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YOU WERE LOOKING FOR :All About Eve Cinematic Analysis

Essays 121 - 150

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Mise-en-Scene

and editing equipment to the ability to use special effects as never before. Thus, there is mise-en-scene today and some film mak...

3 Cinematic Interpretations of William Shakespeare's Richard III

most notably, but not really missed, were Queen Margaret, and Edward IV. Some of the lengthy dialogue was taken out without detrac...

Films Based on Mary Shelley's Frankenstein

novel. However, the film adaptation was to have the monster say nothing at all, something which led Lugosi to declining the part. ...

Cinema and 'Race Films'

back to the film "The Birth of the Nation" which lead later to a movement of "race films" in the 1920s in the cinema. Mainstream U...

Blacks in Gone With the Wind and The Jazz Singer

mythos, Negroes were naturally more musical, more rhythmic, and better dancers than any other group. Therefore the studios scurrie...

Alfred Hitchcock's Genius

his cinematic apprenticeship working for British studios - working first as an artist, set designer and directors assistant before...

Reviewing A Long Kiss Goodnight Film

In six pages the 1996 film directed by Renny Harlin, written by Shane Black and costarring Geena Davis and Samuel L. Jackson is di...

How Cinema is Dominated by America

both elements are evident to greater and lesser degrees in each and every film that is produced in America and Europe film (Kerri...

Stanley Kubrick's Auteur Film Style in A Clockwork Orange and 2001 A Space Odyssey

In eight pages this paper examines Kubrick's definitive auteur film styles as they are represented in these films and compares the...

Realism in Martin Scorsese's Film Raging Bull

In five pages cinematic realism is compared and contrasted with film noir and surrealism with the focus being how in the film Ragi...

Apocolypse Now

Coppola also uses the aspect of theater, which acknowledges that each member of the audience will bring with them, to the theater,...

Artistic Expression in Film

This paper examines how artistic expression can be conveyed through cinematic expression. The author also addresses censorship, c...

French Cinema's 'New Wave'

In 5 pages this paper discusses the Nouvelle Vague or New Wave French cinematic movement of the Fifties and Sixties in a considera...

Feminist Cinematic Theory and Psychoanalysis

In five pages this paper examines psychoanalysis' relevance to feminist cinematic theory in a consideration of the article 'Masoch...

Female Characters as Spectators in Early Cinema

This paper examines the heavily male-influenced film industry as it related to the roles played by female characters. The author ...

Alfred Hitchcock, the Cinematic Suspense Master

In six pages this paper examines the cinematic mastery of film director Alfred Hitchcock and some of the techniques he employed th...

Cinematic Technique Known as 'the Long Take'

In six pages this paper examines how filmmakers such as Hou and Orson Welles have employed the long take cinematic technique in su...

Filmmaker Tim Burton

In seven pages this eccentric and innovative film director is examined in terms of craft, cinematic output, and human insights. Si...

Philosophical and Aethetic Comparison of 'Schindler's List' and 'The Battle Of Algiers'

This is a 5 page paper that considers two different cinematic filmmaking approaches to specific battles, one from a Third World pe...

Film Director John Schlesinger

In five pages this research paper examines the cinematic career of filmmaker John Schlesinger in an artistic consideration of such...

1999 Film Sleepy Hollow by Director Tim Burton

In seven pages this report analyzes Tim Burton's film Sleepy Hollow in terms of Johnny Depp's performance and cinematic influences...

Comparative Analysis of The Wizard of Oz Text and 1939 Film

not intend for the work to provide the surreal aura that Emerald City became in the filmed classic. The film was a musical and thi...

Mary Shelley's Frankenstein and Director James Whale's 1931 Film Interpretation

In five pages the original nineteenth century novel by Mary Shelley is compared with the 1931 cinematic production by director Jam...

Tennessee Williams' Cat On a Hot Tin Roof Play and Film Versions

severity of the Bricks grief at Skippers death causes his relatives to speculate, but this is dispelled in the crucial scene that...

Changing the Appearance of Films Through CinemaScope

In eight pages this paper examines the 1950s' introduction of the innovative CinemaScope cinematic technique that changed how film...

Comparing Novel and Film Versions of Like Water for Chocolate

ever since Garcia Marquez won the Nobel Prize" (Simon 64). The novel was an attention grabber and did have it elements of superna...

Symbolism of Tita's Blanket in the Novel and Film Versions of Like Water for Chocolate

This paper examines what Tita's blanket symbolizes in Laura Esquirel's novel Like Water for Chocolate and in its cinematic adaptat...

New Direction of the Horror Film Genre and the 1999 Movie The Sixth Sense

Hoping to succeed this time, the good doctor gives his complete attention to Cole, even if it means neglecting his wife, Anna (Oli...

Psycho Film Critically Analyzed

In thirteen pages Alfred Hitchcock's 1960 suspense masterpiece is analyzed in terms of effect, form, and function with a cinematic...