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Essays 151 - 180

Michael Cassio, Iago, and Othello in The Tragedy of Othello by William Shakespeare

over his military service. Shortly after the wedding, he was dispatched to Famagosta, the capital of Cyprus, to battle Turkish fo...

Funcitons of Characters Desdemona, Othello, and Iago in Othello by William Shakespeare

heart. His insecurities are compounded by the dark color of his skin, which makes him a social outsider. Therefore, when he meet...

An Analysis of Tragedy in Three Plays

man is that he truly loves his wife and he is a noble and sensitive man. Unfortunately he has a weakness and that is his love of h...

3 Cinematic Interpretations of William Shakespeare's Richard III

most notably, but not really missed, were Queen Margaret, and Edward IV. Some of the lengthy dialogue was taken out without detrac...

Comparison of Richard Loncraine's Film Richard III and William Shakespeare's The Tragedy of Richard the Third

The caricature representation of Richard in both film and play is discussed in ten pages. Nine sources are cited in the bibliograp...

Banquet Scene and What Macbeth Actually Saw in William Shakespeare's Macbeth

prophetic apparitions make appearances(Shakespeare & Supernatural). One of the most climactic scenes in the play is the banquet ...

Graveyard Scene in William Shakespeare's Hamlet

to sum up what has taken place up until now. In addition, we are given a look at perhaps the ridiculousness of the situation in on...

Women in William Shakespeare's Richard III

This paper consists of eight pages and considers how Shakespeare treated women in his political plays with the emphasis being upon...

William Shakespeare's Use of Evil in Richard III and Macbeth

In six pages this paper examines how Shakespeare timelessly depicts evil in each play. Six sources are cited in the bibliography....

Romeo's Character Development in William Shakespeare's Scene Changes in Romeo and Juliet

He and his cousin, are talking. Benvolio tried to stop the fight between the warring factions. He believed that to fight was ign...

Titus’ Aaron and Othello’s Iago

thunders crack or lightning flash; Advanced above pale envys threatening reach...Then, Aaron, arm thy heart, and fit thy thoughts....

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

William Shakespeare's Titus Andronicus and Macbeth and Their Bizarre Banquet Scenes

In ten pages these pivotal banquet sequences as they appear in these two plays by William Shakespeare are examined. Eleven source...

Comparing William Shakespeare's The Tempest and Richard III and Themes of Justice and Destiny

especially apparent when critically examining Shakespeares historical play, Richard III and his final work, the dark comedy, The T...

Gertrude in William Shakespeare's Hamlet III

In four pages this essay analyzes the character of Queen Gertrude and argues that her state of denial is responsible for her actio...

Symbolism Analysis of Othello by William Shakespeare

In five pages this research paper examines how symbolism is used in this Shakespearean tragedy. Two sources are cited in the bibl...

Element Analysis of Othello by William Shakespeare

he should rank higher than he does and he also feels that he should have Desdemona. In these regards we see a man who is clearly f...

William Shakespeare's Characters Edmund in King Lear and Iago in Othello

In three pages this essay compares these two Shakespearean villains in terms of their similarities and the lack of sympathy each e...

Tragic Hero Exemplified by William Shakespeare's Othello

This paper discusses why Shakespeare's protagonist sufficiently qualifies as being a tragic hero in a consideration of the charact...

Iago's Character in William Shakespeare's Othello II

In three pages this paper analyzes the complexities of the Iago character in Othello by William Shakespeare. There is no bibliogr...

Madness of Prince Hamlet of Denmark

In three pages this paper analyzes what is meant by Prince Hamlet's 'antic disposition' remark in the first act of William Shakesp...

William Shakespeare's King Lear, Othello, and Hamlet in Terms of Themes and Dramatic Structures

In five pages the dramatic structures and themes are compared in this examination of a trio of William Shakespeare's plays. Two s...

Oliver Parker's Film Interpretation of William Shakespeare's Othello

In six pages this paper examines the alterations Oliver Parker made to Shakespeare's play in his 1990s' interpretation in terms of...

William Shakespeare's Othello and Its Pleasurable Aspects

actions, in terms of black and white, good and bad. It is axiomatic that people wish to see those they regard as "good" as incapab...

Drama of William Shakespeare's Othello

verbal appearance and actual reality that Othello addresses throughout the play, wavering back and forth as a means by which to es...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

Act One of William Shakespeare's Macbeth and the Development of the Protagonist's Character

(I.iii.118). Banquo replies with a warning. He tells Macbeth that "instruments of darkness" frequently tell the truth in order to ...

Desdemona and the 'Jewel' Motif Recurrence in William Shakespeare's Othello

forthright and courageous. Coupled with these admirable characteristics, Desdemona also harbors a significant moral sensitivity a...

Critically Exploring William Shakespeare's 'Othello' from a Marxist Perspective

a black man was not suitable to be a ruler. In clever fashion, he sets about to accomplish his goal. In fact, when Iago and Roder...

Racism in William Shakespeare's Othello

connection between Iagos perception of race and the cultural perception that "black" equates with "evil." This perception of race ...