overall film and the cinematic devices ...

Director Chris Marker

This paper discusses the work of French film director Chris Marker. The writer address his cinematic style, his topics and his psy...

Reviewing A Long Kiss Goodnight Film

In six pages the 1996 film directed by Renny Harlin, written by Shane Black and costarring Geena Davis and Samuel L. Jackson is di...

Narrative Style and Theme of Citizen Kane

In six pages a cinematic analysis of director Orson Welles' masterpiece Citizen Kane focuses upon the auteur's themes of capitalis...

Feminist Cinematic Theory and Psychoanalysis

In five pages this paper examines psychoanalysis' relevance to feminist cinematic theory in a consideration of the article 'Masoch...

Female Characters as Spectators in Early Cinema

This paper examines the heavily male-influenced film industry as it related to the roles played by female characters. The author ...

Artistic Expression in Film

This paper examines how artistic expression can be conveyed through cinematic expression. The author also addresses censorship, c...

French Cinema's 'New Wave'

In 5 pages this paper discusses the Nouvelle Vague or New Wave French cinematic movement of the Fifties and Sixties in a considera...

Apocolypse Now

Coppola also uses the aspect of theater, which acknowledges that each member of the audience will bring with them, to the theater,...

Film Noir and McCarthyism

and the even larger political responses of the Truman administration created a realm in which the primary purpose was to protect t...

How Cinema is Dominated by America

both elements are evident to greater and lesser degrees in each and every film that is produced in America and Europe film (Kerri...

Stanley Kubrick's Auteur Film Style in A Clockwork Orange and 2001 A Space Odyssey

In eight pages this paper examines Kubrick's definitive auteur film styles as they are represented in these films and compares the...

Film Analysis of Orson Welles' The Magnificent Ambersons

In five pages this paper presents an analysis of the 1942 motion picture The Magnificent Ambersons in an examination of director O...

Cinematic Style, Influence, and Impact of Francis Ford Coppola

in his 30s. Coppola, born in 1939 in Detroit, Michigan to an actress mother (Italia) and musician father (Carmine) grew up in Quee...

Chantal Ackerman and Her Films Je, Tu, Il and Elle and the Eighties

attitude which pervades most of her works, even today, it can be stated. This is because feminism was asking women to redefine the...

Artist Myth and Cinema

1956 account of Vincent Van Gogh leaves that question open in his sympathetic portrayal of the artist" (TCM, 2003). When watchi...

David Fincher's The Fight Club

libidinal desire and an internal examination, which tends to idealize self (Naiman 333). The one factor which unites the two symb...

Cinematic Structure and Coding of the Film Gone with the Wind

in structuralist models, researchers often examine the underlying structures which occur beneath the actions or speech of the indi...

M. Night Shyamalan's Unbreakable Cinematic Analysis

use the camera in the same way as an author uses words for both aesthetic and textural purposes. There are two particularly effec...

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Lawrence of Arabia by Filmmaker David Lean

Passage to India. However, his creative pinnacle is largely acknowledged to be the wildly successful (both critically as well as ...

Cinematic Technique Known as 'the Long Take'

In six pages this paper examines how filmmakers such as Hou and Orson Welles have employed the long take cinematic technique in su...

Filmmaker Tim Burton

In seven pages this eccentric and innovative film director is examined in terms of craft, cinematic output, and human insights. Si...

Philosophical and Aethetic Comparison of 'Schindler's List' and 'The Battle Of Algiers'

This is a 5 page paper that considers two different cinematic filmmaking approaches to specific battles, one from a Third World pe...

Film Director John Schlesinger

In five pages this research paper examines the cinematic career of filmmaker John Schlesinger in an artistic consideration of such...

Cinematic Auteur M. Night Shyamalan

director was, quite literally, involved in every possible aspect of filmmaking, from raising money to hiring actors to helping to ...

Early American Film Director D.W Griffith

his five years at Biograph, Griffith took the raw elements of moviemaking as they had evolved up to that time -- lighting, continu...

Comparing Soviet Film Directors Sergei Eisenstein and V.I. Pudovkin

(Manvell 37). While Pudovkin would occasionally use non-professional actors in the name of realism, he preferred relying on profe...

Review of Sydney Pollack's 2005 Movie The Interpreter

notes that this is the first film crew to be given permission to film extensively at the UN and this gives the movie a feeling of ...

Citizen Kane's Film Techniques

daytime and snow is falling. "Charlie" (Charles Foster Kane) is playing outside, and the camera stops on him. He rolls a snowbal...