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most notably, but not really missed, were Queen Margaret, and Edward IV. Some of the lengthy dialogue was taken out without detrac...

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

The caricature representation of Richard in both film and play is discussed in ten pages. Nine sources are cited in the bibliograp...

In six pages this paper examines how evil is portrayed in this cinematic interpretation of William Shakespeare's 'Richard III' wit...

In five pages this paper presents a psychological analysis of Shakespeare's evil protagonist Richard III....

for the deaths of her husband, Edward V, and her father, Henry VI. Nevertheless, he demonstrates himself as quite capable in prov...

he appears sincere and supportive, such as when Richard asks what one has said of him, and Buckingham replies "Nothing that I resp...

This 9 page paper examines the way in which three different directors approach Shakespeare. It looks at Kenneth Branagh's producti...

Analysis of William Shakespeare's Hamlet (Act V, Scene ii), As You Like It (Act II, Scene vii), Richard III (Act I, Scene ii), The...

and one in blood establishd; One that made means to come by what he hath, And slaughterd those that were the means to help him; Ab...

throughout much of the story. His underhanded lies and involvement leads Claudio to believe that Hero is not faithful, and all but...

the latest fashions, spending money on his friends, and also pursuing wars against Ireland and elsewhere that his realm cannot af...

offer some different scenes, though ultimately only about one quarter of Shakespeares Richard III is actually presented in the fil...

In a paper consisting of seen pages the 1955 film version of Richard III by Laurence Olivier is compared with Ian McKellan's versi...

In six pages Olivier's interpretation of Richard and the importance of the 5 soliloquies to the film are discussed. There are no ...

In five pages this paper discusses how love is presented through the perceptions of Richard III in William Shakespeare's historica...

In five pages this paper examines the contemporary perspectives represented in the 1996 cinematic interpretation of William Shakes...

In five pages William Shakespeare's original play is contrasted and compared with Oliver Parker's 1995 cinematic interpretation. ...

the still city, which is bathed in ethereal morning light, the city is shrouded in fog. This is also symbolic, in that its white s...

In seven pages this paper assesses the actions and character of Richard III in this consideration of how his reputation has been h...

the audience a close up of Othellos face and the audience is able to watch the doubt creep over Othellos face. Without saying anyt...

(like Mel Gibson in the 1991 film) has no interest in playing him as an apologetic mope" (Ebert). In the written play there is a...

idle pleasures of these days. / Plots have I laid, inductions dangerous" (Shakespeare I i). In Othello Iago tells us, "And whats h...

in terms of the authors or historians he used, they also generally utilized others. For example, "Holinsheds Chronicles of England...

between Richard and the audience so as to establish an immediate intimacy. He "remains in direct contact with the spectators thro...

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

especially apparent when critically examining Shakespeares historical play, Richard III and his final work, the dark comedy, The T...

receive our duties, and our duties / Are to your throne and state, children and servants, / Which do but what they should, by doin...

In 10 pages pivotal scenes including the second scene of the first act, the first scene of the second act, the first scene of the ...

This paper consists of eight pages and considers how Shakespeare treated women in his political plays with the emphasis being upon...