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Analyzing the Prose of Ophelia in Act III, Scene i, Lines 155 to 166 of Hamlet

whatever virtue she may still retain intact. Ophelia is naturally shocked and confused by Hamlets peculiar behavior and struggles...

'The Play's the Thing': Analyzing Six Passages from William Shakespeare's Plays

Analysis of William Shakespeare's Hamlet (Act V, Scene ii), As You Like It (Act II, Scene vii), Richard III (Act I, Scene ii), The...

Ophelia in Hamlet by William Shakespeare

sign of madness was, in reality, a genuine declaration of affection. Ophelia is the only character with whom Hamlet can, at least...

Hamlet by William Shakespeare and the Function of Ophelia's Character

In five pages this paper discusses the play's second scene in Act II and the first scene in Act III in a consideration of the func...

Macbeth by William Shakespeare and the Staging of the Witches' Scenes

the scenes involving the witches are accompanied by loud claps of thunder. Staging Macbeth outdoors gave Shakespeare natural soun...

An Interpretation from Hamlet's Where's Polonius?

This five page paper interprets Claudius' question to Hamlet as to what has become of Polinus' body, the question preseted in Act ...

Banquet Scene in Macbeth by William Shakespeare

In six pages this essay analyzes the infamous 'banquet scene' in Act III, Scene iv of Hamlet in terms of what it reveals about Mac...

Scenes of Richard III by William Shakespeare Analyzed

In 10 pages pivotal scenes including the second scene of the first act, the first scene of the second act, the first scene of the ...

Portia's Presentation in the Third and Fourth Acts of The Merchant of Venice by William Shakespeare

/ Is an unlessond girl, unschoold, unpractisd; / Happy in this, she is not yet so old / But she may learn; happier than this, / Sh...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

Feminine Frailty in Hamlet by William Shakespeare

the wishes of his mother and the king to remain at court rather than return to his school, they are grateful and satisfied and lea...

Psychotic Discourse Framing Analysis

were a child answering her mother (Ribeiro 80). The great playwright William Shakespeare was a keen observer of human behavior, ...

'I Never Loved Thee' Conversation Between Ophelia and Hamlet

He does not say, and this is another of the hundreds of loose ends in Hamlet that Shakespeare does not explain. At any rate, Ophe...

Shakespeare's Tempest/Act III Scene 1

Milan (Sutton 224). To further exemplify these features, consider a close examination of one scene. As Act III, scene 2, opens, ...

Analyzing Hamlet's Act II, Scene ii

his fathers murder was Claudius elaborate conspiracy to become King, but he lacked sufficient proof to support his theory. When t...

Hamlet, Act IV Soliloquy

He says, "What is a man,/If his chief good and market of this time/Be but to sleep and feed? a beast no more" (IV.IV.33-35). But w...

William Shakespeare's 'Hamlet' Act I, Scene III

they are in committing to marriage. The imagery evoked by "violet in the youth of primy nature" implies that Hamlet is interested...

Act I, Scene iii Analysis The Taming of the Shrew by William Shakespeare Lines 183-228

In five pages these lines are analyzed in terms of assessing Shakespeare's choices, his use of such literary techniques such as rh...

Significance of the ‘Play Within a Play’ (Act III, Scene II) of William Shakespeare’s Hamlet

Prince. Despite his antic disposition or pretending to be mad as another ploy to ensnare Claudius in his revenge trap, maybe Haml...

Hamlet and Women - a Poor Relationship

his objections are overblown. When Ophelia talks to her father or to the court about her relationship with Hamlet, it sounds lik...

William Shakespeare's Hamlet, and Queen Gertrude Following Act III, Scene ii

in bed" (III.ii.206-209), then following-up with the equally matter of fact declaration, "If, once a widow, ever I be wife!" (III....

William Shakespeare's Richard the Third and the Use of Pronouns

regarded as the "polite" or "formal" form of the second person (Garvey 12). The familiar use of "thou" is best illustrated throu...

Rewriting Shakespeare

find a different word. The line "Tell him his pranks have been too broad to bear with" (III.iv.2)is difficult because "broad" does...

Relationship Between Henry IV and Prince Hal

that he has mercy as well as wisdom. None of this his father sees. King Henry IV tells his son in scene ii, Act III, that familia...

How Othello is Admired by Others in the First Act, Third Scene of Othello by William Shakespeare

an outsider, a theme which is emphasized in most critical analyses of the play, Othellos identity as the Moor in Venice was "not a...

Truth Seekers Ophelia and Hamlet

Ophelia, fear it, my dear sister" (1.3.33). (Is "it" the "truth" of men, or the "truth that is not your own?") We need to know th...

Analyzing Lines in Macbeth from Act II, Scene iii 100-105 and Act V, Scene v 20-29

/ I had lived a blessed time, for from this instant / Theres nothing serious in mortality. / All is but toys; renown and grace is ...

Murder Aftermath Scene Act II, Scenes ii and iii Analysis in Macbeth

In a paper consisting of five pages the revelations contained in the scenes after King Duncan's death regarding character relation...

Act I and Act II Analysis of A Midsummer Night's Dream by William Shakespeare

inasmuch as social interaction implies interacting with other persons; thus, the meaning of that interaction is always to be a joi...

Hamlet: Sexuality, Anxiety, and Madness

other. Since the death of Ophelias mother, Laertes and Polonius have appointed themselves as official protectors of her virtue. ...