Is Waiting for Godot an existentialist play?
Discuss the proposition that Waiting for Godot is an existentialist play, within the first Act. To what extent does the play offer a bleak assessment of the human condition?
The play, Waiting For Godot, is centred around two men, Estragon and Vladimir, who are waiting for a Mr. Godot, of whom they know little. Estragon admits himself that he may never recognize Mr. Godot, "Personally I wouldn't know him if I ever saw him." (p.23). Estragon also remarks, "… we hardly know him." (p.23), which illustrates to an audience that the identity of Mr. Godot is irrelevant, as little information is ever given throughout the play about this indefinable Mr. X. What is an important element of the play is the act of waiting for someone or something that never arrives. Western readers may find it natural to speculate on the identity of Godot because of their inordinate need to find answers to questions. Beckett however suggests that the identity of Godot is in itself a rhetorical question. It is possible to stress the for in the waiting for …: to see the purpose of action in two men with a mission, not to be deflected from their compulsive task.
"Estragon: … Let's go.
Vladimir: We can't.
Estragon: Why not?
Vladimir: We're waiting for Godot." (p.14).
The essence of existentialism concentrates on the concept of the individual's freedom of choice, as opposed to the belief that humans are controlled by a pre-existing omnipotent being, such as God. Estragon and Vladimir have made the choice of waiting, without instruction or guidance, as Vladimir says, "He didn't say for sure he'd come" (p.14), but decides to "wait till we know exactly how we stand" (p.18).
Albert Camus, an existentialist writer, believed that boredom or waiting, which is essentially the breakdown of routine or habit, caused people to think seriously about their identity, as Estragon and Vladimir do. In The Plague, Camus suggests that boredom or inactivity causes the individual to think. This is also similar to the idea of meditation, an almost motionless activity, allowing the individual to think with clarity. Camus, and other existential writers, suggested that attempting to answer these rhetorical questions could drive someone to the point of insanity. The tramps continually attempt to prove that they exist, in order to keep their sanity:
" We always find something, eh Didi, to give us the impression that we exist?" (p.69).
Waiting in the play induces boredom...