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Essays 631 - 660

Quentin Tarantino's Controversial Film Pulp Fiction

In 5 pages this paper examines the cinematic style of director Quentin Tarantino in this thematic analysis of the controversial fi...

Literature and Human Relationships

sense one gets at the end of the work, that under the humorous aspects, there is something very sad occurring. It does appear that...

Comedy of Errors by William Shakespeare

In seven pages this paper discusses the emotional mix that is represented in William Shakespeare's Comedy of Errors. Four sources...

The Sociological Phenomenon That Was Andy Kaufman

In six pages the conflicting views on this late comic's career are noted while the writer applauds his uncompromising slice of Ame...

Film Noir and McCarthyism

and the even larger political responses of the Truman administration created a realm in which the primary purpose was to protect t...

Depiction of Women in William Shakespeare's A Midsummer Night's Dream

This paper examines how women were depicted by William Shakespeare in his comedy A Midsummer Night's Dream in eleven pages with th...

1995 Film Critique of The American President

and well-thought out film. This film makes us ask the question, however, about whether our United States Presidents truly have pe...

Narrative Style and Theme of Citizen Kane

In six pages a cinematic analysis of director Orson Welles' masterpiece Citizen Kane focuses upon the auteur's themes of capitalis...

Children's Literature and the Use of Comedy

Comedy is almost universal in children's literature. This paper examines how a number of children's books make use of this storyte...

How Cinema is Dominated by America

both elements are evident to greater and lesser degrees in each and every film that is produced in America and Europe film (Kerri...

Stanley Kubrick's Auteur Film Style in A Clockwork Orange and 2001 A Space Odyssey

In eight pages this paper examines Kubrick's definitive auteur film styles as they are represented in these films and compares the...

Realism in Martin Scorsese's Film Raging Bull

In five pages cinematic realism is compared and contrasted with film noir and surrealism with the focus being how in the film Ragi...

Film Analysis of Orson Welles' The Magnificent Ambersons

In five pages this paper presents an analysis of the 1942 motion picture The Magnificent Ambersons in an examination of director O...

Friedrich Durrenmatt's The Visit

of money and they will all essentially be wealthy. In the end the townspeople kill this man so they will receive the money....

Three Film Versions of Richard III

foul he is that we suffer a twinge of guilt for siding with him so readily. But we tend to do it anyway. The "New York Times" rev...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

Cinematic Auteur M. Night Shyamalan

director was, quite literally, involved in every possible aspect of filmmaking, from raising money to hiring actors to helping to ...

17th and 18th Century Censorship of the English Stage and Jeremy Collier's Pamphlet, 'A Short View on Immorality and Profaneness of the English Stage'

the name of Jeremy Collier (1650-1726) embarked upon his own personal crusade to censor these works on religious grounds. The pub...

Comparative Analysis of the Book and Film Versions of The Ugly American

as arrogant as they play up the fact they are noble and helping. In "The Ugly American" the authors note, "Hordes of United States...

Comparing the Cinematic Versions of Hamlet by Franco Zeffirelli and Kenneth Branagh

has come forth with a version that wholly eclipses the standard. What can easily be argued is the fact that Branaghs film version...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

Ben Jonson and His Influence

(Jokinen). He died on August 6, 1637. It has been noted that Jonsons best work is characterized by his "wide and penetrating ob...

Martin Scorsese's Justification of Violence in Films Mean Streets, Taxi Driver, GoodFellas and Casino

and accumulating gambling debts he cannot possibly pay, the stage is set for a bloody confrontation when loan sharks come calling....

Russian Culture in the Film Window to Paris

to the history of this powerfully great city, "Like the magic of a Russian fairy tale, St. Petersburg grew up with such fantastic ...

Cinematic Analysis of The Killing Fields

of hope and a future for the people, not a controlled government that decimates the people. Without really having been in ...

Social Expectations and Twelfth Night by William Shakespeare

also survived the wreck to conceal her true nature. Conceal me what I am, and be my aid for such disguise as haply shall become T...

Comparing Soviet Film Directors Sergei Eisenstein and V.I. Pudovkin

(Manvell 37). While Pudovkin would occasionally use non-professional actors in the name of realism, he preferred relying on profe...

Review of Sydney Pollack's 2005 Movie The Interpreter

notes that this is the first film crew to be given permission to film extensively at the UN and this gives the movie a feeling of ...

Early American Film Director D.W Griffith

his five years at Biograph, Griffith took the raw elements of moviemaking as they had evolved up to that time -- lighting, continu...

Dante's Purgatory Symbolism

In eight pages this paper focuses upon the Purgatorio section of The Divine Comedy in an analysis of Dante Alighieri's use of symb...