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Essays 301 - 330

Imperialism in the Movies

the River (1935), The Lives of a Bengal Lancer (1935), King Solomons Mines (1937), Gunga Din (1939), Beau Geste (1939), and The Fo...

Models, Miniatures, and the Battle for Hoth in The Empire Strikes Back

Many of his early Star Wars films feature several shots of models and miniatures that convey realism as impressively and in less t...

Films and the Issue of Privacy

somewhat difficult; she appears to be one of those writers who will not use one word where she can cram in three. In addition, she...

Math in Cinema

to computers to cell phones is digital in nature, that is, totally a product of math; yet, few of us understand how math makes the...

Classic Animation/Disney's Little Mermaid

mans face. The fish slips from his fingers and manages to make it over the side. The perspective follows the fish. The fish turn...

Analyses of 2 German Movies

decent amount of food and health. A Nazi band plays a bright military march that contrasts with the general shabbiness of the men ...

Artistic Expression in Film

This paper examines how artistic expression can be conveyed through cinematic expression. The author also addresses censorship, c...

French Cinema's 'New Wave'

In 5 pages this paper discusses the Nouvelle Vague or New Wave French cinematic movement of the Fifties and Sixties in a considera...

Narrative Style and Theme of Citizen Kane

In six pages a cinematic analysis of director Orson Welles' masterpiece Citizen Kane focuses upon the auteur's themes of capitalis...

Reviewing A Long Kiss Goodnight Film

In six pages the 1996 film directed by Renny Harlin, written by Shane Black and costarring Geena Davis and Samuel L. Jackson is di...

Film Noir and McCarthyism

and the even larger political responses of the Truman administration created a realm in which the primary purpose was to protect t...

Stanley Kubrick's Auteur Film Style in A Clockwork Orange and 2001 A Space Odyssey

In eight pages this paper examines Kubrick's definitive auteur film styles as they are represented in these films and compares the...

Realism in Martin Scorsese's Film Raging Bull

In five pages cinematic realism is compared and contrasted with film noir and surrealism with the focus being how in the film Ragi...

Film Analysis of Orson Welles' The Magnificent Ambersons

In five pages this paper presents an analysis of the 1942 motion picture The Magnificent Ambersons in an examination of director O...

Apocolypse Now

Coppola also uses the aspect of theater, which acknowledges that each member of the audience will bring with them, to the theater,...

Lawrence of Arabia by Filmmaker David Lean

Passage to India. However, his creative pinnacle is largely acknowledged to be the wildly successful (both critically as well as ...

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Cinematic Structure and Coding of the Film Gone with the Wind

in structuralist models, researchers often examine the underlying structures which occur beneath the actions or speech of the indi...

M. Night Shyamalan's Unbreakable Cinematic Analysis

use the camera in the same way as an author uses words for both aesthetic and textural purposes. There are two particularly effec...

British Cinema Censorship Prior to 1945

Censorship of any form also has the effect of promoting elitism with regard to access to...

Cinema and Time's Role

human being he is. This comes as a shock to Oliverio who is as bad as the rest in assuming that prostitutes have no brains. Actu...

Simon During's The Global Popular and the Pleasures of Viewers

climactic as an invading force, but may take place in the acculturation of one culture from another. Even today many of the Wester...

Film Industry and Revelations on Crime and Punishment

woman. She has the ability to ruin peoples lives. This gives her a great deal of power and it corrupts absolutely. As Judge Danfor...

Billy Elliot Film and the Depiction of Childhood

finds that he has a natural talent for it. It is as if the emotional side of him which has been forced to remain silent finally ha...

Director Quentin Tarantino and Postmodernism

(Rombes). Rafferty (1997) explains that the postmodern film is built on the film noir genre, but that a feature of postmodernism ...

1920s' Soviet Films and the Uses of Montage

of tape and combines them to emphasize their meaning. It is a method by which through two unrelated shots we may create a third an...

Howard Hawks' 1946 Film The Big Sleep

of the classic noir characteristics, it also thumbed its nose at the use of flashbacks. There were no voice-over narrations, with ...

Cinematic Style, Influence, and Impact of Francis Ford Coppola

in his 30s. Coppola, born in 1939 in Detroit, Michigan to an actress mother (Italia) and musician father (Carmine) grew up in Quee...

Chantal Ackerman and Her Films Je, Tu, Il and Elle and the Eighties

attitude which pervades most of her works, even today, it can be stated. This is because feminism was asking women to redefine the...

Artist Myth and Cinema

1956 account of Vincent Van Gogh leaves that question open in his sympathetic portrayal of the artist" (TCM, 2003). When watchi...