SEARCH RESULTS

YOU WERE LOOKING FOR :Cinematic Comedies and Sounds Role

Essays 361 - 390

Philosophical and Aethetic Comparison of 'Schindler's List' and 'The Battle Of Algiers'

This is a 5 page paper that considers two different cinematic filmmaking approaches to specific battles, one from a Third World pe...

Film Director John Schlesinger

In five pages this research paper examines the cinematic career of filmmaker John Schlesinger in an artistic consideration of such...

Film Noir and McCarthyism

and the even larger political responses of the Truman administration created a realm in which the primary purpose was to protect t...

Sound and Meter in Stopping by the Snowy Woods

A 5 page analysis of the poem by Robert Frost. Frost is an expert at utlizing words to make even the most simplistic concepts see...

The Dramatic America of the 1930s in Terms of Sight and sound

In this paper consisting of 5 pages Warren Susman's contention that this was the era of drama is considered as are the social impa...

The Sociological Phenomenon That Was Andy Kaufman

In six pages the conflicting views on this late comic's career are noted while the writer applauds his uncompromising slice of Ame...

Supernatural Use by Shakespeare in Tragedies and Comedies Compared

In seven pages this report compares and contrasts Shakespeare's employment of the supernatural in tragedies and comedies with refe...

Comparative Analysis of Othello Play and Film

In five pages William Shakespeare's original play is contrasted and compared with Oliver Parker's 1995 cinematic interpretation. ...

Comedy of Errors by William Shakespeare

In seven pages this paper discusses the emotional mix that is represented in William Shakespeare's Comedy of Errors. Four sources...

How Cinema is Dominated by America

both elements are evident to greater and lesser degrees in each and every film that is produced in America and Europe film (Kerri...

Stanley Kubrick's Auteur Film Style in A Clockwork Orange and 2001 A Space Odyssey

In eight pages this paper examines Kubrick's definitive auteur film styles as they are represented in these films and compares the...

Realism in Martin Scorsese's Film Raging Bull

In five pages cinematic realism is compared and contrasted with film noir and surrealism with the focus being how in the film Ragi...

Film Analysis of Orson Welles' The Magnificent Ambersons

In five pages this paper presents an analysis of the 1942 motion picture The Magnificent Ambersons in an examination of director O...

Narrative Style and Theme of Citizen Kane

In six pages a cinematic analysis of director Orson Welles' masterpiece Citizen Kane focuses upon the auteur's themes of capitalis...

Depiction of Women in William Shakespeare's A Midsummer Night's Dream

This paper examines how women were depicted by William Shakespeare in his comedy A Midsummer Night's Dream in eleven pages with th...

1995 Film Critique of The American President

and well-thought out film. This film makes us ask the question, however, about whether our United States Presidents truly have pe...

Reviewing A Long Kiss Goodnight Film

In six pages the 1996 film directed by Renny Harlin, written by Shane Black and costarring Geena Davis and Samuel L. Jackson is di...

Roots of Avant Garde's Visual Arts

In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...

The Comedy Team of Bud Abbott and Lou Costello

In this paper consisting of eight pages this comedy duo's contributions to American humor is explored. There are four bibliograph...

Post First World War Hollywood Studio Dominance

In twelve pages this paper considers the global cinematic dominance of the Hollywood studio system after the First World War. Nin...

Hollywood Cinema, False Depiction of Women and the Subtle Sexism

sexually aggressive. In my own opinion, Mildred Pierce, Jezebel, The Postman Always Rings Twice-these were great tragedies about w...

Andrei Tarkovsky's Cinematic Poetry

This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...

Apocolypse Now Film by Director Francis Ford Coppola

In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...

Love That Does Not Last in the Films of Woody Allen

no matter how precious we may believe ours to actually be. Some of Allens films are more consistently filled with the idea of l...

Stylistic and Formal Characteristics of Gus Van Sant's 'My Own Private Idaho'

Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...

Analysis of the Italian Realist Film The Bicycle Thief

In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...

Evil as a Theme in Chaucer's Canterbury Tales and Dante's Divine Comedy

A research paper addressing the portrayal of evil in Dante's Divine Comedy and Chaucer's Canterbury Tales. The author draws the c...

Film Dramatizations of Geoffrey Chaucer's The Canterbury Tales

In six pages this research paper discusses 2 cinematic interpretations of The Canterbury Tales and argues that how filmmakers fail...