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Essays 571 - 600

Cinematic Violence

The ongoing debate onf movie violence is examined from both sides in five pages with Pulp Fiction and Natural Born Killers among t...

Richard III Cinematic Adaptation by Laurence Olivier

In six pages Olivier's interpretation of Richard and the importance of the 5 soliloquies to the film are discussed. There are no ...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...

Cinematic Comparative Analysis of Rushmore and The Graduate

In five pages this paper contrasts and compares the similarities and differences of these movies and how they represent the 'comin...

Cinematic Version of Anthony Burgess' A Clockwork Orange and the Problems Faced by Director Stanley Kubrick

In eight pages this paper discusses the problems filmmaker Stanley Kubrick struggled with while making his big screen adaptation o...

The Wizard of Oz, Citizen Kane, and Cinematic Reflections of America

In five pages this paper discusses how these films reflect expansionism, individualism, success, economic wealth, the 'American Dr...

Cinematic Depiction of Deviance

In eleven pages this paper discusses how deviance is cinematically depicted in such films as Leaving Las Vegas and One Flew Over t...

Literary and Cinematic Portrayal of Slavery

In seven pages this paper considers how slavery has been portrayed in cinema, stories, and books. Eleven sources are cited in the...

Cinematic Analysis of Dead Man Walking and Schindler's List

This paper examines how character action is used by the director of Dead Man Walking, and commercially motivated criticisms of Sch...

It's a Mad, Mad, Mad, Mad World, The Great Race, and Cinematic Slapstick

" or literally "slapping the stick"(Von Busack ppg). It is a physical humor, reminding us that we are physical beings in a real w...

Novel and Cinematic Comparisons of The Great Gatsby

two depictions. Within the theme of The Great Gatsby, Daisy, as weak and dependent as she may be, knows the power she has over me...

Shaping History Through Cinematic Narratives

rather how it appears to the person that is hearing or viewing the story. Does the narrative appear to distort or change what ha...

Cinematic History of Filmmaker Francis Ford Coppola's The Godfather

In six pages this paper examines The Godfather in terms of how it represented gender, race, and class. Three sources are cited in...

Watergate's Cinematic Interpretations

In five pages the portrayal of the Watergate scandal in Alan J. Pakula's All the President's Men and Andrew Fleming's Dick are com...

Franco Zeffirelli's Cinematic Interpretation of Romeo and Juliet by William Shakespeare

the still city, which is bathed in ethereal morning light, the city is shrouded in fog. This is also symbolic, in that its white s...

Shakespeare's Richard the Third and Hamlet in Cinematic Cross References Deconstruction

In five pages this report considers how famous literary works such as Shakepeare's plays must be deconstructed in order to be cine...

Cinematic Analysis of What Dreams May Come Come

In five pages this paper examines the innovative camera techniques featured in the Robin Williams' film What Dreams May Come. Fou...

Silence of the Lambs Novel and Cinematic Versions

remained amazingly faithful to the book, in his commitment to retaining its essence, there were some changes that needed to be mad...

Cinematic Interpretation of History

In terms of the way in which...

Cinematic Narrative in Pulp Fiction and Citizen Kane

We note he grows to be a gregarious individual who seems driven to succeed in unusual ways, always seeking some adventure and some...

Horror Cinematic Genre

horror film, according to director Elias Merhige, "The horror film transforms itself, adapting to our fears, to the things that we...

Cinematic Depiction of Microbiology, Contagion

This research paper cites reviews in order to report on the scientific accuracy of the film and the manner in which it depicts mic...

Excalibur, A Cinematic Representation of Arthurian Legend

his sword and kneels commanding that his enemy should knight him. Overcome with Arthurs bravery, as the noble could just as easily...

Moulin Rouge (2001) and Setting a Cinematic Mood

Berkeleys choreography book, he creates mood through unusual camera angles, and heightens the films pace through "speeded-up, step...

Hotel Rwanda, Cinematic Analysis

This research paper/essay analyzes and critiques the portrayal of genocide presented in the 2004 film Hotel Rwanda. Five pages in ...

Cinematic Analysis of Oliver Parker's Othello

"right hand" man despite Iagos longer term of service (Null, 2002). Iago manages to incite a jealousy rage in Othello that results...