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Essays 361 - 390

European Cinematic Depiction of Gender from the 1920s to the Twenty First Century

story, mise-en-scene, editing, and music, they collectively provide a common theme that speaks of the uniqueness of the feminist e...

Detailed Cinematic Analysis of American Beauty

of confines. The overall metaphor of this movie is the symbol of the rose. At one point a neighbor asks how the roses are grown s...

William Shakespeare's Othello Cinematic Adaptations

box office. Welles was a product of his time and though he had tremendous creativity when it came to camera angles and budgets,...

Cinematic Comparative Analysis of L'Avventura and Sleepless in Seattle

narrative style. With Sleepless there is a sense of desperation as lives are changing. In LAvventura there is a real desperate sit...

The Bourne Identity Cinematic Analysis

to tell what might appear on first glance to be a tired old story. First, there is the scintillating color that enables the film ...

MGM and Universal's Cinematic Styles

their advertising campaigns asserted) more stars than there are in the heavens" (The Thin Man, 1995). Mordden (1988) asks, "What, ...

Once Were Warriors Cinematic Marxist Analysis

yield a very different analysis. In the film, Jake is unemployed. The family lives off the dole but it seems that whatever money...

British Cinematic Development Until 1939

In ten pages this paper chronicles the history of British film from its 19th century origins until 1939. Six sources are listed i...

Crash, A Cinematic Parable

his motivation for stealing Jean and Ricks car. However, in committing grand theft auto, Anthony objectifies Jean and Rick just as...

Popular Culture, Cinematic Violence, and Media Literacy

to the family, children, political leadership, and sexuality" (Wee, 2006, p. 50). Links have been discovered between these violen...

Cinematic Analysis of Children of a Lesser God

to hear the sound of my own voice, he says at one point, and indeed he does such a smooth and natural job of translation that the ...

Federico Fellini's Movies and Their Cinematic Influence

he would have lent his considerable talents and boundless energy to the circus arena "because the circus is just that same mixture...

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...

Cinematic Comparative Analysis of Rushmore and The Graduate

In five pages this paper contrasts and compares the similarities and differences of these movies and how they represent the 'comin...

Cinematic and Literary Representations of Vanity

necromantic books are heavenly!" (Marlowe, Act 1, Li 40-50). Having made his decision to...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

Brian DePalma's 'Carrie' A Cinematic Analysis

would become his own trademark. This film, along with Obsession (1976), further developed De Palmas expressive use of cinematogra...

All About Eve Cinematic Analysis

provides evidence of repressed female sexuality, and reveals how the traditional patriarchy was threatened as a result of these ch...

Feminine Cinematic Construction in Christopher Strong and La Maternelle

film La Maternelle (The Nursery School) begins with the story of Rose, who has been forced by the men in her life - her fathers ba...

Chinese Cinematic Art

Even today, if we look at the extent to which Chinese cultural ideology has made its way to the West via art and...

1920 and 1992 Cinematic Adaptations of James Fenimore Cooper's Last of the Mohicans

was shot on location at Big Bear Lake and Yosemite Valley in California (Magills-1920). In an interview with film historian Kevin ...

Jean Pierre and Luc Dardenne and Their Cinematic Style

Palme dOr and "best actress" for its star in 1999 (Dargis). The brothers generally share the tasks of both writing and directing...

Cinematic Director Fatih Akin

as reflecting reality depicting unusual events or situations, but presenting real conflicts and issues that reflect this history o...

Novel and Cinematic Comparisons of The Great Gatsby

two depictions. Within the theme of The Great Gatsby, Daisy, as weak and dependent as she may be, knows the power she has over me...

It's a Mad, Mad, Mad, Mad World, The Great Race, and Cinematic Slapstick

" or literally "slapping the stick"(Von Busack ppg). It is a physical humor, reminding us that we are physical beings in a real w...

Cinematic Analysis of Dead Man Walking and Schindler's List

This paper examines how character action is used by the director of Dead Man Walking, and commercially motivated criticisms of Sch...

Literary and Cinematic Portrayal of Slavery

In seven pages this paper considers how slavery has been portrayed in cinema, stories, and books. Eleven sources are cited in the...

Cinematic Comparison of Like Water for Chocolate and Mi Familia

characterize Mexican tradition with the contemporary realism of complex family relationships. It is a cinematic postcard for fami...