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Essays 61 - 90

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

Shakespeare/Sonnet 73

spring of renewal, for the person that has died. This fact is emphasized in the final metaphor, which is addressed in the next fou...

Iago's Character in William Shakespeare's Othello II

In three pages this paper analyzes the complexities of the Iago character in Othello by William Shakespeare. There is no bibliogr...

Character Comparisons in William Shakespeare's Much Ado About Nothing II

becomes more and more obvious. Their words, which appear to be that demonstrating disdain, are words spouted by lovers who are con...

William Shakespeare's Hamlet and the Use of Imagery II

In five pages this research paper examines how imagery is featured in depicting nature, disease, and Christianity within the conte...

William Shakespeare's Hamlet, and Queen Gertrude Following Act III, Scene ii

in bed" (III.ii.206-209), then following-up with the equally matter of fact declaration, "If, once a widow, ever I be wife!" (III....

3 Works on Women's Social Role

out with flowers and shod with dainty little slippers? (Aristophanes). As this indicates, women, at least the upper class women,...

Act II, Scene II of Shakespeare's A Midsummer Night's Dream

and Oberon are the sovereign spirits of the woods and in their own right are exotic royalty. Yet again, the issue of appearances ...

Shakespeare's Hamlet Act II, Scene II

The scene in which Hamlet meets with the Players and the reaction to these Players are the focus of this paper consisting of five ...

Idealist, Realist Women, Shakespeare, Sheridan

This essay pertains to "The Comedy of Errors" (1594) and "Twelfth Night" (1601) by William Shakespeare and "The Rivals" (1775) by ...

Handkerchief Significance in William Shakespeare's Othello

good man, whom he has treated unjustly. Desdemona has, of course, been persuaded by Iago to defend Cassio, as he knows that this w...

Religion and Church History

In fifteen pages this paper discusses how religion and the church evolved in a consideration of John Wesley, William Carey, Isaac ...

Ernesto Galarzo's The Barrio Boys and Amy Tan's The Joy Luck Club

These two novels are contrasted and compared in five pages with references made to Richard B. Rice, William A. Bullough and Richar...

The Directors' Vision of Three Plays

This 9 page paper examines the way in which three different directors approach Shakespeare. It looks at Kenneth Branagh's producti...

Justifying Authority

The ways in which authority has been justified in literature is examined in Geoffrey Chaucer's 'The Wife of Bath's Tale,' William ...

Double Plot Analysis of William Shakespeare's King Lear

In five pages the dual plots that propel the action of King Lear by William Shakespeare, those of Lear and his daughters and Glouc...

Analysis of William Shakespeare's Hamlet as a Religious Play

In five pages this research paper considers the religious aspects of Hamlet by William Shakespeare in an analysis of Hamlet's acti...

Shakespearean Conflict in Macbeth and Othello

thus been more cautious in allowing his jealousy to lead to rash and devastating consequences. Macbeth is one of Shakespeares d...

Act III, Scene 4 of King Lear by William Shakespeare

psychologist points out that Edgar discusses his own case lucidly, while indulging in unlimited incoherence in regards to everythi...

Malevolent Characters and the Catalysts Represented by Their Actions

her own backbone and eventually would have left Torvald. Krogstad does not purposely cause the marital strife, some would argue, b...

Othello and Richard III by William Shakespeare

idle pleasures of these days. / Plots have I laid, inductions dangerous" (Shakespeare I i). In Othello Iago tells us, "And whats h...

Critiques of "Richard III"

and is killed. Henry then becomes King Henry VII. Richard is "not a good man who, when tempted falls, and who, when fallen, hopes...

Richard III by William Shakespeare and Morality Play Period Staging

between Richard and the audience so as to establish an immediate intimacy. He "remains in direct contact with the spectators thro...

Shakespeare as the Author of His Works

poems "by several well-known theatrical poets. One of these poems (untitled in the volume, but now known as "The Phoenix and the T...

Shakespeare and the Cost of Power

In a paper of three pages, the writer looks at the cost of power in Shakespeare's tragedies. Richard III, As You Like It, and the ...

Shakespeare/Sonnets 73 and 130

and Shakespeares use of metaphor achieves his purpose very well, particularly in the lines that refer to comparing a ladys breath ...

William Shakespeare's Histories and New Historicist Criticism

which make up the spectrum of everyday life of the period. Spiegel (1997), for instance, makes the point that one can see such tex...

Richard the Third by William Shakespeare and Lady Anne's Wooing

must reach unto" (Shakespeare I, i). When the two meet in the next scene we note that Lady Anne has absolutely no feelings for ...

Scenes of Richard III by William Shakespeare Analyzed

In 10 pages pivotal scenes including the second scene of the first act, the first scene of the second act, the first scene of the ...