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Essays 661 - 690

Cinematic Comparison of Real Women Have Curves and Maid in Manhattan

Republican senatorial candidate Chris Marshall (played by another Anglo, Ralph Fiennes). However, the true essence of the...

Sense and Sensibility Novel and Film Compared

Dashwood) and director Lee were steadfastly committed to presenting a screen adaptation that was faithful to the novel, and with a...

Cinematic Techniques and Narrative in The Graduate

by the same name and so was translated to the silver screen. When this is done it is always a touchy business. Much of the motivat...

Comparing Rudyard Kipling's Prose with John Huston's Cinematic Narrative in The Man Who Would Be King

In five pages the voices used in these very different ways of telling the same story are compared and contrasted in terms of artis...

Why Alfred Hitchcock is Not Dead Contrary to Popular Belief

In five pages the influence of this director in terms of imitation and teasing is considered. There are five bibliographic source...

John Woo's Film The Killer

In five pages this paper reviews the 1989 film by director John Woo entitled The Killer and considers the influence of Western mav...

Cinematic Depiction of Deviance

In eleven pages this paper discusses how deviance is cinematically depicted in such films as Leaving Las Vegas and One Flew Over t...

Critical Analysis of a Memo

Browne and Keeley's model is used to critically analyze a memo sent from the HR Director to the President of SAG-AFTRA NEVADA Loca...

Zhang Yimou's Films and Chinese Cinema

This 8 page paper gives an overview of the works of Chinese film director Zhang Yimou. This paper includes discussions of four of ...

Kassowitz/La Haine, Character of Vinz

This research paper offers a character study that focuses on Vinz (played by Vincent Cassel) in Mattieu Kassowitz's film La Haine....

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

Different Ethnic Cultures and Diane Keaton's Characters in Annie Hall and The Godfather

The ways in which directors Woody Allen and Francis Ford Coppola use Diane Keaton's characters to provide ethnic and cultural insi...

DSM Classification System and the Homosexuality Exclusion Debate

In ten pages this paper examines the DSM classification system in a discussion of the deletion of homosexuality by the board of di...

Elia Kazan's 1961 Film, 'Splendor in the Grass'

This 8 page paper considers the movie and how it represents the works of screenwriter William Inge and director Elia Kazan. There...

1995 Film Critique of The American President

and well-thought out film. This film makes us ask the question, however, about whether our United States Presidents truly have pe...

Ethnic Promotion, Spike Lee, and John Woo

In five pages these film directors are discussed in terms of the way they use their movies to promote their own ethnic backgrounds...

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...

Cinematography in the Opening Scene of Alfred Hitchcock's Rear Window

In five pages this paper discusses Rear Window by director Alfred Hitchcock in an analysis of its opening scene cinematography. F...

Literature and Human Relationships

sense one gets at the end of the work, that under the humorous aspects, there is something very sad occurring. It does appear that...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Analyzing the Sequence of Dreams in 8 1/2 by Filmmaker Federico Fellini

In seven pages the sequence of dreams are analyzed and considered in the context in which the director elected to produce them in ...

Luchino Visconti's Film The Damned, Its Political Content and Sociopolitical Subtexts

In five pages this paper analyzes the 1969 film The Damned by director Luchino Visconti in terms of the political contents as well...

Richard Brooks' Film The Blackboard Jungle

In eight pages this film by director Richard Brooks is examines in an overview that considers its portrayal of youth problems. Th...

Sex, Drugs, Cultural Decay, and Larry Clark's Photography

In ten pages this paper examines controversial director Larry Clark's still photography with his films Another Day in Paradise and...

Cinematic History of Filmmaker Francis Ford Coppola's The Godfather

In six pages this paper examines The Godfather in terms of how it represented gender, race, and class. Three sources are cited in...

Quentin Tarantino's Reservoir Dogs, Pulp Fiction, and Postmodernism

In three pages this report analyzes the postmodern characteristics of these 1992 and 1994 films by director Quentin Tarantino. Th...

The Purpose of Film Montage

This 5 page paper discusses the viewpoints of French film critic and auteur Andre Bazin, and Russian director Sergei Eisenstein, o...

A Review of Europa, Europa

A 5 page essay exploring the work of the film by Polish writer-director Agnieszka Holland. An eye-opening look at the lengths som...