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Essays 451 - 480

Critical Debates on William Shakespeare's Hamlet

addition, (and not atypical of the Bard) Hamlet has more than one focus. For example, unquestionably the Prince of Denmark is one...

Homosexuality and Friendships in William Shakespeare’s Twelfth Night

homoerotic desire" (114). Olivia and Maria embody this type of alliance. Maria is serving Olivia, literally and figuratively spe...

Metamorphosis of Change in William Shakespeare’s Macbeth

me in the day of success, and I have learned by the perfectest report they have more in them than mortal knowledge. When I burned ...

Queen Gertrude in William Shakespeare's Hamlet

wicked wit, and gifts that have the power, So to seduce!--won to his shameful lust, The will of my most seeming-virtuous queen" (A...

Four ‘Ghostly’ Commands in William Shakespeare’s Hamlet

not he possesses the courage to commit murder. His fear and susceptibility to depression often paralyze his movements to a point ...

A Midsummer Night's Dream and William Shakespeare's Humorous Approach to Love

logic. The play consists of a quartet of couples - secondary characters King Oberon and Queen Titania, and Theseus and Hippolyta;...

Romeo's Character Development in William Shakespeare's Scene Changes in Romeo and Juliet

He and his cousin, are talking. Benvolio tried to stop the fight between the warring factions. He believed that to fight was ign...

Thematic Analysis of Patrick Chamoiseau's Solibo Magnificant and William Shakespeare's The Tempest

how his takeover of the island oppressed the liberties of the natives. Prosperos character (whose name is Italian for "to prosper...

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

William Shakespeare's The Tempest and Relationships Between Master and Slave

In three pages Shakespeare's final play is analyzed in terms of the relationships between master and slave it features. Five sour...

William Shakespeare's Timon of Athens and Disillusionment

This paper consists of eight pages and discusses how the theme of disillusionment is represented in this Shakespearean play. Five...

Analysis of William Shakespeare's Henry IV Speeches I.ii.185-192-I.ii.1-9

In five pages this paper presents an analysis of King Henry and Prince Hal's speeches in terms of tone and metaphor in a contrast ...

Character Relationships, William Shakespeare's A Midsummer Night's Dream and 'the Play Within the Play'

In six pages this paper examines the 'play within the play' involving the character relationships of famous Shakespearean couples ...

Choosing a Mate in William Shakespeare's Romeo and Juliet and Taming of the Shrew

In eight pages this paper examines the process of marital selection that is featured in these 2 plays by William Shakespeare. Fiv...

Dramatic Irony in William Shakespeare's Much Ado About Nothing and The Taming of the Shrew

In three pages this paper analyzes how Shakespeare employed dramatic irony in these 2 plays. There are no other sources listed....

Characterization and Effect in William Shakespeare's Twelfth Night

everybody. Laughter in this play has a healing effect. Revenge is achieved not by fighting (not by serious fighting, anyw...

Russ McDonald's 'Presentational Theater' and William Shakespeare's Coriolanus, Hamlet, and Othello

This paper consists of five pages in which Russ McDonald's 'presentational theater' theory is used to analyze illustrations from S...

William Shakespeare's Use of Sexuality in the Plays Antony and Cleopatra, Hamlet, and Othello

In twelve pages this paper examines how sexuality is thematically portrayed in these plays in terms of obsession, interracial love...

Identity in William Shakespeare's Measure for Measure and Hamlet

In five pages this paper examines the power of identity in the similarities and differences that exist among characters Mariana in...

Analysis of William Shakespeare's Romeo and Juliet, Hamlet, and Sophocles' Oedipus

In six pages this research paper contrasts and compares these works by Shakespeare and Sophocles in terms of tragic themes and iro...

Coercion and Liberation in William Shakespeare's All's Well That Ends Well and The Tempest

In six pages this paper discusses character pairs and how they work within the structure of these two plays by William Shakespeare...

Lower Social Classes in William Shakespeare's Julius Caesar and A Midsummer Night's Dream

In eight pages this paper analyzes the plebeians featured in Julius Caesar and the rude mechanicals in A Midsummer Night's Dream i...

William Shakespeare's Macbeth and Images of Night and Day

the characters and how they all go about trying to define the night and day while engaged in various activities. In the...

William Shakespeare's Macbeth and the Human Capacity for Evil

surely not do anything to hurry it along, stating, "If chance will have me king, why, chance may crown me, Without my stir" (Shaks...

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...