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Edgar Allan Poe’s Creative Uses of Atmosphere and/or Tension in “The Tell-Tale Heart,” “The Cask of Amontillado,” “The Pit and the Pendulum,” and “The Black Cat”

in the Broadway Journal (Magistrale 81). Steeped in Gothic tradition, the theme involves one mans descent into total madness, whi...

Gothic and Symbolic Elements in the Short Stories "A Rose for Emily" by William Faulker and "Ligeia" by Edgar Allan Poe

Are the descriptions of the narrator reliable or do they represent hallucinations brought on by a deteriorating mental state? In ...

Allegory and Symbolism in the American Gothic Short Stories "A Rose for Emily" by William Faulkner and "Ligeia" and "The Oval Portrait" by Edgar Allan Poe

wife Virginias slow death, the narrator focuses on every detail of his wife Ligeia as she lies dying: "The pale fingers became of ...

Comparative Analysis of Detective Works Murders in the Rue Morgue by Edgar Allan Poe and The Second Deadly Sin by Lawrence Sanders

by the brilliance and deductive reasoning that the detective uses. Agatha Christies Hercule Poirot is reminiscent of a brilliant d...

Francois Boucher's The Toilet of Venus and Edgar Degas' Nude Woman Having Her Hair Combed Paintings Comparison

Quite frankly, both Venus and the nameless woman seem equally as fair, yet because of her godly status, Venus is entitled to so mu...

The Dead Who Refuse to Die in The Hunter Gracchus by Franz Kafka and 'The Fall of the House of Usher' by Edgar Allan Poe

(Silverman, 76). In a surprisingly large number of Poes stories, the revenant theme is coupled with some sense of a double -- two...

Melancholia in Charlotte Perkins Gilman's 'The Yellow Wallpaper' and Edgar Allan Poe's 'Fall of the House of Usher'

In five pages this paper compares these stories' similarities in terms of how melancholia or depression is featured in each. Five...

Gender Issues in 'The Yellow Wallpaper' by Charlotte Perkins Gilman and 'Fall of the House of Usher' by Edgar Allan Poe

Ushers ultimate fall. "[The house had] an atmosphere which had no affinity with the air of heaven, but which had reeked up from t...