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Essays 31 - 60

Zhang Yimou's Films and Chinese Cinema

This 8 page paper gives an overview of the works of Chinese film director Zhang Yimou. This paper includes discussions of four of ...

Citizen Kane

of Thatchers diary. Film components: Dissolves, flashback, deep-focus shots, long shots, close-ups. In the establishing long sho...

A Review of the Sense of Filmatic Space Interlacing Citizen Kane and Vertigo

sympathy" (Strauss 06F). Hitchcock was famous for employing the aspect of location as a means by which to portray his desired sen...

How Space is Viewed in Citizen Kane

had he not become wealthy and an ambitious businessman. This is evidenced by his statement ""You know, Mr. Bernstein, if ...

History and Citizen Kane

flashbacks in the movie) (Street 48). Through these interviews, the audience learns that Kane inherited a fortune at a young age, ...

Cinematic Narrative in Pulp Fiction and Citizen Kane

We note he grows to be a gregarious individual who seems driven to succeed in unusual ways, always seeking some adventure and some...

Orson Welles' Citizen Kane and Frank Capra's Meet John Doe Cinematic and Comparative Analysis

tight close-up (Dirks, 1996). There is a menacing "No Trespassing" sign outside an old gate, and after panning up over a chain-li...

Use of Cinematography in Orson Welles' Citizen Kane

wealthy man puts his emphasis on money, power and manipulation; fails at politics and his domestic life and dies friendless and al...

The Bicycle Thief and Citizen Kane

This research report compares and contrasts two important films. A comprehensive analysis is provided as thematic elements are exp...

Citizen Kane and Camera Generation of Character Emotions

In five pages this 1941 classic film is examined in a consideration of Orson Welles' pioneering camera techniques and how they del...

Citizen Kane and Cinematography

In five pages the opening scene of Welles' masterpiece, its compelling use of cinematography, and the ways in which it establishes...

Cinematography in Battleship Potemkin and Citizen Kane

The cinematography in these movie classics are discussed in five pages. There are no other sources listed....

An Analysis of Citizen Kane

This research report looks at this well known classic film.A great deal of information is included in this report that not only pr...

Analysis of Citizen Kane

the movie from the perspective of the 21st century, the movie may not seem that impressive. However, for the audiences of the earl...

A Citizen Kane Cinematic Analysis

lost prior to being sent from his home (1995). The camera is suddenly outside focusing on smoke rising form the chimney and then ...

Scenes Analysis of Citizen Kane

In two and a half pages two scenes from Orson Welles' masterpiece are analyzed in order to provide a greater overall understanding...

Individualism and Utilitarianism in Orson Welles' Citizen Kane

In five pages the thematic development of individualism and utilitarianism as it relates to the characterization of Charles Foster...

Film Noir Techniques in the Film, Kiss Me Deadly

flag down a car, but no one stops. Desperate, she positions herself in the middle of the road while holding her arms outstretched ...

Cheikh Hamidou Kane/Ambiguous Adventure

the structural framework of the novel, as it demonstrates the authors reliance on dialogue, both between characters and also the i...

Transferring 'A River Runs Through It' from Text to Celluloid

understand and come to terms with life as they know it. Their father is a small town minister. Fly fishing seems to be their only ...

Director Quentin Tarantino and Postmodernism

(Rombes). Rafferty (1997) explains that the postmodern film is built on the film noir genre, but that a feature of postmodernism ...

A Trio of Actresses Jessica Lange, Meryl Streep, and Sally Field

way for actresses who were interested not simply in portraying stylish roles but were also interested in exploring characters of s...

Film Scream and Editing

other horror films. For example, in many subtle ways there is the age old suspense that we often saw in Hitchcock films as subtle ...

Film Noir in the Nineteen-Fifties and Nineteen-Nineties

police detective that suspects his department is turning a blind eye to organized crime after refusing to further investigate the ...

Auteur Film Director Brian DePalma

The auteur film techniques that characterize director Brian DePalma are considered in an examination of three of his films The Unt...

Return of the Jedi Science Fiction Film Review

In three pages this paper examines how filmmaker techniques are applied to advancing the film's theme, development of plot, and to...

Realism in Martin Scorsese's Film Raging Bull

In five pages cinematic realism is compared and contrasted with film noir and surrealism with the focus being how in the film Ragi...

Analyzing the Film Deliverance

In six pages critical cinematic theory is applied to director John Boorman's film released in 1972 and discusses how theme is depi...

Eyes Wide Shut Viewed Critically

Eyes Wide Shut was the last film Stanley Kubrick made. This paper offers an analysis and review of the film, including cinematic t...

Comparative Analysis of the Films The American Revolution (Part I: ‘The Conflict Ignites’), Williamsburg: The Story of a Patriot, and John Adams (Part I: ‘Join or Die’)

Each Film The American Revolution (also referred to as The Revolution) was a 1994 six-hour documentary produced by A&E and shown...