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William Shakespeare's Much Ado About Nothing, The Tempest, and Love

In 5 pages this paper examines the love relationships of the three couples in these works and examines how they are portrayed in K...

The Merchant of Venice by William Shakespeare's Act IV 'Pound of Flesh' Trial

In five pages this paper discusses the fourth act of this play in which Shylock sues for a pound of flesh by Antonio in terms of h...

William Shakespeare's Titus Andronicus and Macbeth and Their Bizarre Banquet Scenes

In ten pages these pivotal banquet sequences as they appear in these two plays by William Shakespeare are examined. Eleven source...

Comparing Laurence Olivier's and William Shakespeare's Interpretations of King Lear

In a paper consisting of five pages Olivier's TV interpretation of Shakespeare's play is compared and contrasted with the original...

William Shakespeare's Use of Evil in Richard III and Macbeth

In six pages this paper examines how Shakespeare timelessly depicts evil in each play. Six sources are cited in the bibliography....

William Shakespeare's 'Romeo and Juliet' and Homosexuality

In ten pages this ppaer examines the homosexual thematic overtones that are evident both in Shakespeare's play as well as Franco Z...

Orchestral, Opera, and Dance Versions of William Shakespeare's Romeo and Juliet

tragedy and more of an exploration of childhood, innocence and youthful passion. In the course of pursuing their relationship, and...

Witches and Their Control in William Shakespeare's Macbeth

This paper consists of five pages and presents the thesis that the witches control Macbeth and that they are responsible for the b...

Romantic Comedy Conventions and William Shakespeare's A Midsummer Night's Dream

eye"(Shakespeare Act 1, sc. 1, line 140). Thus, this first criteria and/or convention has been met. Hermia wants Lysander, bu...

Timeless Appeal of William Shakespeare's Romeo and Juliet and Leonard Bernstein's West Side Story

has to credit the famous bard for organizing the tale in to a form that has lasted and continue to inspire throughout the ages. O...

Changes Undergone by Macbeth in William Shakespeare's Tragic Play

is perhaps the worst mistake he could have made. He was not a man of murder, or a man who lusted after power. But, his wife was bo...

Family Conflicts in Henrik Ibsen's A Doll's House, Sophocles' Oedipus the King, and William Shakespeare's Othello

position in the court was not higher than it was. He is the source of all conflict in the story for he presents Othello with subtl...

Deceit and Iago in William Shakespeare's Othello

In short, then, Othello has it all, and in Iagos eyes, he has nothing. It is apparent that Iago has worked for many years in the s...

Suffering in William Shakespeare's King Lear and the Book of Job

finally restored by God to his previous state of good fortune when he realizes that, as a human being, he is insignificant next to...

William Shakespeare's King Lear and the Representation of Edmund as a Power Opportunist

maximum benefit, and his practical reaction is immediate action (Cahn 146). As Victor L. Cahn noted in his consideration of Edmun...

Climaxes in William Shakespeare's King Lear

there, she might have added a dose of common sense to the proceedings, and pointed out to her husband that dividing the kingdom am...

Role of Bianca in William Shakespeare's Taming of the Shrew

good enough for her. Another issue that Bianicas situation brings up is the sign of the times. These days, wed scratch our...

William Shakespeare's Macbeth and Julius Caesar

the person seeking power truly does see how things can be improved if people listen to them. For example, in the simple of situati...

Fourth Act of William Shakespeare's Macbeth

with Macbeth as Malcolm states, "Come, go we to the king; our power is ready;/ Our lack is nothing but our leave; Macbeth/ Is ripe...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

Injustice and Vengeance in William Shakespeare's The Tempest and Euripides' Electra

story of Agamemnon we are presented with a man who sacrifices his daughter, at the request or command, of the gods, in order that ...

Handkerchief Significance in William Shakespeare's Othello

good man, whom he has treated unjustly. Desdemona has, of course, been persuaded by Iago to defend Cassio, as he knows that this w...

Othello and Desdemona in William Shakespeare's Othello

fall upon my life" (Shakespeare I iii). In this he is leaving it all up to his wife and her father, nobly demonstrating that he do...

What a Director Should Know about a Production of William Shakespeare's Romeo and Juliet

the best Shakespeare company in the world so perhaps the director might want to consider a minimalist production. The focus of th...

Analysis of William Shakespeare’s Sonnets 18, 73, and 130

While he adhered to Petrarchs use of fourteen lines, Shakespeare constructed sonnets containing three quatrains and a couplet. Hi...

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...