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Essays 421 - 450

'Variations on the Word Love' by Margaret Atwood

sell / it (lines 6-7). And, indeed, love sells well -- everything from cars to toothpaste -- filling whole magazines -- "you can /...

Analysis of Both Versions of 'The Chimney Sweeper' in William Blake's Songs of Innocence and Songs of Experience

of sophisticated readers to a gross injustice, which was the short, cruel life of a chimney sweeper. Unlike the modern myth -- a ...

'Wild Night Wild Nights' by Emily Dickinson and 'Earth! My Likeness' by Walt Whitman

of the key phrases in these lines is "Were I with thee," which indicates that the poet is not with her beloved. It is the fact th...

'Lady Lazarus' by Sylvia Plath

In five pages this paper presents a critical analysis of Sylvia Plath's poem 'Lady Lazarus.' Four pages are cited in the bibliogr...

'A Work of Artifice' by Marge Piercy

curlers, the hands you love to touch" (Piercy 75). a. The poem denotes cultural symbols. b. Symbols include bound feet an...

'The Holdfast' Poem by George Herbert

"obey God; nor trust in him; nor confess that nothing is our own" (White 218). There is nothing, literally nothing, that the narra...

An Analysis of Bridging by Marge Piercy

A 5 page analysis of symbolism and structure in this interesting poem. An exploration of inner conflict, fluctuation and inconsis...

Snow Poems Compared and Contrasted

Henry Wadsworth Longfellow, Bly and Djanikian all wrote famous poems dealing with snow. This analysis looks at Snowflakes by Longf...

Poetic Explication of 'Dover Beach' by Matthew Arnold

condition by evoking a beautiful, timeless picture of natural beauty. In the second stanza, he uses the sea as a metaphor to con...

'The Sundew' by A.C. Swinburne

of nature. Yet, inscrutable and mysterious, it is neither wholly good nor evil, but simply part of a greater cycle of life and dea...

Andrew Marvell's 'The Garden'

man knows truth. How can this be? It is through the very essence of man, through the essence of the tree and of flowers and of dog...

William Butler Yeats' 'The Wilde Swans of Coole'

between what is real and what is a mere reflection is indicated in the line that says, "Under the October twilight the water/Mirro...

T.S. Eliot's 'The Waste Land' and the Contemporary World

world was worth living in. Interestingly enough, one critic indicates that this is where Eliot uses the symbolism of the Holy G...

Sonnet Uses of Hopkins

vision of the natural world in which Gods presence can be seen as flowing through it like an electric current. This presence can b...

Dissonance in AJM Smith's 'The Lonely Land'

certain that the reader has not missed the implication. Note that in the lines leading up to the "beauty of dissonance" th...

Prufrock's Character in 'The Love Song of J. Alfred Prufrock' by T.S. Eliot

be a lover and an optimist. But we begin to see images of tension in the fact that he describes the evening sky spread out as "a p...

Poems of William Blake and Theodicy

is self-contradictory" (Davies 86). As envisioned by William Blake, God is not to blame for the good and evil in the world becaus...

Lovers Voices in 'Porphyria's Lover' and 'To His Coy Mistress'

he presents. Essentially, he wants his mistress to accept his advances not because she has been mentally or physically bludgeoned ...

'The Sun Rising' by John Donne

clearly seen in the following lines from Donnes poem: "Thy beams, so reverend and strong/ Why shouldst thou think?" (Donne 11-12)....

Friendship in Three Poems by Sappho

was such time as it was appropriate to say goodbye and release them to adult life as defined by that society. In this poem, Sapp...

Thematic Analysis of 'The Rime of the Ancient Mariner'

lifted, they decided that it had been the bird that caused the fog and they praised the Mariner for seeing through it all. Then, h...

Christian Dogma in Beowulf

one true God. As this suggests, biblical allusions are plentiful in the Old English epic, particularly in regards to the Old Test...

Form and Structure of Emily Dickinson's Poetry

the last line which states the following: "Ah, what sagacity perished here!" (Dickinson 1-3, 11). This is a poem that is obviou...

'Eyes That Last I Saw in Tears' by T.S. Eliot

is seeing the eyes in the present, which is "Here in deaths dream kingdom." Again, alliteration, this time with /d/, makes the lin...

'Song of Myself,' 'When I Read the Book,' and 'One's Self I Sing' by Walt Whitman

With the plain-speaking simplicity that was his trademark, Whitman constructed this poem in such a rhythmic way that it could be s...

'When Lilacs Last in Dooryard Bloom'd' by Walt Whitman

the natural surroundings, with the death of a powerful man. More often than not we, as human beings, keep memories of such powerfu...

Evil as Defined by 19th Century English Romantic Poet William Blake

abnegates any evil whatsoever. Blake seems to believe, as one can readily determine from a study of his other works, that evil is...

'Anonymous A Ballad' by Sir Patrick Spence

ask that pauses and changes in tone come into play for it is clearly set out in a very smooth rhythm. In many ways this establishe...

Emily Dickinson's 'I Dwell in Possibility'

say in their prose pieces. "Of Chambers as the Cedars/Impregnable of Eye And for an Everlasting Roof/The Gambrels of the S...

Literature and Dangerous Male Cultural Socialization

now, instead of letting his hands out into the open, he shoves them deep into his pockets and does not talk much. When he talks, t...