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Essays 1141 - 1170

Moonrise Film by Director Frank Borzage

post-modern culture, one more devoted to the supposed ironies of a Douglas Sirk or the wit and playfulness (amidst violence and me...

Director Kenneth Branagh's Hamlet (1996)

This paper pertains to Kenneth Branagh's adaptation of "Hamlet." The writer describes the overall film and the cinematic devices ...

Historical Accuracy of Michael Collins Film by Director Neil Jordan

an uneasy political alliance with Sinn Fein President Eamon De Valera, and this fueled the romantic rivalry between Collins and hi...

What a Director Should Know about a Production of William Shakespeare's Romeo and Juliet

the best Shakespeare company in the world so perhaps the director might want to consider a minimalist production. The focus of th...

Alternative Film Director Tobe Hooper's The Texas Chainsaw Massacre

by todays standards because almost everything this film did, has been done over and over since. The paper, therefore, focuses on h...

Cinematic Director Fatih Akin

as reflecting reality depicting unusual events or situations, but presenting real conflicts and issues that reflect this history o...

Combat Films and Full Metal Jacket by Director Stanley Kubrick

closer together and provide cohesiveness to the group through a single-mindedness of purpose (Gehring 93). At no time does the gr...

Early American Film Director D.W Griffith

his five years at Biograph, Griffith took the raw elements of moviemaking as they had evolved up to that time -- lighting, continu...

Film She's Gotta Have It by Director Spike Lee

of her three suitors, a sex therapist, her father and her former roommate, and a lesbian acquaintance (Shes Gotta Have It). Nolas ...

Comparing Soviet Film Directors Sergei Eisenstein and V.I. Pudovkin

(Manvell 37). While Pudovkin would occasionally use non-professional actors in the name of realism, he preferred relying on profe...

William Shakespeare's Hamlet and Film Adaptations by Directors Laurence Olivier and Kenneth Branagh

should take place in the nineteenth century, a time characterized by scandalous behavior, which he believed would make 400-year-ol...

Cinematic Contributions of Director Howard Hawks

In ten pages this paper examines Hawks' big screen contributions with an emphasis upon his screwball comedy classics Ball of Fire,...

Neorealism of Italian Director Roberto Rossellini

In eight pages this paper discusses the post Second World War neorealist cinema that was characterized by Roberto Rossellini in su...

Director James Cameron's 1998 Film Titanic

In three pages this paper discusses this blockbuster movie about the sinking of the Titanic in terms of plot outline and analyzes ...

Apocolypse Now Film by Director Francis Ford Coppola

In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...

World Perspectives and Postmodern Style of Film Directors John McNaughton and Danny Boyle

In twenty pages this paper discusses the impact of postmodernism upon the views of filmmakers John McNaughton and Danny Boyle. Ei...

1989 Film Do the Right Thing by Director Spike Lee

In six pages this film is analyzed in terms of the blackness concept. Ten sources are cited in the bibliography....

A Clockwork Orange and The Shining Films by Auteur Director Stanley Kubrick

Symphony, to underscore elements of the theme and create contrast between the beauty of the classical music and the turbulence of ...

Film Director Sam Peckinpah's Life and Work

In five pages plus an additional thesis and outline page this paper considers the controversial filmmaker's life and violent appro...

The Crowd 1928 Silent Film by Director King Vidor

People simply do not flock to see silent films anymore. At the time, the film was well reviewed by both the New York Times and Var...

Cinematic Version of Anthony Burgess' A Clockwork Orange and the Problems Faced by Director Stanley Kubrick

In eight pages this paper discusses the problems filmmaker Stanley Kubrick struggled with while making his big screen adaptation o...

Modernism in the Film Pierrot Le Fou by Director Jean Luc Godard

economic policy; the once-independent populations lost their identity as a people. The post-colonial Americas yearned for the abi...

Life and Image of FBI Director J. Edgar Hoover

In nine pages J. Edgar Hoover's life and negative public image are discussed. Eight sources are cited in the bibliography....

The Seventh Seal and Cinematic Symbolism of Director Ingmar Bergman

In five pages this paper analyzes the symbolism Ingmar Bergman employed for existentialist effect in his 1957 film The Seventh Sea...

Natural Born Killers Film by Director Oliver Stone

In five pages this 1994 film is analyzed in terms of story with character, cinematics with editing, and meaning with theme. Three...

1958 Film Touch of Evil by Director Orson Welles

drug-trafficking case. Heston, covered in unconvincing dark makeup and no audible Mexican accent, assists Welles in the car bomb c...

Film Versions of William Shakespeare's Othello by Directors Orson Welles and Oliver Parker

In five pages this paper critiques 2 film interpretations of William Shakespeare's tragedy Othello. One source is cited in the bi...

Film Director John Schlesinger

In five pages this research paper examines the cinematic career of filmmaker John Schlesinger in an artistic consideration of such...

The Birds by Director Alfred Hitchcock

In a report consisting of six pages the notion of seemingly harmless creatures turning on innocent residents of a northern Califor...

'Hawksian Women' of Director Howard Hawks

In five pages this paper considers how Hawks portrayed women in his films with a discussion of Katharine Hepburn in Bringing Up Ba...