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Film Analysis of Orson Welles' The Magnificent Ambersons

In five pages this paper presents an analysis of the 1942 motion picture The Magnificent Ambersons in an examination of director O...

Searches in 2 Films by Orson Welles

series of flashback scenes, it becomes apparent that Kane, though quite wealthy, does not know who he is anymore. Having risen fro...

Movie Versions and the Original Play Othello by William Shakespeare

In eight pages this paper discusses the theatrical portrayals of Othello, Desdemona, and Iago in comparison with the films by Well...

Labyrinth in The Trial Film by Orson Welles

In five page this Orson Welles' film features a labyrinth analysis. Two sources are cited in the bibliography....

Analysis of Citizen Kane

the movie from the perspective of the 21st century, the movie may not seem that impressive. However, for the audiences of the earl...

Formalism and Realism in the Film, Citizen Kane

This paper addresses Orson Welles' film, Citizen Kane. The author focuses on formalism and realism in the film. This five page p...

Power, Sexuality, and Impotence in The Trial

abuse of this abstract hierarchy of power, which can so easily be turned against an innocent man. The propensity of human beings t...

Citizen Kane from a Critical Perspective

One of the most innovative movies in cinematic history is Orson Welles' Citizen Kane. This paper examines Welles' techniques and w...

Scenes Analysis of Citizen Kane

In two and a half pages two scenes from Orson Welles' masterpiece are analyzed in order to provide a greater overall understanding...

Cinematic Technique Known as 'the Long Take'

In six pages this paper examines how filmmakers such as Hou and Orson Welles have employed the long take cinematic technique in su...

1958 Film Touch of Evil by Director Orson Welles

drug-trafficking case. Heston, covered in unconvincing dark makeup and no audible Mexican accent, assists Welles in the car bomb c...

The Dramatic America of the 1930s in Terms of Sight and sound

In this paper consisting of 5 pages Warren Susman's contention that this was the era of drama is considered as are the social impa...

Citizen Kane and Camera Generation of Character Emotions

In five pages this 1941 classic film is examined in a consideration of Orson Welles' pioneering camera techniques and how they del...

Othello Characterization and the Life of William Shakespeare

In six pages this paper discusses how Othello reflects the life of William Shakespeare with both the play and the film adaptation ...

A Critical Review and Analysis of the Film, Citizen Kane

This paper analyzes and reviews Orson Welles' 1941 classic film, Citizen Kane. This two page paper has three sources listed in th...

Cinematic Narrative in Pulp Fiction and Citizen Kane

We note he grows to be a gregarious individual who seems driven to succeed in unusual ways, always seeking some adventure and some...

Narratives in the Films Citizen Kane and The Usual Suspects

75). The door to the room is deep inside the frame, so when the nurse enters, it carries the eye "deep into an almost endless fram...

Gregg Toland's Contributions the Film Citizen Kane

a woman from his past perhaps. But, those familiar with the film know better. This opening scene is also one, instilled by the w...

William Shakespeare's Othello Cinematic Adaptations

box office. Welles was a product of his time and though he had tremendous creativity when it came to camera angles and budgets,...

Suburban Dream Subverted

In eight pages this paper examines the shift from Orson Welles' perceptions of the American Dream to the subversion represented in...

Orson Wells and the Broadcasting Industry

enrolled in the Art Institute of Chicago.7 He traveled to Ireland in 1931, painting the countryside until he wound up in Dublin, w...

Film Techniques, Citizen Kane (1941)

This essay offers a description of film techniques used in "Citizen Kane," directed by and starring Orson Welles. Three pages in l...

1920s’ Berlin, German Expressionism, and the Architecture and Lighting in Orson Welles’ Film The Trial

Expressionists were predicting an urban catastrophe even before the First World War, and within the ruins that still existed in th...

Orson Welles' 1952 Film Othello

Iago - played by Michael MacLiammoir Iago is roughly thrust into the cage, and by means of a creaking iron wheel and pulley, the ...

Film Versions of William Shakespeare's Othello by Directors Orson Welles and Oliver Parker

In five pages this paper critiques 2 film interpretations of William Shakespeare's tragedy Othello. One source is cited in the bi...

Narrative Style and Theme of Citizen Kane

In six pages a cinematic analysis of director Orson Welles' masterpiece Citizen Kane focuses upon the auteur's themes of capitalis...

'News on the March' Scene Opening the Film Citizen Kane

last word of Citizen Kane as he dies in his bed. That word is the infamous "Rosebud." First time viewers, viewers who know nothing...

Orson Welles' Citizen Kane and Frank Capra's Meet John Doe Cinematic and Comparative Analysis

tight close-up (Dirks, 1996). There is a menacing "No Trespassing" sign outside an old gate, and after panning up over a chain-li...

Citizen Kane's Film Techniques

daytime and snow is falling. "Charlie" (Charles Foster Kane) is playing outside, and the camera stops on him. He rolls a snowbal...

Orson Welles and Citizen Kane

or arrogance, in life that would have made him proud to be the subject of a film. Kane was too simple for that in relationship to ...