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Essays 391 - 420

Epic Filmmaking and 1939's Gone with the Wind

In five pages this paper discusses Gone with the Wind in an analysis of its epic film production. Four sources are cited in the b...

The Matrix Character of Neo

Reeves plays Neo, a hacker who learns from rebel-rousers Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss) that the wor...

The Haunting Science Fiction Film Review

In three pages this paper presents an analysis of this film in terms of the emotional punch it packs along with a consideration of...

Female Subjectivity in the Films Cleo from 5 to 7 and Now, Voyager

Female subjectivity is the focus of a comparative analysis of these films in six pages. There are no other sources listed....

Terminator Science Fiction Film Review

In three pages this essay presents a review and analysis of the science fiction film Terminator. There is no bibliography include...

D.A. Pennebaker's Film Don't Look Back Critically Analyzed

depicted in Dylans apparent treatment of many of those whom he comes into contact with. If fact, Dylan seems to be stuck in a perp...

Landscape's Symbolic Uses in Chinese Movies Red Sorghum, The Blue Kite, and Yellow Earth

meant to symbolize the conditions of rural poverty in China and its openness and vastness is typical of Chinese art works which eq...

The Film The Heiress Analyzed

lush as one of the contemporary Merchant-Ivory or Emma Thompson movie adaptations of other literary classics that offer a view int...

Greek Styles of Government and the Film Mr. Smith Goes to Washington

relationship between a city or Nations government and a person is much like that of a parent/child relationship. The state nurture...

Black Rain Review and Criticism

yet sympathetic short stories about ordinary people in Japanese life. Black Rain is considered a novel distinct from all other tex...

Revolution, George Orwell's Animal Farm and the Film Gandhi

farmer, the oppressor. However, once the pigs were in place and the rules established, the farm animals found themselves under a...

Cinematic Portrayal of Greek Virtue and Philosophers

84). However, Socrates is willing to concede that an individual can desire an evil thing if he mistakenly first evaluates it as go...

Fritz Lang's Films

the audience. In many modern examples, the most creative thing that can be said about a particular movie maker is his or her abili...

Cinema and Gun Symbolism

take a life in just moments. A student writing on this subject may want to consider the gun as an appendage of the bodies of Travi...

Silent to Talkies Cinematic Transition from Metropolis to The Gold Diggers of 1933

simply being "filmed" theater. Metropolis offered a chilling glimpse of the future, as the film is set in the year 2000 in the cit...

William Shakespeare's Play Macbeth and 2 Film Interpretations

conscience. Said Macbeth: "One cried "God Bless us! And "Amen!" the other, as they had seen me with these hangmans hands. Listning...

Literature, Film, Identity, and Travel

conversation" (Clifford, 1997, p. 37). Similarly, the identity of the Moe family remained Hawaiian, despite the fact that they t...

Sir Carol Reed's Film The Third Man

a job writing for a volunteer medical unit he runs. Harry, however, is dead by the time Holly arrives (Ebert, 2002); he has, in fa...

History and Citizen Kane

flashbacks in the movie) (Street 48). Through these interviews, the audience learns that Kane inherited a fortune at a young age, ...

Gender Issues and Class in Karl Reisz's Film Saturday Night, Sunday Morning

What it depicts is a picture of class prejudice and strained gender relationships. Saturday Night Sunday Morning is made ...

Visual Themes in Cameron Crowe's 2001 Film Vanilla Sky

is until he has suffered pain and unhappiness, concepts that are foreign to David, who was born with a silver spoon in his mouth....

David Fincher's The Fight Club

libidinal desire and an internal examination, which tends to idealize self (Naiman 333). The one factor which unites the two symb...

1939 Film Mr. Smith Goes to Washington by Director Frank Capra

MGM and Warner Brothers, it had to rely on a limited group of performers. One of the most appealing was a tall, gangly young acto...

Who's Afraid of Virginia Woolf? and Postmodernism

symbolic, it can be said to the juxtaposition of Martha to George(Clurman 12). Martha is high energy and ambitious, whereas George...

Films One Night at McCool's, The Usual Suspects and Their Narratives

one central character which functions as the narrative object (Telotte, 2003). In other words, this character is typically define...

M. Night Shyamalan's Unbreakable Cinematic Analysis

use the camera in the same way as an author uses words for both aesthetic and textural purposes. There are two particularly effec...

Artwork in the Films Basquiat and Crumb

he is the one telling us of his past and his art. He tells us that one time he took some drug that was supposedly LSD but he think...

Macon in The Accidental Tourist and OCD

safe with American restaurant choices, avoiding human contact, and the like. What is interesting about this story is tha...

Federico Fellini's Movies and Their Cinematic Influence

he would have lent his considerable talents and boundless energy to the circus arena "because the circus is just that same mixture...

3 Films and Their Structures

is no truly artistic use of the camera aside from working towards presenting us perhaps with the perspective of every day life. Th...