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The Merchant of Venice by William Shakespeare and Elizabethan Usury

In five pages this paper examines the customs of moneylending that existed during Elizabethan times in this consideration of a let...

Character Analysis of Mercutio in Romeo and Juliet by William Shakespeare

The character of Mercutio and his significance to Shakespeare's tragedy is analyzed in this paper consisting of eight pages. Six ...

Romeo and Juliet by William Shakespeare and Fencing

In seven pages Elizabethan style fencing as it is featured in Shakespeare's romantic tragedy is considered. Six sources are cited...

King Lear, Disguise and Deception

In a paper consisting of 6 pages the themes of deception and disguise as they manifest themselves in Shakespeare's play are consid...

A Midsummer Night's Dream and the Prologue of Peter Quince

In eleven pages this prologue that closes Shakespeare's comedy is analyzed for its political and sociological message that is cont...

Act I, Scene iii Analysis The Taming of the Shrew by William Shakespeare Lines 183-228

In five pages these lines are analyzed in terms of assessing Shakespeare's choices, his use of such literary techniques such as rh...

Life Celebration of Hamlet

In six pages this paper argues that Shakespeare's play was not about the misery of life but rather was a celebration of it in the ...

Tragic Heroism of Prince Hamlet

theater itself, and his own background upon the stage. Hamlet plays the clown with the other actors who arrive to perform ...

Sanity of Hamlet

In five pages this paper evaluates the sanity of Hamlet in Shakespeare's tragedy and whether or not he had lost it or had never be...

Supernatural Use by Shakespeare in Tragedies and Comedies Compared

In seven pages this report compares and contrasts Shakespeare's employment of the supernatural in tragedies and comedies with refe...

Character Development In Macbeth

This paper examines various aspects of the character Macbeth in Shakespeare's play. The author discusses lust for power, loss, ga...

Fate in Romeo and Juliet

progress, the use of word-play reiterates what is fated, and even though we might wish to change the outcome of fate, we begin to ...

Comedy, Appearances, and Reality in Othello by William Shakespeare

only as a representation of misconstrued appearance. As time progresses, Othello - quite arguably the only character with a stell...

William Shakespeare's Second Tetralogy, Imagery and Language Patterns

In eight pages this report examines Shakespeare's figurative language and imagery patterns featured in his second tetralogy that i...

William Shakespeare's Hamlet in Film

stunning performance as Ophelia and at the time she was not as well known as she is today. However, when Charlton Heston appears o...

Iago's Character in William Shakespeare's Othello

In five pages this paper examines how Iago is able to psychologically manipulate others in this character analysis of the antagoni...

Disguise in Three Comedies by William Shakespeare

In ten pages this paper examines how disguise is used in a comparative analysis of William Shakespeare's The Merchant of Venice, M...

Queen Elizabeth and Richard the Third

"Come, Come, we know your meaning, brother Gloster; You envy my advancement, and my friends; God grant we never may have need of y...

Tragic Heroes Prince Hamlet and Willy Loman

In six pages this paper examines the tragic heroes represented by William Shakespeare's title protagonist Hamlet and Willy Loman i...

Cross Gender Insanity in Ophelia and Hamlet

In five pages this report examines how madness crosses gender boundaries as revealed in the experiences of Ophelia and Hamlet in S...

Comparative Analysis of Othello Play and Film

In five pages William Shakespeare's original play is contrasted and compared with Oliver Parker's 1995 cinematic interpretation. ...

Laertes and Hamlet

In two pages the relationship between Laertes and Hamlet is considered in a discussion of their similiarities and differences as r...

The Chorus in Act V of “Henry the Fifth”

play: he asks the audience to use their imaginations to understand whats going to happen. The Prologue noted that the "wooden O" c...

Significance of the ‘Play Within a Play’ (Act III, Scene II) of William Shakespeare’s Hamlet

Prince. Despite his antic disposition or pretending to be mad as another ploy to ensnare Claudius in his revenge trap, maybe Haml...

Magic and Enchantment in The Tempest

creature in the vessel" (Shakespeare I ii). This indicates that he set the storm in motion and ensured no one was hurt in the proc...

To Suffer a Sea Change

impose magic and enchantment to seek his revenge. But, in the end he forgives those who put him on the island and he suffers a sea...

Conflict in Hamlet

she wants to be as close to the seat of power as possible and will do anything to keep her power as queen" and this sets him on a ...

Putting Sir Toby on Trial

an end to Tobys activities. Even Maria has warned Toby that the Lady Olivia is growing impatient with him: "Your cousin, my lady, ...

A Midsummer Night's Dream and William Shakespeare's Humorous Approach to Love

logic. The play consists of a quartet of couples - secondary characters King Oberon and Queen Titania, and Theseus and Hippolyta;...

Seven Soliloquies of Hamlet: A Journey into Madness

things rank and gross in nature / Possess it merely. That it should come to this! / But two months dead! Nay, not so much, not two...