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Essays 91 - 120

Mary Shelley's Frankenstein and Director James Whale's 1931 Film Interpretation

In five pages the original nineteenth century novel by Mary Shelley is compared with the 1931 cinematic production by director Jam...

Mary Shelley's Victor Frankenstein as an Extension of His Own Creation

The protagonist of Frankenstein by Mary Shelley is the subject of this character analysis that includes Sigmund Freud's doubling p...

Fear Levels in Mary Shelley's Frankenstein

of my being" (Frankenstein). As with any newborn, his sensory impressions of the world are at first indistinct. He began to attemp...

'Female Monster' in Mary Shelley's Frankenstein

the position and the importance of the position, played by the female monster. In the main character, Victor Frankenstein, we a...

Mary Shelley's Frankenstein

in the first place. Frankenstein has two obvious choices. He can say I was not thinking of the Creature and was consumed by his ...

Comparative Analysis of Mary Shelley's Frankenstein and Gustave Flaubert's Madame Bovary

In five pages this paper contrasts and compares these two works in terms of word usage and body concepts. Two sources are cited i...

Mary Shelley's Frankenstein and the Conflict Between Man and God

up in a "freethought household" (Madigan 48) and her mother had already written about womens rights while her father "a noted Util...

An Analysis of The Monster in Mary Shelley's Frankenstein

young woman chafe, to say the least, and would cause a great deal of social alienation should she ever seek to breach the social c...

Elements of Gender and Sex in Mary Shelley's Frankenstein

to various circumstances lends logic and reason to her themes in Frankenstein, which seem to embrace the delicious ambiguity of li...

Mary Shelley's Victor Frankenstein Characterization

to life, he rejects it, hoping that the life he has brought into the world will simply die, erasing his mistake (Madigan 48; Franc...

Films Based on Mary Shelley's Frankenstein

novel. However, the film adaptation was to have the monster say nothing at all, something which led Lugosi to declining the part. ...

Mary Shelley's Frankenstein, Emily Bronte's Wuthering Heights, and Individuality

enough within the character of Catherine to urge her to marry for money and social position, rather than innocent or passionate lo...

Mary Shelley's Dr. Victor Frankenstein, Joseph Conrad's Kurtz and Human Personality

In five pages this paper applies the human personality theories of Sigmund Freud to an analysis of these two classic literary char...

Karl Marx and Mary Shelley's Frankenstein Creature

predicted in his Communist Manifesto that the inevitable overthrow of the bourgeoisie by the proletariat would first succeed in a ...

The Monster Element in Mary Shelley's Frankenstein

seemingly to detain me, but I escaped, and rushed down stairs. I took refuge in the courtyard belonging to the house which I inhab...

Defense of the Monster in Mary Shelley's Frankenstein

Monster, who is Frankensteins technological "son." While having the stature of a full-grown adult. Shelley makes it clear that the...

Comparing Mary Shelley's Creature and Dostoyevsky's The Underground Man

In six pages this essay compares the similarities and differences between these two characters featured in Shelley's Frankenstein ...

Frankenstein Myth

In four pages this research paper considers the 'Frankenstein myth' and refutes the premise argued by author Mary Shelley. Three ...

Tolerance Perspectives of Mary Shelley and William Godwin

In five pages a protagonist analysis of Frankenstein by Mary Shelley and The Adventures of Caleb Williams by William Godwin serves...

Frederick Douglass' and Frankenstein's Dehumanization

In six pages this paper contrasts and compares the creature's dehumanization in Frankenstein by Mary Shelley with the dehumanizati...

Neoclassicism vs. Romanticism, Rasselas vs. Frankenstein

Rasselas by Samuel Johnson and Frankenstein by Mary Shelley offer a study in Neoclassicism and Romanticism, respectively. This pap...

Science Fiction and Gender

In eight pages this paper examines how gender influences science fiction tastes in terms of male and female preferences with a dis...

Abandonment in Frankenstein

is responsible for the monsters abandonment and abusive treatment, fueling his bitterness and murderous rage" (178). Natale illust...

Literature and Human Evil

of Dr. Frankenstein. However, in all honesty it is not the monster who is evil. The monster tries to learn, tries to find a place ...

Rapid Change in Works by John Stuart Mill, Karl Marx, and Mary Shelley

in which genetic information will be used by insurance companies and employers in order to discriminate. It is discrimination that...

Meaning and Philosophy

constructed and the meaning made perfectly clear so that all understand what types of behavior will be tolerated and which will no...

Frankenstein by Mary Shelley and its Moral

which is whether or not Frankenstein should be regarded as an example of science fiction or historical allegory. However, when con...

British Literature and Issue of Class

pride, and vainer ties dissever, / And give herself to me forever" (Browning 1235). According to Professor Gerald McDaniel, the r...

Responsibility and Parenting in Frankenstein by Mary Shelley

abandoned his supposed love for this ideal of his. He also demonstrates no sense of responsibility in this particular theme. "[I...

Frankenstein as a Tragic Figure?

In five pages this novel by Mary Shelley is analyzed in order to determine whether or not the character of Frankenstein qualifies ...