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Epiphany and Moment of Being in the Works of James Joyce and Virginia Woolf

"what she loved was this, here, now, in front of her, the fat lady in the cab . . . Did it matter that she must inevitably cease c...

Literary Modernism in the Works of Virginia Woolf and James Joyce

the most important elements of modernist literature is that which involves perspective. With modernist literature this involves "t...

Novel Essays by George Lukacs and Virginia Woolf

criticism points toward a different orientation, as she accuses previous writers of materialism, and explains this accusation by ...

A Room of One's Own by Virginia Woolf and Voice as a Literary Device

stone, but by the relation of human being to human being" (71). She then takes on the voice of an advocate for the rights of wome...

Gender, Social Construct, and Metaphysics in the Writings of Virginia Woolf

be possible to establish what is absolute truth, and that the only way in which she can proceed with her exploration into women an...

Feminism and Edward Albee's Who's Afraid of Virginia Woolf?

low energy. Small conservative town in New England, but situated in the progressive atmosphere of an University. This is very symb...

Overview of Author Virginia Woolf and Her Influence

breakdown" (Anonymous Virginia Woolf (1882-1941), 2002; vwoolf.htm). After the serious tragedies is when her writing truly began, ...

Female Protagonist in Mrs. Dalloway by Virginia Woolf

his own resulting suicide because he believes his life is not worth living (which, in many ways, parallels Clarissas own ambivalen...

High Modernism and Postmodern Art in the Works of William Faulkner and Virginia Woolf

"exciting, gripping story of crime and bloodshed" (Anonymous PG) leaves the reader with many unanswered questions, which only serv...

Rebecca West, Virginia Woolf, and Characters 'Under the English Queen Mother's Umbrella

This discussion topic focuses on Rebecca West and Virginia Woolf and consists of nine pages. Eight sources are cited in the bibli...

Married Couples in Who's Afraid of Virginia Woolf by Edward Albee

In five pages this paper contrasts and compares the married couples George and Martha, Nick and Honey in this analysis of Who's Af...

To the Lighthouse by Virginia Woolf and Revisiting Childhood

In five pages the ways in which Woolf's novel represents recounting the author's own childhood through characterizations, events, ...

Modernity in To the Lighthouse by Virginia Woolf

Realism issues and the modernity concept are examined in this analysis of To the Lighthouse by Virginia Woolf consisting of five p...

Edward Albee's Tragic Play Who's Afraid of Virginia Woolf

tortured marriage. The world of George and Martha is a closed, stagnant environment. It is filled with highly destructive element...

Mrs. Dalloway by Virginia Woolf and Changing Times

In a paper consisting of 5 pages the many changes that occurred after World War I and the ways they manifest themselves in the inc...

Virginia Woolf, T.S. Eliot and Literary Modernism

In 5 page this paper defines modernism and then critically applies the concept to T.S. Eliot's 'The Waste Land,' and 'Tradition an...

Tom Stoppard, Virginia Woolf, and Classism

In a paper consisting of 7 pages social class as it is represented in the intellectualism of Tom Stoppard's Arcadia and the femini...

Relationships in Who's Afraid Of Virginia Woolf? by Edward Albee

This paper presents a character analysis of George and Martha in Edward Albee's Who's Afraid of Virginia Woolf in five pages with ...

The Feminist Works Of Virginia Woolf

This paper examines Virginia Woolf's feminist ideology in her various novels and essays. The author contends that Woolf believed ...

Nick in Who's Afraid of Virginia Woolf by Edward Albee

In five pages Albee's employment of allusion in his play are examined as they impact upon the Nick character with connections made...

The 'Other' Couple in Who's Afraid of Virginia Woolf by Edward Albee

In six pages the other couple Nick and Honey who view the deteriorating marriage of Martha and George are examined in terms of imp...

Illusion and Truth in Who's Afraid of Virginia Woolf? by Edward Albee

In five pages this paper examines symbolism, truth, and illusion as represented in this play by Edward Albee. Six sources are cit...

Marilynne Robinson's Housekeeping and Virginia Woolf's Mrs. Dalloway Compared

or Smiths point of view, letting the reader know the heroines thoughts, and then switching to the perspective of another character...

Virginia Woolf's To the Lighthouse and Characters of Lily Briscoe and Mrs. Ramsay

In five pages these two female characters are compared. There are no other sources listed....

Modernist Themes in 'Death in Venice' and 'Mrs. Dalloway' Compared

Complex inner feelings and emotions as conveyed by modernist authors Thomas Mann and Virginia Woolf are compared and contrasted al...

Mann, Gide, Kafka, Woolf, and Modernism

It was realistic, but the writing was complicated and required the reader to become intimately involved with the subject matter. ...

Comparative Analysis of George Bernard Shaw's Mrs. Warren's Profession and Virginia Woolf's A Room of One's Own

"A Room of Ones Own" she presents the reader with the reality of frustration for women writers. She illustrates how women, in the ...

Characters of Bertha and Clarissa Dalloway in Katherine Mansfield's Bliss and Virginia Woolf's Mrs. Dalloway

who thinks about her own weaknesses, yet also truly sees what she perhaps should be. We note how Clarissa, though strong and se...

Virginia Woolf's 'The Voyage Out,' 'Mrs. Dalloway,' and Homosexuality

she begins her voyage into public identity, she cannot survive the pressure of being brought out and seems uncannily to die of the...

Virginia Woolf’s Descriptions of Literary ‘Beacons’ Antigone and Desdemona Applied to Nora in Henrik Ibsen’s A Doll’s House

heroine is willing to risk her life by defying King Creon in order to give her warrior brother Polynices the proper burial he was ...