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Essays 721 - 750

Mise-En Scene in Three Films

Thompson 115). The number of possible angles is infinite since there are an infinite number of points in space that the camera can...

Novel and Movie Versions of The French Lieutenant's Woman

novel and wholly unique to the film, it is arguably faithful to Fowles intentions in the way that the original novel is structured...

3 Cinematic Interpretations of William Shakespeare's Richard III

most notably, but not really missed, were Queen Margaret, and Edward IV. Some of the lengthy dialogue was taken out without detrac...

Mise-en-Scene

and editing equipment to the ability to use special effects as never before. Thus, there is mise-en-scene today and some film mak...

Alfred Hitchcock, the Cinematic Suspense Master

In six pages this paper examines the cinematic mastery of film director Alfred Hitchcock and some of the techniques he employed th...

Comparative Analysis of The Wizard of Oz Text and 1939 Film

not intend for the work to provide the surreal aura that Emerald City became in the filmed classic. The film was a musical and thi...

Filmmaker Tim Burton

In seven pages this eccentric and innovative film director is examined in terms of craft, cinematic output, and human insights. Si...

Philosophical and Aethetic Comparison of 'Schindler's List' and 'The Battle Of Algiers'

This is a 5 page paper that considers two different cinematic filmmaking approaches to specific battles, one from a Third World pe...

Film Director John Schlesinger

In five pages this research paper examines the cinematic career of filmmaker John Schlesinger in an artistic consideration of such...

French Cinema's 'New Wave'

In 5 pages this paper discusses the Nouvelle Vague or New Wave French cinematic movement of the Fifties and Sixties in a considera...

Cinematic Technique Known as 'the Long Take'

In six pages this paper examines how filmmakers such as Hou and Orson Welles have employed the long take cinematic technique in su...

Feminist Cinematic Theory and Psychoanalysis

In five pages this paper examines psychoanalysis' relevance to feminist cinematic theory in a consideration of the article 'Masoch...

Female Characters as Spectators in Early Cinema

This paper examines the heavily male-influenced film industry as it related to the roles played by female characters. The author ...

Analyzing the Film Deliverance

In six pages critical cinematic theory is applied to director John Boorman's film released in 1972 and discusses how theme is depi...

Comparing Fictional and Documentary Films

then put it in a corner and make it a documentary--not my life, not possibly my life " (qtd. in Lim, 1999, p.184). Roth makes a go...

Film Noir and McCarthyism

and the even larger political responses of the Truman administration created a realm in which the primary purpose was to protect t...

How Cinema is Dominated by America

both elements are evident to greater and lesser degrees in each and every film that is produced in America and Europe film (Kerri...

Stanley Kubrick's Auteur Film Style in A Clockwork Orange and 2001 A Space Odyssey

In eight pages this paper examines Kubrick's definitive auteur film styles as they are represented in these films and compares the...

Realism in Martin Scorsese's Film Raging Bull

In five pages cinematic realism is compared and contrasted with film noir and surrealism with the focus being how in the film Ragi...

Reviewing A Long Kiss Goodnight Film

In six pages the 1996 film directed by Renny Harlin, written by Shane Black and costarring Geena Davis and Samuel L. Jackson is di...

Artistic Expression in Film

This paper examines how artistic expression can be conveyed through cinematic expression. The author also addresses censorship, c...

Apocolypse Now

Coppola also uses the aspect of theater, which acknowledges that each member of the audience will bring with them, to the theater,...

Cinematic Classification of Documentaries, Comedies, and Dramas

expectations of the movies plot. The believability of characters is directly proportionate to the credibility of the plot. If a ...

Cinema and the Depiction of African Americans III

In eight pages this paper discusses the cinematic portrayal of African Americans with stereotype reliance a primary emphasis. Ele...

Twentieth Century Art of Cinema

In eight pages this report presents examines of twentieth century cinematic artistry. Four sources are cited in the bibliography....

Charlie Chaplin's Life and Cinematic Contributions

In thirty pages this paper discusses the controversial actor and director's life, cinematic contributions, politics, and the legac...

Worldwide Environment and American Film Performers

is particularly evident in the spread of American culture seemingly to the far corners of the globe (Eslake 61). On practically e...

Politics in the Book and Film Primary Colors

In six pages this paper examines politics in the United States and how it is portrayed in the novel and cinematic versions of Prim...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...