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Essays 811 - 840

Searches in 2 Films by Orson Welles

series of flashback scenes, it becomes apparent that Kane, though quite wealthy, does not know who he is anymore. Having risen fro...

Tennessee Williams' Cat On a Hot Tin Roof Play and Film Versions

severity of the Bricks grief at Skippers death causes his relatives to speculate, but this is dispelled in the crucial scene that...

Alfred Hitchcock, the Cinematic Suspense Master

In six pages this paper examines the cinematic mastery of film director Alfred Hitchcock and some of the techniques he employed th...

Mary Shelley's Frankenstein and Director James Whale's 1931 Film Interpretation

In five pages the original nineteenth century novel by Mary Shelley is compared with the 1931 cinematic production by director Jam...

1999 Film Sleepy Hollow by Director Tim Burton

In seven pages this report analyzes Tim Burton's film Sleepy Hollow in terms of Johnny Depp's performance and cinematic influences...

Comparative Analysis of The Wizard of Oz Text and 1939 Film

not intend for the work to provide the surreal aura that Emerald City became in the filmed classic. The film was a musical and thi...

Filmmaker Tim Burton

In seven pages this eccentric and innovative film director is examined in terms of craft, cinematic output, and human insights. Si...

Philosophical and Aethetic Comparison of 'Schindler's List' and 'The Battle Of Algiers'

This is a 5 page paper that considers two different cinematic filmmaking approaches to specific battles, one from a Third World pe...

Film Director John Schlesinger

In five pages this research paper examines the cinematic career of filmmaker John Schlesinger in an artistic consideration of such...

Cinematic Technique Known as 'the Long Take'

In six pages this paper examines how filmmakers such as Hou and Orson Welles have employed the long take cinematic technique in su...

French Cinema's 'New Wave'

In 5 pages this paper discusses the Nouvelle Vague or New Wave French cinematic movement of the Fifties and Sixties in a considera...

Apocolypse Now

Coppola also uses the aspect of theater, which acknowledges that each member of the audience will bring with them, to the theater,...

Feminist Cinematic Theory and Psychoanalysis

In five pages this paper examines psychoanalysis' relevance to feminist cinematic theory in a consideration of the article 'Masoch...

Female Characters as Spectators in Early Cinema

This paper examines the heavily male-influenced film industry as it related to the roles played by female characters. The author ...

Artistic Expression in Film

This paper examines how artistic expression can be conveyed through cinematic expression. The author also addresses censorship, c...

Early American Film Director D.W Griffith

his five years at Biograph, Griffith took the raw elements of moviemaking as they had evolved up to that time -- lighting, continu...

Comparing Soviet Film Directors Sergei Eisenstein and V.I. Pudovkin

(Manvell 37). While Pudovkin would occasionally use non-professional actors in the name of realism, he preferred relying on profe...

Review of Sydney Pollack's 2005 Movie The Interpreter

notes that this is the first film crew to be given permission to film extensively at the UN and this gives the movie a feeling of ...

Cinematic Auteur M. Night Shyamalan

director was, quite literally, involved in every possible aspect of filmmaking, from raising money to hiring actors to helping to ...

Comparative Analysis of the Book and Film Versions of The Ugly American

as arrogant as they play up the fact they are noble and helping. In "The Ugly American" the authors note, "Hordes of United States...

Comparing the Cinematic Versions of Hamlet by Franco Zeffirelli and Kenneth Branagh

has come forth with a version that wholly eclipses the standard. What can easily be argued is the fact that Branaghs film version...

Three Film Versions of Richard III

foul he is that we suffer a twinge of guilt for siding with him so readily. But we tend to do it anyway. The "New York Times" rev...

Martin Scorsese's Justification of Violence in Films Mean Streets, Taxi Driver, GoodFellas and Casino

and accumulating gambling debts he cannot possibly pay, the stage is set for a bloody confrontation when loan sharks come calling....

A Trio of Cinematic Rebels

indication that the audience has that Travis is not quite normal, that is, that his combat experience has left him with mental sca...

Cinematic Explanation of Sciences' Gender Gap

crashes several hours flying time from a scientific research station in the Arctic. An Air Force crew is ordered to go and pick up...

Filmmaker Woody Allen

its ruler and padding back to America in search of the woman who scorned his advances when he was nothing more than a lowly consum...

Man and Icon John Wayne

a football player. Ford then told Duke to "try to tackle him" (PG) and Duke attempted it but was thrown roughly to the ground. W...

Cinematic Neorealism

neorealistic filmmakers, such as Rossellini, Vittorio DeSica and Cesare Zavattini, was to make a "moral statement," which forces ...

Play and 1995 Film Version of William Shakespeare's Othello

an extremely abbreviated version of the play. Well over half the dialogue of the original play has been condensed or eliminated i...

Mise-En Scene in Three Films

Thompson 115). The number of possible angles is infinite since there are an infinite number of points in space that the camera can...