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Character of Melanie in Alfred Hitchcock's Film The Birds

Mitch, a man completely under the control of his mother. But, we really do not necessarily believe that Melanie wants this man. Sh...

Alfred Hitchcock's Film The Birds

In five pages this paper examines how man's abuse of nature has dire consequences in Alfred Hitchcock's 1963 film The Birds. Four...

The Birds by Director Alfred Hitchcock

In a report consisting of six pages the notion of seemingly harmless creatures turning on innocent residents of a northern Califor...

The Disturbing Worldview of Alfred Hitchcock

the side of the road in the midst of miles of cornfields. It is a bright, sunny afternoon and the prairie seems benign after the c...

Hitchcock's The Birds, Use of Sound

This essay pertains to Hitchcock's "The Birds" and the strategies that Hitchcock used in the film that relate to the use of sound....

Hitchcock/Rear Window & North by Northwest

film. More credits fall and slide into place, which foreshadows how Thornhill will later slide, nearly falling off the face of Lin...

Alfred Hitchcock and His Auteur Style

theorists and directors," note that "Hitchcocks films are deeply infused with anxiety, guilt, and existential angst, which they tr...

Hitchcock/Psycho & Shadow of a Doubt

the nature of good and evil. In "Shadow," there are the two "Charlies," Uncle Charlie and his niece, Charlotte, who is known as "C...

Narrative Construction in “Rear Window”

ultimately meaningless and pointless. An audience member, however, wants to understand whats happening, and uses a film narrative ...

Techniques of Filmmaker Alfred Hitchcock

The cuts are approximately equal in length. Finally Thornhill asks if hes supposed to meet someone and the stranger replies...

Eyes in Film

Schwartz towards the woman he is longing for; the disappointed gaze of his wife Lotte (Cameron Diaz). When a person is presumably ...

Comparative Analysis of Alfred Hitchcock's Film Vertigo and Billy Wilder's Film Some Like It Hot

Jerry and chase them through the hotel. The two hide under a table in a banquet room, only to discover that its the very room in ...

A Review and Analysis of the Film, North By Northwest

This paper analyzes and reviews Alfred Hitchcock's 1959 classic film, North by Northwest. This two page paper has one source list...

1930 to 1949 British Film and the Connection Between Realism and Melodrama

In eight pages this paper examines the connection between realism and melodrama that existed in British cinema during this time pe...

1930s and 1940s' British Cinema and its Heterogeneous Mix

In seven pages the heterogeneity of such British films of the period as Alfred Hitchcock's 1938 The Lady Vanishes and Zoltan Korda...

"Psycho" with Reference to Walters

between them by the feelings they evoke in us. Walters writes that tension is one of the most important barometers of audience res...

Hitchcock’s Auteur Vision: “Rear Window”

they were in the wrong place at the wrong time. In The Birds, for instance, Melanie (Tippi Hedren) pursues Mitch (Rod Taylor), a m...

Expressionism in Film

rolling down a hillside and coming ominously to rest" (Morris, 2000). Following the template set by Caligari, Lang also delves int...

Hitchcock/Strangers On A Train

an accidental meeting, as they have lunch in Guys private compartment, Bruno makes comments that reveal that he has detailed knowl...

Hitchcock's Rebecca

Danvers seems almost supernatural in her ability to simply appear, starling the current Mrs. De Winter, who is played by Joan Font...

An Analysis of Alfred Hitchcock's Film Rear Window

In five pages this research paper considers how voyeurism is depicted in this 1954 suspense thriller particularly as it relates to...

Evil in Alfred Hitchcock's Films Rope and North by Northwest

the most louche, laidback villains in screen history" (Brooke, 2005, PG) emphasises Thornhills naivety as far as espionage and mur...

Mise en Scene in Alfred Hitchcock's Film Vertigo

know the woman, named Madeline, he falls in love with her. However, Madeline succeeds in committing suicide and Scotty is helpless...

Psychoanalytic View of Alfred Hitchcock's 1960 Film Psycho

film manipulates the audience at every turn, so that the audience is compelled to examine their own sympathies and perspective. ...

Spectator in Alfred Hitchcock's Film Rear Window

action shot at a car race. To rely on an old clich?, he is "bored to tears." He spends most of his convalescent time sitting at th...

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Psycho Film Critically Analyzed

In thirteen pages Alfred Hitchcock's 1960 suspense masterpiece is analyzed in terms of effect, form, and function with a cinematic...

Analysis of Hitchcock's Vertigo

falling Madeleine from her apartment to a flower shop, to a Spanish mission where she visits the grave of Carlotta Valdes, and to ...

“Rear Window” and “Blow-Up”

same lust. At times, his meddling seems to be a good thing, as when he and his nurse/masseuse Stella (Thelma Ritter) see a neighbo...

“Modern Times” and “Rear Window”

(Dirks, 2008). There is almost nothing positive about the surveillance that Chaplin describes here; it consists solely of a powerf...