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Cinematic Analysis of Singin' in the Rain

the long view where we can see the entire dance. This is often seen in present day films about dance where it seems the performers...

Cinematic Comedies and Sound's Role

theater, they rolled a cannon ball down a wooden trough that then fell onto a large drumhead (Brunelle, 1999). In films, sound eff...

Object v. Spectator Types of Cinematic Gaze

is completely unique and no two are alike. Therefore, what takes place is a kind of power struggle between the subject and the ob...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

William Shakespeare's Othello Cinematic Adaptations

box office. Welles was a product of his time and though he had tremendous creativity when it came to camera angles and budgets,...

The History of Cinematic Comedy

parodies American consumer culture as evidenced by the hilarious scene when grilled cheese sandwiches and coleslaw are ordered for...

Cinematic Techniques and Narrative in The Graduate

by the same name and so was translated to the silver screen. When this is done it is always a touchy business. Much of the motivat...

Detailed Cinematic Analysis of American Beauty

of confines. The overall metaphor of this movie is the symbol of the rose. At one point a neighbor asks how the roses are grown s...

Cinematic Portrayal of Aliens

that the alien is given a sexual orientation. In the second movie of this series the alien is a Queen whose main goal (besides des...

Richard III Cinematic Adaptation by Laurence Olivier

In six pages Olivier's interpretation of Richard and the importance of the 5 soliloquies to the film are discussed. There are no ...

The Wizard of Oz, Citizen Kane, and Cinematic Reflections of America

In five pages this paper discusses how these films reflect expansionism, individualism, success, economic wealth, the 'American Dr...

Cinematic Depiction of Unions in Hoffa, Wall Street, and The Grapes of Wrath

In five pages this paper examines how these films depict U.S. labor unions in an evaluation of whether or not management and labor...

U.S. Society and Cinematic Stereotypes of Hispanics

In five pages this paper considers how Hispanics have been stereotyped by American society and how cinema has perpetuated this dis...

Cinematic Version of Anthony Burgess' A Clockwork Orange and the Problems Faced by Director Stanley Kubrick

In eight pages this paper discusses the problems filmmaker Stanley Kubrick struggled with while making his big screen adaptation o...

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

Cinematic Depiction of Deviance

In eleven pages this paper discusses how deviance is cinematically depicted in such films as Leaving Las Vegas and One Flew Over t...

The Seventh Seal and Cinematic Symbolism of Director Ingmar Bergman

In five pages this paper analyzes the symbolism Ingmar Bergman employed for existentialist effect in his 1957 film The Seventh Sea...

Comparing Rudyard Kipling's Prose with John Huston's Cinematic Narrative in The Man Who Would Be King

In five pages the voices used in these very different ways of telling the same story are compared and contrasted in terms of artis...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Steven Spielberg's Cinematic Depiction of Alice Walker's Novel The Color Purple

In five pages this paper analyzes if Spielberg structurally changed Walker's novel in his film version and concludes that he does ...

A Cinematic Analysis of 'Bound For Glory'

A research paper consisting of 4 pages that concentrates asks 5 questions relating to the film and on opening and closing scenes o...

Cinematic Contributions of Director Howard Hawks

In ten pages this paper examines Hawks' big screen contributions with an emphasis upon his screwball comedy classics Ball of Fire,...

Cinematic Violence

The ongoing debate onf movie violence is examined from both sides in five pages with Pulp Fiction and Natural Born Killers among t...

Cinematic Depiction of African Americans

In fifteen pages this paper analyzes how African Americans in movies have evolved with the success of director Spike Lee among the...

Crash, A Cinematic Parable

his motivation for stealing Jean and Ricks car. However, in committing grand theft auto, Anthony objectifies Jean and Rick just as...

British Cinematic Development Until 1939

In ten pages this paper chronicles the history of British film from its 19th century origins until 1939. Six sources are listed i...

Popular Culture, Cinematic Violence, and Media Literacy

to the family, children, political leadership, and sexuality" (Wee, 2006, p. 50). Links have been discovered between these violen...

Excalibur, A Cinematic Representation of Arthurian Legend

his sword and kneels commanding that his enemy should knight him. Overcome with Arthurs bravery, as the noble could just as easily...

Moulin Rouge (2001) and Setting a Cinematic Mood

Berkeleys choreography book, he creates mood through unusual camera angles, and heightens the films pace through "speeded-up, step...

Hotel Rwanda, Cinematic Analysis

This research paper/essay analyzes and critiques the portrayal of genocide presented in the 2004 film Hotel Rwanda. Five pages in ...