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YOU WERE LOOKING FOR :An Introduction to As you Like It by Shakespeare

Essays 1081 - 1107

Motivation of Iago in William Shakespeare's Othello

onto that of an innocent man. This cleverly conceived plot is Iagos manner of psychologically fooling the one he is also deceivin...

Jealousy in William Shakespeare's Othello

In three pages this essay analyzes Othello in a consideration of jealousy's featured role in the characterizations of the protagon...

Annotated Bibliography on William Shakespeare's Tweflth Night

Lamb, Mary Ellen. "Tracing a Heterosexual Erotics of Service in Twelfth Night and the Autobiographical Writings of Thomas Whythor...

William Shakespeare's Macbeth and Hamlet A Comparative Analysis

harrow up thy soul, freeze thy young blood, / Make thy two eyes, like stars, start from their spheres, / Thy knotted and combined ...

William Shakespeare's Comic Take on Marriage

of the couple. As Shakespeare juxtaposes their feelings of love, we find that they have not even met. Ferdinand is awakened by the...

Witches' Role in William Shakespeare's Macbeth

term in their prophetic greeting of Macbeth. The first witch hails Macbeth as "Thane of Glamis," the second as "Thane of Cawdor an...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

Appearance And Reality In Shakespeare's Macbeth

your tongue: look like the innocent flower,/ But be the serpent undert" (Shakespeare I v). This is a very powerful example of how ...

William Shakespeare's Macbeth and the Human Capacity for Evil

surely not do anything to hurry it along, stating, "If chance will have me king, why, chance may crown me, Without my stir" (Shaks...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...

Injustice and Vengeance in William Shakespeare's The Tempest and Euripides' Electra

story of Agamemnon we are presented with a man who sacrifices his daughter, at the request or command, of the gods, in order that ...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

Delayed Revenge in William Shakespeare's Hamlet

be condemned if he were killed at prayer. This speaks not only to the strength of religious belief at the time, but to the depth o...

Characters in Shakespeare’s Work

of Cassio. Cassio was given the position, by Othello, that Iago wanted and so Iago employs the usefulness of Cassio, pretending to...

Shakespeare's Tempest/Reflections on His World

and now Prospero sees the opportunity to obtain justice. He charms Miranda into a deep sleep and summons the sprite Ariel, who is ...

Metamorphosis of Change in William Shakespeare’s Macbeth

me in the day of success, and I have learned by the perfectest report they have more in them than mortal knowledge. When I burned ...

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

Shakespeare’s View of Father/Daughter Relationships

surprising that there is evidence in a number of Shakespeares plays that a female characters who is "self-aware" and "skillful" is...

Four ‘Ghostly’ Commands in William Shakespeare’s Hamlet

not he possesses the courage to commit murder. His fear and susceptibility to depression often paralyze his movements to a point ...

Much Ado About Nothing, Twelfth Night/On Film

a take on the play that is patterned after the screwball comedies of the 1930s, as "Beatrice and Benedick are surely the prototype...

Desdemona’s Innocence of Any Wrongdoing in William Shakespeare’s Othello

flies. Though that his joy be joy, / Yet throw such changes of vexation ont / As it may lose some color" (I.i.69-75). When Senato...