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Essays 391 - 420

Early 1930s' Payne Fund Studies

In seven pages this paper examines cinematic impacts upon children as revealed in the landmark Payne Fund Studies of the 1930s. F...

Horror Film Industry Impact of Alfred Hitchcock

In six pages the horror film industry contributions of the cinematic 'Master of Suspense' and their impact are examined. Seven so...

William Shakespeare's 'Romeo and Juliet' and Homosexuality

In ten pages this ppaer examines the homosexual thematic overtones that are evident both in Shakespeare's play as well as Franco Z...

Review of the Post World War II Film The Bicycle Thief

In six pages this paper discusses the portrayal of the realities confronting Italy after the Second World War as featured in Vitto...

Trio of Historic Films Examined

In ten pages a trio of historic films answer questions pertaining to cinematic theories, techniques, styles, emotions, and editing...

Horror Films and How They Have Evolved

Project" serves as an excellent example of a film-maker taking full advantage of the inherent fear of all modern humans regarding ...

Film Prequel Star Wars Episode I The Phantom Menace

In five pages this film prequel is analyzed in terms of what it represents and its influence upon the two cinematic prequels to co...

Film Dramatizations of Geoffrey Chaucer's The Canterbury Tales

In six pages this research paper discusses 2 cinematic interpretations of The Canterbury Tales and argues that how filmmakers fail...

Novel and Cinematic Versions of A Passage to India by E.M. Forster

In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...

Charlie Chaplin's Life and Cinematic Contributions

In thirty pages this paper discusses the controversial actor and director's life, cinematic contributions, politics, and the legac...

Twentieth Century Art of Cinema

In eight pages this report presents examines of twentieth century cinematic artistry. Four sources are cited in the bibliography....

Worldwide Environment and American Film Performers

is particularly evident in the spread of American culture seemingly to the far corners of the globe (Eslake 61). On practically e...

Cinema and the Depiction of African Americans III

In eight pages this paper discusses the cinematic portrayal of African Americans with stereotype reliance a primary emphasis. Ele...

Cinematic Classification of Documentaries, Comedies, and Dramas

expectations of the movies plot. The believability of characters is directly proportionate to the credibility of the plot. If a ...

Post First World War Hollywood Studio Dominance

In twelve pages this paper considers the global cinematic dominance of the Hollywood studio system after the First World War. Nin...

Hollywood Cinema, False Depiction of Women and the Subtle Sexism

sexually aggressive. In my own opinion, Mildred Pierce, Jezebel, The Postman Always Rings Twice-these were great tragedies about w...

Andrei Tarkovsky's Cinematic Poetry

This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...

Comedy in Cinema, From Charlie Chaplin To Woody Allen

This paper addresses the growth of cinematic comedy. The author covers major works by Charlie Chaplin, The Three Stooges, Buster ...

Roots of Avant Garde's Visual Arts

In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...

1968 Film Romeo and Juliet by Franco Zeffirelli

In three pages this paper examines the filmmaker's various cinematic techniques and include elements such as utilizing teenage act...

Apocolypse Now Film by Director Francis Ford Coppola

In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...

Eraserhead Film by David Lynch

Experimental films are discussed in this research paper consisting of six pages with Lynch's feature debut the focus of considerat...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...

Citizen Kane from a Critical Perspective

One of the most innovative movies in cinematic history is Orson Welles' Citizen Kane. This paper examines Welles' techniques and w...

Analysis of Scream and Psycho Horror Movies

In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...

Hollywood Babylon of Filmmaker Kenneth Anger

In five pages this paper discusses the cinematic style of nonnarrative abstract developed by Kenneth Anger, underground filmmaker....

Politics in the Book and Film Primary Colors

In six pages this paper examines politics in the United States and how it is portrayed in the novel and cinematic versions of Prim...

Comparative Analysis of William Shakespeare's Play Hamlet and Kenneth Branagh's Film Adaptation

In six pages this paper compares the strong similarities between Kenneth Branagh's cinematic interpretation of Hamlet and Shakespe...

Federico Fellini's Film, La Dolce Vita

This paper examines the Fellini film, La Dolce Vita. The author discusses camera shots and angels, as well as design, decor, comp...