Gone with the Wind's Cinematography

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A 3 page research paper/essay that discusses the cinematography of Gone With The Wind (1939, directed by Victor Fleming; produced by David O. Selznick for Selznick International and released by Metro-Goldwyn-Mayer), which is one of the most popular and profitable films every made (GWTW, 1995). The film won 9 Academy Awards, which includes Ernest Haller and Ray Rennahan winning for Best (Color) Cinematography. Examination of GWTW in terms of cinematography demonstrates that this accolade was well-deserved, as lighting and camera choices, throughout the film, serve to underscore the narrative's major themes by helping to establish mood and characterization. In this manner, cinematography serves to underscore the central theme of the film, which is the centrality of Tara in Scarlett O'Hara's life. Three scenes are described. Bibliography lists 3 sources.