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Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...

In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...

One of the most innovative movies in cinematic history is Orson Welles' Citizen Kane. This paper examines Welles' techniques and w...

In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...

In five pages this paper discusses the cinematic style of nonnarrative abstract developed by Kenneth Anger, underground filmmaker....

Many have noticed the influx of gorgeous women on television. This paper contemplates the arrival of beautiful women on television...

who makes the show but generally it is a blend of actors and a chemistry that permeates the show and makes it endure. Critics beli...

is particularly evident in the spread of American culture seemingly to the far corners of the globe (Eslake 61). On practically e...

In eight pages this report presents examines of twentieth century cinematic artistry. Four sources are cited in the bibliography....

In thirty pages this paper discusses the controversial actor and director's life, cinematic contributions, politics, and the legac...

In eight pages this paper discusses the cinematic portrayal of African Americans with stereotype reliance a primary emphasis. Ele...

A research paper addressing the portrayal of evil in Dante's Divine Comedy and Chaucer's Canterbury Tales. The author draws the c...

In six pages this research paper discusses 2 cinematic interpretations of The Canterbury Tales and argues that how filmmakers fail...

An observational essay dealing with the protagonist of Chaucer's House of Fame, Geffrey. The author asserts that the work is a pa...

In seven pages this comedy from the 17th century is examined with the argument presented that darker libertine ideals belie the se...

In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...

In twelve pages this paper discusses how Shaw challenged prevailing social values in his comedies Man and Superman, Pygmalion, The...

In six pages the reasons why Dante elected to utilize himself as protagonist in 'Divine Comedy' are analyzed in a consideration of...

Divine Comedy is examined in six pages in terms of the tales 4 meaning levels, considers why Dante selected Beatrice as the primar...

In five pages these themes are examined as they are represented in Dante Alighieri's Divine Comedy and in the Bible. Five sources...

In five pages this paper speculates on how the Divine Comedy of Dante could be updated to reflect the various levels of hell such ...

In a paper consisting of nine pages the seriousness of Aristophanes' comedies 'The Birds' and 'The Clouds' is considered. Seven s...

In six pages Dante's 'Divine Comedy,' 'Beowulf,' 'Song of Roland,' and Augustine's 'Confessions' are examined in terms of gaining ...

In five pages this paper discusses how love, characters, and Feste's role are presented in this Kenneth Branagh production of Twel...

In ten pages these cinematic melodramas of the Forties are examined in a discussion of meaning construction through class and gend...

In six pages this paper discusses how Plutarch and Shakespeare presented Julius Caesar in comparison to Joseph L. Mankiewicz's 195...

In six pages this paper examines how evil is portrayed in this cinematic interpretation of William Shakespeare's 'Richard III' wit...

"screwball" romantic comedies, a man and woman of differing social standing and temperaments. In Frank Capras classic 1934 film, ...