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Essays 241 - 270

Andrei Tarkovsky's Cinematic Poetry

This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...

Comedy in Cinema, From Charlie Chaplin To Woody Allen

This paper addresses the growth of cinematic comedy. The author covers major works by Charlie Chaplin, The Three Stooges, Buster ...

Stylistic and Formal Characteristics of Gus Van Sant's 'My Own Private Idaho'

Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...

Analysis of the Italian Realist Film The Bicycle Thief

In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...

Citizen Kane from a Critical Perspective

One of the most innovative movies in cinematic history is Orson Welles' Citizen Kane. This paper examines Welles' techniques and w...

Analysis of Scream and Psycho Horror Movies

In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...

Hollywood Babylon of Filmmaker Kenneth Anger

In five pages this paper discusses the cinematic style of nonnarrative abstract developed by Kenneth Anger, underground filmmaker....

Politics in the Book and Film Primary Colors

In six pages this paper examines politics in the United States and how it is portrayed in the novel and cinematic versions of Prim...

Roots of Avant Garde's Visual Arts

In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...

1968 Film Romeo and Juliet by Franco Zeffirelli

In three pages this paper examines the filmmaker's various cinematic techniques and include elements such as utilizing teenage act...

Apocolypse Now Film by Director Francis Ford Coppola

In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...

Eraserhead Film by David Lynch

Experimental films are discussed in this research paper consisting of six pages with Lynch's feature debut the focus of considerat...

Federico Fellini's Film, La Dolce Vita

This paper examines the Fellini film, La Dolce Vita. The author discusses camera shots and angels, as well as design, decor, comp...

Comparing Fictional and Documentary Films

then put it in a corner and make it a documentary--not my life, not possibly my life " (qtd. in Lim, 1999, p.184). Roth makes a go...

Analyzing the Film Deliverance

In six pages critical cinematic theory is applied to director John Boorman's film released in 1972 and discusses how theme is depi...

Quentin Tarantino's Controversial Film Pulp Fiction

In 5 pages this paper examines the cinematic style of director Quentin Tarantino in this thematic analysis of the controversial fi...

Comparative Analysis of Othello Play and Film

In five pages William Shakespeare's original play is contrasted and compared with Oliver Parker's 1995 cinematic interpretation. ...

Novel and Film Comparisons of Jurassic Park

wind up running for their lives from the dinosaurs that escape due to the computer programmer Dennis Nedrys treachery. Grant ensur...

Jane Campion's Film The Piano from a Psychological Perspective

In five pages a cinematic analysis of The Piano is presented from the psychological perspectives of Lawrence Kohlberg, Abraham Mas...

Eyes Wide Shut Viewed Critically

Eyes Wide Shut was the last film Stanley Kubrick made. This paper offers an analysis and review of the film, including cinematic t...

William Shakespeare's Hamlet in Film

stunning performance as Ophelia and at the time she was not as well known as she is today. However, when Charlton Heston appears o...

Filmmaker Josef von Sternberg:

In six pages this report considers filmmaker Josef von Sternberg and emphasizes his cinematic collaborations with Marlene Dietrich...

Changing the Appearance of Films Through CinemaScope

In eight pages this paper examines the 1950s' introduction of the innovative CinemaScope cinematic technique that changed how film...

Comparing Novel and Film Versions of Like Water for Chocolate

ever since Garcia Marquez won the Nobel Prize" (Simon 64). The novel was an attention grabber and did have it elements of superna...

Narrative Style and Theme of Citizen Kane

In six pages a cinematic analysis of director Orson Welles' masterpiece Citizen Kane focuses upon the auteur's themes of capitalis...

Film Noir and McCarthyism

and the even larger political responses of the Truman administration created a realm in which the primary purpose was to protect t...

How Cinema is Dominated by America

both elements are evident to greater and lesser degrees in each and every film that is produced in America and Europe film (Kerri...

Stanley Kubrick's Auteur Film Style in A Clockwork Orange and 2001 A Space Odyssey

In eight pages this paper examines Kubrick's definitive auteur film styles as they are represented in these films and compares the...