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Essays 781 - 810

Changing the Appearance of Films Through CinemaScope

In eight pages this paper examines the 1950s' introduction of the innovative CinemaScope cinematic technique that changed how film...

Analyzing 'Technology and Politics in the Blade Runner Dystopia' by Judith Kerman

In five pages this paper considers Kerman's thoughtful commentary and assessment of the 'Blade Runner' film and its contribution t...

Horror Film Industry Impact of Alfred Hitchcock

In six pages the horror film industry contributions of the cinematic 'Master of Suspense' and their impact are examined. Seven so...

William Shakespeare's 'Romeo and Juliet' and Homosexuality

In ten pages this ppaer examines the homosexual thematic overtones that are evident both in Shakespeare's play as well as Franco Z...

Early 1930s' Payne Fund Studies

In seven pages this paper examines cinematic impacts upon children as revealed in the landmark Payne Fund Studies of the 1930s. F...

Trio of Historic Films Examined

In ten pages a trio of historic films answer questions pertaining to cinematic theories, techniques, styles, emotions, and editing...

Horror Films and How They Have Evolved

Project" serves as an excellent example of a film-maker taking full advantage of the inherent fear of all modern humans regarding ...

Review of the Post World War II Film The Bicycle Thief

In six pages this paper discusses the portrayal of the realities confronting Italy after the Second World War as featured in Vitto...

Films My Darling Clementine and Now Voyager and Their Representations of Class and Gender

In ten pages these cinematic melodramas of the Forties are examined in a discussion of meaning construction through class and gend...

3 Perspectives on Julius Caesar by Plutarch, William Shakespeare, and Joseph L. Mankiewicz

In six pages this paper discusses how Plutarch and Shakespeare presented Julius Caesar in comparison to Joseph L. Mankiewicz's 195...

Ian McKellan's Film 'Richard III' and Evil

In six pages this paper examines how evil is portrayed in this cinematic interpretation of William Shakespeare's 'Richard III' wit...

Jean Luc Godard's Unconventional Cinematic Style

of capitalism, he looked for a medium which would best provide a creative outlet, as well as indulge in his interest in philosophy...

Contemporary Perspectives on Romeo and Juliet by William Shakespeare

In five pages this paper examines the contemporary perspectives represented in the 1996 cinematic interpretation of William Shakes...

Privacy Invasion by the Media

In five pages this paper examines how privacy is intruded upon by the media in the name of news with cinematic examples provided t...

Consideration of Cinematic Art

In nine pages two stylistic modes Hollywood's classical narrative realism and modernist or avant garde are examined in terms of ho...

Art of Cinema from 1948 to 1965

In nine pages the ways in which cinematic art changed surprisingly little during this time period despite some avant garde detours...

Lawrence of Arabia by Filmmaker David Lean

Passage to India. However, his creative pinnacle is largely acknowledged to be the wildly successful (both critically as well as ...

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Reality and Films

Indeed, by looking at the role of the women in the movie it is a reflection of the social conditions. There is a reflection of the...

William Faulkner's 'A Rose for Emily' and Other Examples of Eccentricity

are similar to Emilys. The characters discussed are Carrie, from the film "Carrie," Norman Bates from the film "Psycho," Eleanor f...

Reinvention of Western Films

There are other types of westerns though as well. Some westerns depict life in Americas colonial times or may take place in terra...

Chantal Ackerman and Her Films Je, Tu, Il and Elle and the Eighties

attitude which pervades most of her works, even today, it can be stated. This is because feminism was asking women to redefine the...

Cinematic Style, Influence, and Impact of Francis Ford Coppola

in his 30s. Coppola, born in 1939 in Detroit, Michigan to an actress mother (Italia) and musician father (Carmine) grew up in Quee...

Artist Myth and Cinema

1956 account of Vincent Van Gogh leaves that question open in his sympathetic portrayal of the artist" (TCM, 2003). When watchi...

Epic Hero Luke Skywalker in Star Wars

given a task to perform and in doing so derives some sort of personal meaning from it. He may meet with a great series of misfortu...

Films Based on Mary Shelley's Frankenstein

novel. However, the film adaptation was to have the monster say nothing at all, something which led Lugosi to declining the part. ...

Cinematic Structure and Coding of the Film Gone with the Wind

in structuralist models, researchers often examine the underlying structures which occur beneath the actions or speech of the indi...

Cinema and 'Race Films'

back to the film "The Birth of the Nation" which lead later to a movement of "race films" in the 1920s in the cinema. Mainstream U...

Blacks in Gone With the Wind and The Jazz Singer

mythos, Negroes were naturally more musical, more rhythmic, and better dancers than any other group. Therefore the studios scurrie...

Alfred Hitchcock's Genius

his cinematic apprenticeship working for British studios - working first as an artist, set designer and directors assistant before...