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YOU WERE LOOKING FOR :Analysis of Much Ado About Nothing by William Shakespeare

Essays 481 - 510

William Shakespeare's Use of Evil in Richard III and Macbeth

In six pages this paper examines how Shakespeare timelessly depicts evil in each play. Six sources are cited in the bibliography....

William Shakespeare's Measure for Measure and Minor Characters

publish every wrongdoer to the full extent of the law, justice is not being served. Here, however, we know a secret about Angelo ...

William Shakespeare's 'Romeo and Juliet' and Homosexuality

In ten pages this ppaer examines the homosexual thematic overtones that are evident both in Shakespeare's play as well as Franco Z...

Comparison of Medieval and Modern Views with William Shakespeare's Hamlet and Ben Jonson's Every Man

and turned" (Every Man - III, 2, pp. 48) and Hamlets "imagination" as he dwells on the experience of seeing his fathers ghost: "Th...

The Merchant of Venice by William Shakespeare's Act IV 'Pound of Flesh' Trial

In five pages this paper discusses the fourth act of this play in which Shylock sues for a pound of flesh by Antonio in terms of h...

William Shakespeare's Hamlet and the Personality Theory of Sigmund Freud

In five pages this paper examines Shakespeare's tragedy within the context of the personality theory of Sigmund Freud. Four sourc...

Lower Social Classes in William Shakespeare's Julius Caesar and A Midsummer Night's Dream

In eight pages this paper analyzes the plebeians featured in Julius Caesar and the rude mechanicals in A Midsummer Night's Dream i...

Coercion and Liberation in William Shakespeare's All's Well That Ends Well and The Tempest

In six pages this paper discusses character pairs and how they work within the structure of these two plays by William Shakespeare...

Conflicts Rooted in Anger in William Shakespeare's Tragedies King Lear, Hamlet, and Othello

In three pages the emotional conflicts that are based in anger are examined in terms of the protagonists behavior' and the importa...

William Shakespeare's Use of Sexuality in the Plays Antony and Cleopatra, Hamlet, and Othello

In twelve pages this paper examines how sexuality is thematically portrayed in these plays in terms of obsession, interracial love...

Identity in William Shakespeare's Measure for Measure and Hamlet

In five pages this paper examines the power of identity in the similarities and differences that exist among characters Mariana in...

Choosing a Mate in William Shakespeare's Romeo and Juliet and Taming of the Shrew

In eight pages this paper examines the process of marital selection that is featured in these 2 plays by William Shakespeare. Fiv...

Russ McDonald's 'Presentational Theater' and William Shakespeare's Coriolanus, Hamlet, and Othello

This paper consists of five pages in which Russ McDonald's 'presentational theater' theory is used to analyze illustrations from S...

Orchestral, Opera, and Dance Versions of William Shakespeare's Romeo and Juliet

tragedy and more of an exploration of childhood, innocence and youthful passion. In the course of pursuing their relationship, and...

Psychological Victimization of William Shakespeare's Protagonist in Macbeth

In five pages this paper examines how the witches and Lady Macbeth psychologically victimize Macbeth in this analysis of Shakespea...

Addressing the Dead in William Shakespeare's Hamlet

This paper consists of five pages and analyzes usage of the term dead and the concept of death within the context of Shakespeare's...

Witches and Their Control in William Shakespeare's Macbeth

This paper consists of five pages and presents the thesis that the witches control Macbeth and that they are responsible for the b...

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

Homosexuality and Friendships in William Shakespeare’s Twelfth Night

homoerotic desire" (114). Olivia and Maria embody this type of alliance. Maria is serving Olivia, literally and figuratively spe...

Metamorphosis of Change in William Shakespeare’s Macbeth

me in the day of success, and I have learned by the perfectest report they have more in them than mortal knowledge. When I burned ...

Desdemona’s Innocence of Any Wrongdoing in William Shakespeare’s Othello

flies. Though that his joy be joy, / Yet throw such changes of vexation ont / As it may lose some color" (I.i.69-75). When Senato...

Four ‘Ghostly’ Commands in William Shakespeare’s Hamlet

not he possesses the courage to commit murder. His fear and susceptibility to depression often paralyze his movements to a point ...

Queen Gertrude in William Shakespeare's Hamlet

wicked wit, and gifts that have the power, So to seduce!--won to his shameful lust, The will of my most seeming-virtuous queen" (A...

Delayed Revenge in William Shakespeare's Hamlet

be condemned if he were killed at prayer. This speaks not only to the strength of religious belief at the time, but to the depth o...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...