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YOU WERE LOOKING FOR :European Cinematic Depiction of Gender from the 1920s to the Twenty First Century

Essays 1171 - 1200

Anger According to Chester Himes and John Fante

if it jumped straight out of a thesaurus and by reading Nietzche. One employer loses patients with Arturo because he spends his ti...

Media Depiction of American Power and Wealth

economic advantages over the working class that undermine political equality, a presupposition for viable democracy. From the nigh...

Lucifer and Canto XXXIV of Dante's 'Inferno'

merely a picture of a creature that is the embodiment of power and evil. And, as such it is not anything that Satan does, in terms...

Character Transitions and Narrative Technique of Alfred Hitchcock

own life. With Scottie in pursuit, Madeleine climbs a bell tower and apparently falls to her death; in reality, the Novak charact...

How Women Have Been Depicted in Advertising Copy

in the Past In first looking at the past in relationship to advertisements we note that one of the primary goals of advertisemen...

The Depiction of Troy in The Iliad and in Film

is not identified as a goddess except for when a servant speaks to Achilles about the legends that have begun to be spun concernin...

Three Film Versions of Richard III

foul he is that we suffer a twinge of guilt for siding with him so readily. But we tend to do it anyway. The "New York Times" rev...

Revelation and Gospels Portrayal of Jesus

Greco-Roman thought and tradition. Nevertheless, traditionally, Christian scholars have been extremely reluctant to give credit fo...

The Magnificent Seven Film and the Cowboy Mentality

clearly an attempt to redefine the modern cowboy for modern audiences by penetrating the invincible stereotype and revealing vulne...

Spirituality and Storytelling in Beloved by Toni Morrison

was painful or lost" (69). Beloved wants to hear about the diamond earrings that Mrs. Garner gave Sethe to mark her marital union...

Cinematic Auteur M. Night Shyamalan

director was, quite literally, involved in every possible aspect of filmmaking, from raising money to hiring actors to helping to ...

Comparing Soviet Film Directors Sergei Eisenstein and V.I. Pudovkin

(Manvell 37). While Pudovkin would occasionally use non-professional actors in the name of realism, he preferred relying on profe...

Clever Women in Modern Detective Fiction

the standard framework for a mystery detective novel, each of these works share similar themes that are indicative of current Amer...

Review of Sydney Pollack's 2005 Movie The Interpreter

notes that this is the first film crew to be given permission to film extensively at the UN and this gives the movie a feeling of ...

Hunger of Memory by Richard Rodriguez

the form of communication outside of the classroom. "An accident of geography sent me to a school where all my classmates were wh...

Early American Film Director D.W Griffith

his five years at Biograph, Griffith took the raw elements of moviemaking as they had evolved up to that time -- lighting, continu...

'Everything That Rises Must Converge' by Flannery O'Connor and Denial

involved. Julians mother takes center stage as a black woman enters the bus wearing the same hat as his mother. While race certain...

Abortion and 'Hills Like White Elephants' by Ernest Hemingway

they write: attempting to arrive at some truth about a topic. In Hemingways case, a good argument can be made for his attempt to u...

Interpreting History with Ancient Literacy Texts

history of the region. The field of geology entered the realm of this historical research when researchers realized that they wer...

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Critique and Analysis of Wag the Dog Film by Barry Levinson

the message it conveys through incisive parody scary? Definitely. Barry Levinson is a veteran filmmaker who deftly employs a cyn...

Africans and Africa in Heart of Darkness by Joseph Conrad

that Africa has on the Europeans in the story. His argument, therefore, it that imperialism is wrong, not so much because of what ...

M. Night Shyamalan's Unbreakable Cinematic Analysis

use the camera in the same way as an author uses words for both aesthetic and textural purposes. There are two particularly effec...

Cinematic Structure and Coding of the Film Gone with the Wind

in structuralist models, researchers often examine the underlying structures which occur beneath the actions or speech of the indi...

Medieval and Renaissance Artistic Depictions of Women

womanly figure that offered men a very subdued connection to women. The fact that this connection with women was incredibly subdue...

Artist Myth and Cinema

1956 account of Vincent Van Gogh leaves that question open in his sympathetic portrayal of the artist" (TCM, 2003). When watchi...

Shakespeare's Othello and Racism within Renaiisance England

of perspective came about. Though various ploys were attempted to regain old sorts of power, in the end, there was a rise in the m...

Depiction of Women in 2 Short Stories by Nathaniel Hawthorne

as just another aspect of his wife who is indeed beautiful. Clearly God created everything about Georgiana and that birthmark is ...

Chantal Ackerman and Her Films Je, Tu, Il and Elle and the Eighties

attitude which pervades most of her works, even today, it can be stated. This is because feminism was asking women to redefine the...

Cinematic Style, Influence, and Impact of Francis Ford Coppola

in his 30s. Coppola, born in 1939 in Detroit, Michigan to an actress mother (Italia) and musician father (Carmine) grew up in Quee...