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Faulkner: “The Reivers”

whats wrong, one character yells, "HES SLOW!" But Ned knows a secret: the horse will run through almost anything for a sardine! He...

Miyazaki: “Spirited Away”

showing that her concerns are animalistic as well. From this beginning, she grows into a person of worth and awareness. Miyazaki ...

Films and the Issue of Privacy

somewhat difficult; she appears to be one of those writers who will not use one word where she can cram in three. In addition, she...

Power, Surveillance and the Totalitarian State

can be trusted; it is the ultimate in paranoid societies. By keeping its citizens fearful and mistrustful of each other, the gover...

Where’s That Bug?! Surveillance as Narration

the bug, and that Harry cannot find it unless he steps out of context to consider the way in which the film itself is made (Levin)...

Liu on Privacy Issues in Film

three. In addition, she seems to have been vaccinated with a thesaurus: why use "mimetic" when "copying" will do? Her pretentious ...

Friendship in Peter Jackson’s The Lord of the Rings Trilogy

between Hobbits Frodo, Sam, Merry and Pippin is the primary focus of the trilogy, but there is also an interesting dynamic of thei...

A Symbolic Interactionist Perspective on “Guess Who’s Coming to Dinner”

couple as well (Beah Richards and Roy Glenn) who arent happy that their son is considering marrying a white girl (Guess Whos Comin...

Audrey Hepburn’s Holly Golightly: The Power of the Femme Fatale in the Film Breakfast at Tiffany’s

successes in Roman Holiday, for which she won an Academy Award, and Sabrina. This was exactly why Audrey Hepburn was perfect for ...

Narrative in Literature and Film: Frankenstein vs. Frankenstein

overall philosophical tone of the work. Whatever the reasons, the James Whale 1931 film is meant to frighten audiences, and it wor...

Filmmaking and Ideology

In five pages this paper examines how ideology is depicted in films in a contrast and comparison of the animated 1950s Cinderella ...

Umberto Ecos' Myth of Superman and Bruce Willis's Film Die Hard

In a paper consisting of 5 pages the ways in which the film echos the Superman myth as described by Ecos are considered with box o...

U.S. Racial and Cultural Divisions in the Film Alien Nation

In a paper consisting of four pages there are similarities noted between the divides of culture and race that exist in the United ...

Changing the Appearance of Films Through CinemaScope

In eight pages this paper examines the 1950s' introduction of the innovative CinemaScope cinematic technique that changed how film...

Black Cinema in the 1940s

For example, one review, that is typical of those produced by white critics, described the typical Hollywood musical of the 1930s ...

The Wedding Banquet Film by Ang Lee and What it Reveals About Chinese Identity

In nine pages insights about Chinese identity that are revealed in the 1993 film are discussed and how this identity serves both t...

Novel and Film Comparisons of Maya Angelou's I Know Where the Caged Bird Sings

In five pages this paper presents a comparative analysis of Angelou's novel and the TV movie adaptation in a discussion of strengt...

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

Psycho Film Critically Analyzed

In thirteen pages Alfred Hitchcock's 1960 suspense masterpiece is analyzed in terms of effect, form, and function with a cinematic...

Romeo and Juliet by William Shakespeare and its Timelessness

In ten pages this paper examines the timelessness of this William Shakespeare tragedy as it is represented in Franco Zeffirelli an...

Film and Government in, Apollo 13, and One Flew Over the Cuckoo's Nest

This paper examines how these two films reflect public opinion of government regulation. This five page paper has three sources ...

George Orwell's Animal Farm, Richard Attenborough's Film Gandhi, and Social Revolution

In five pages this paper examines social revolution as depicted in this novel and film. There is 1 source cited in the bibliograp...

Film Version of the Musical Hair

In five pages this paper examines the social conflict represented by hair within the context of the film and how it may be perceiv...

Movie Marketing Aspects

In seven pages movie marketing approaches are examined in a comparative consideration of the methods used to market films Being Jo...

Music as a Character in Meet Me in St. Louis and 42nd Street

the plot development and story. For example, as the movie opens, various cast members pass the song "Meet Me in St. Louis" from o...

Small Group Communications in the Film St. Elmo's Fire

their dreams. Initially it would seem that the characters of this movie would hardly be called a "hot group." However, when we e...

Symbolism of Tita's Blanket in the Novel and Film Versions of Like Water for Chocolate

This paper examines what Tita's blanket symbolizes in Laura Esquirel's novel Like Water for Chocolate and in its cinematic adaptat...

Commercially Successful Film Structuring

In twenty four pages the ways in which a successful commercial film are structured is examined in a consideration of Kevin Costner...

Melodrama and Gender Conflicts in Society and Film

This paper examines the efficacy of portraying the struggles of women in various films. This five page paper has six sources list...