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Opposites and Conflict in The Tempest by William Shakespeare

daughter, Miranda; his faithful fairy, Ariel; and his loyal Councilor (advisor), Gonzalo. But also living there is a lifelong nat...

Macbeth by William Shakespeare and the Staging of the Witches' Scenes

the scenes involving the witches are accompanied by loud claps of thunder. Staging Macbeth outdoors gave Shakespeare natural soun...

Culpability and Motive in Macbeth by William Shakespeare

of Lady Macbeth. Some have termed her cold and calculating, others have said that she was mad, and terribly ambitious. It would ap...

The Term 'Hazard' Analyzed Within the Context of The Merchant of Venice by William Shakespeare

again. This time, however, Bassanio urges Antonio to loan it one more time while Bassanio will bring the latter hazard back again...

Macbeth by William Shakespeare and the 'Dark' Theme of Revenge

the result of the action he has taken and that such "psychic" revenge is having a far more powerful impact on him than any possibl...

Leader's Political Role in King Henry V by William Shakespeare

In his political discourse, The Prince, Nicolo Machiavelli believed that political prowess that leads inherently to victory is ine...

Love and Death in 'Sonnet 130' and Romeo and Juliet by William Shakespeare

see the beauty of love, for at their tender ages, they have yet to become cynical, although the volatile Romeo is depressed by his...

3 Plays by William Shakespeare and the Conflict Between Parents and Children

In 5 pages this paper examines the Shakespearean plays The Tempest, Romeo and Juliet, and King Lear in a comparative analysis of h...

Religion and the Outdatedness of Othello by William Shakespeare

In 5 pages this paper discusses the many differences between past and present society in an argument that Othello may be outdated ...

The Supernatural and Social Disruption in A Midsummer Night's Dream by William Shakespeare

secondary characters and subthemes actually deliver Shakespeares real message. The fairies in the play are of particular interest...

Richard the Third by William Shakespeare and Lady Anne's Wooing

must reach unto" (Shakespeare I, i). When the two meet in the next scene we note that Lady Anne has absolutely no feelings for ...

Acting Concept and Hamlet by William Shakespeare

who informs him that he was murdered, that we note a change in Hamlet that begins to involve serious acting. In this simple exa...

As You Like It by William Shakespeare and the Forest of Arden

observer, the forest is depicted as a pastoral or golden world not unlike the biblical garden of Eden in two particular scenes, in...

Sonnet 18 by William Shakespeare Analyzed

/ And every fair from fair sometimes declines, / By chance, or natures changing course untrimmd; / But thy eternal summer shall no...

Prospero Character Analysis in The Tempest by William Shakespeare

efforts to civilize his behavior. Prosperos ultimately tragic physical and metaphorical journey had been traveled by others befor...

Character Sketch of Iago in Othello by William Shakespeare

soldier, eight-and-twenty years of age, who had seen a good deal of service and had a high reputation for courage. Of his origin w...

Irony, Tone, and Style of Othello by William Shakespeare

fears he shall be poor" (Shakespeare III iii). In this we can see that "The word content is used to represent Othello s current si...

Othello by William Shakespeare and the Character Emilia

for himself - with a kiss. Her husband retorts, "Sir, would she give you so much of her lips / As of her tongue she oft bestows o...

Macbeth by William Shakespeare and the Role Played by the Supernatural and the Witches

that sounds like ritualistic chanting: FIRST WITCH. When shall we three meet again? / In thunder, lightning, or in rain? SECOND ...

Light versus Dark, Appearances versus Reality, and Order versus Chaos in Othello by William Shakespeare

leave his new bride to wage war in Cyprus. The departure, though bittersweet, returns Othello to familiar territory that renews h...

Shakespeare/My mistress' eyes are nothing like the sun

infinitum. Therefore, having asserted that this mistress eyes are not remotely like the sun, the speaker then refers to numerous o...

The Tempest Play by William Shakespeare and the Film Version by Julie Taymor

focused on Shakespeares perspectives on innocence and its consequences. As envisioned by Shakespeare according to his stage direc...

Macbeth by William Shakespeare: Masking Characters Intentions in Act III

from them - / As upon thee, Macbeth, their speeches shine -- / Why, by the verities on thee made good, / May they not be my oracle...

Changing Personality of Timon in Timon of Athens by William Shakespeare

Ini five pages this paper focuses on the third act of this Shakespearean play in an analysis of the protagonist's complete change ...

Act V, Scene ii Analysis of Katharina's Monologue in Taming of the Shrew by William Shakespeare

This paper consists of a five page analysis of Katharina's monologue in the fifth act's second scene in terms of its significance ...

Analysis of Issues in Taming of the Shrew by William Shakespeare

In seven pages this paper analyzes relationships and self containment within the context of the play and Kate's 'shrewish' attribu...

Symbolism Analysis of Othello by William Shakespeare

In five pages this research paper examines how symbolism is used in this Shakespearean tragedy. Two sources are cited in the bibl...

Movie Versions and the Original Play Othello by William Shakespeare

In eight pages this paper discusses the theatrical portrayals of Othello, Desdemona, and Iago in comparison with the films by Well...

Metaphors of Darkness and Light in Romeo and Juliet by William Shakespeare

In five pages this paper discusses how the characters in this Shakespearean tragedy are better understood through the metaphors of...

Petrarchan Love in Romeo and Juliet by William Shakespeare

In three pages this paper discusses how Petrarchan love issues are expressed in Romeo and Juliet's structure and language. There ...