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Essays 541 - 570

Cinematic History of Filmmaker Francis Ford Coppola's The Godfather

In six pages this paper examines The Godfather in terms of how it represented gender, race, and class. Three sources are cited in...

Cinematic Analysis of Dead Man Walking and Schindler's List

This paper examines how character action is used by the director of Dead Man Walking, and commercially motivated criticisms of Sch...

Cinematic Analysis of What Dreams May Come Come

In five pages this paper examines the innovative camera techniques featured in the Robin Williams' film What Dreams May Come. Fou...

Literary and Cinematic Portrayal of Slavery

In seven pages this paper considers how slavery has been portrayed in cinema, stories, and books. Eleven sources are cited in the...

Artistic and Cinematic Postmodernism

In five pages this research paper examines postmodernism as it is reflected in cinema and art. Seven sources are cited in the bib...

Cinematic Comparative Analysis of Rushmore and The Graduate

In five pages this paper contrasts and compares the similarities and differences of these movies and how they represent the 'comin...

It's a Mad, Mad, Mad, Mad World, The Great Race, and Cinematic Slapstick

" or literally "slapping the stick"(Von Busack ppg). It is a physical humor, reminding us that we are physical beings in a real w...

Shaping History Through Cinematic Narratives

rather how it appears to the person that is hearing or viewing the story. Does the narrative appear to distort or change what ha...

Novel and Cinematic Comparisons of The Great Gatsby

two depictions. Within the theme of The Great Gatsby, Daisy, as weak and dependent as she may be, knows the power she has over me...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

Mike Nichols' The Birdcage Cinematic Content Analysis

a good impression on his prospective in-laws, Armand and Albert pretend to be straight (Bawer). Instead of going for the easy lau...

Cinematic Influences of 1960s' Society

the story of twelve men (all stereotypical white and middle class) who by luck of the draw are brought together to deliberate the ...

African American Stereotypes and Cinematic Semiotics

rather than blatant stereotypes and also new films which spoof the previous stereotypes depicted which in effect erases cinematic ...

Cinematic Comparison of Threads, The Day After, and Testament

(originally produced to be shown on PBS, but later received theatrical distribution), which starred Jane Alexander and focused upo...

Social Order Visions in Police Cinematic Dramas

the beginning perhaps, a cop who felt that policeman could truly offer some form of social control that would eventually benefit a...

Cinematic Portrayal of Greek Virtue and Philosophers

84). However, Socrates is willing to concede that an individual can desire an evil thing if he mistakenly first evaluates it as go...

Silence of the Lambs Novel and Cinematic Versions

remained amazingly faithful to the book, in his commitment to retaining its essence, there were some changes that needed to be mad...

Cinematic Narrative in Pulp Fiction and Citizen Kane

We note he grows to be a gregarious individual who seems driven to succeed in unusual ways, always seeking some adventure and some...

Horror Cinematic Genre

horror film, according to director Elias Merhige, "The horror film transforms itself, adapting to our fears, to the things that we...

Cinematic Analysis of Oliver Parker's Othello

"right hand" man despite Iagos longer term of service (Null, 2002). Iago manages to incite a jealousy rage in Othello that results...

Ron Howard's A Beautiful Mind Cinematic Analysis

harrowing to watch, with Nash suffering several climactic breakdowns and brief moments of lucidity and temporary remission. The u...

Mel Gibson's Cinematic Interpretation of William Shakespeare's Hamlet

(like Mel Gibson in the 1991 film) has no interest in playing him as an apologetic mope" (Ebert). In the written play there is a...

Cinematic Depiction of Aliens

depicts the aliens as beings who represent communism and the fear of being consumed by such "thought." The aliens in this film ...

Frame Concept and Cinematic Representation

surprise twist at the end - the camera, representing the subjective perspective of the audience, is "run over" by a car rather tha...

Los Angeles and Its Cinematic Images

to do is wait and persist and she will eventually love him. While Tod is also not successful in his goal, he realizes that the cul...

Overview of the Western Cinematic Genre

Battle of Summit Springs, a reenactment that showcased Cody rescuing poor white damsel Indian captives in distress (Buscombe 286)....

Orson Welles' Citizen Kane and Frank Capra's Meet John Doe Cinematic and Comparative Analysis

tight close-up (Dirks, 1996). There is a menacing "No Trespassing" sign outside an old gate, and after panning up over a chain-li...

Empire Records Cinematic Analysis

Music Town. With $9,000 of store receipts in his pocket, Lucas goes to Atlantic City in hopes of parlaying that into enough money...

Cinematic Comparison of Audrey Hepburn in Roman Holiday and Natalie Portman in Closer

sexuality and innocence that made superstardom a foregone conclusion. The cinematic experience is one in which the spectator (the...