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Essays 301 - 330

Female Subjectivity in the Films Cleo from 5 to 7 and Now, Voyager

Female subjectivity is the focus of a comparative analysis of these films in six pages. There are no other sources listed....

Comparative Analysis of the Novel and Film Versions of The Hunt for Red October

This paper contrasts and compares Tom Clancy's novel The Hunt for Red October with the film adaption in eight pages. Seven source...

Comparative Analysis of Francis Ford Coppola's Film Apocalypse Now and Joseph Conrad's Novel Heart of Darkness

appears to be an observer in many ways, merely retelling a tale, Willard is a man who is driven by some uncontrollable force. It i...

Epic Filmmaking and 1939's Gone with the Wind

In five pages this paper discusses Gone with the Wind in an analysis of its epic film production. Four sources are cited in the b...

Counter Culture Analysis of the Film Point Break

In 9 pages this paper discusses the film Point Break in a counter culture analysis. There are 2 sources cited in the bibliography...

An Analysis of Two Film Versions of Richard III

In a paper consisting of seen pages the 1955 film version of Richard III by Laurence Olivier is compared with Ian McKellan's versi...

Comparative Analysis of Francis Ford Coppola's Film Apocalypse Now and Joseph Conrad's Novel Heart of Darkness

Development in the Book and the Movie Marlow and Willard each see themselves as men of action. Both believe themselves to b...

The Matrix Character of Neo

Reeves plays Neo, a hacker who learns from rebel-rousers Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss) that the wor...

Macon in The Accidental Tourist and OCD

safe with American restaurant choices, avoiding human contact, and the like. What is interesting about this story is tha...

Artwork in the Films Basquiat and Crumb

he is the one telling us of his past and his art. He tells us that one time he took some drug that was supposedly LSD but he think...

1939 Film Mr. Smith Goes to Washington by Director Frank Capra

MGM and Warner Brothers, it had to rely on a limited group of performers. One of the most appealing was a tall, gangly young acto...

Psychological Analysis of the Film Leaving Las Vegas

1996, p. 3), which she accepts as a way of demonstrating her unconditional support of him and his intention to literally drink him...

Opening Sequence Analysis of the 1979 Film Apocalypse Now

foundation, upon which the subsequent action and characterizations are constructed. The mise-en-scene, which is featured in the o...

Critique and Analysis of Wag the Dog Film by Barry Levinson

the message it conveys through incisive parody scary? Definitely. Barry Levinson is a veteran filmmaker who deftly employs a cyn...

M. Night Shyamalan's Unbreakable Cinematic Analysis

use the camera in the same way as an author uses words for both aesthetic and textural purposes. There are two particularly effec...

Films One Night at McCool's, The Usual Suspects and Their Narratives

one central character which functions as the narrative object (Telotte, 2003). In other words, this character is typically define...

Federico Fellini's Movies and Their Cinematic Influence

he would have lent his considerable talents and boundless energy to the circus arena "because the circus is just that same mixture...

3 Films and Their Structures

is no truly artistic use of the camera aside from working towards presenting us perhaps with the perspective of every day life. Th...

An Analysis of the Film, Big Fat Liar

evidence of the mixed critical reaction to this film, The Tampa Tribune critic Bob Ross disagrees, calling Big Fat Liar "a showbiz...

Novel and Film Versions of The Rainmaker

the hospital commissary where Rudy is studying for the bar exam. In the book, Kelly and Rudy have met previously. Rudy comments ...

Analysis of the Movie Clueless

impostor of a friend. The heroines role, of course, is defined not only by her own inner convictions but also by those with whom ...

An Analysis of the Films, Bowling for Columbine and, The Decay of Fiction

physical state that supports the distinguishing characteristics of film noir. Though the term "film noir" is French, the st...

Analysis of Literary and Film Versions of The Color Purple

a young girl who has only her inherent strength and her faith in God to help her survive. She is not especially intelligent, nor i...

David Fincher's The Fight Club

libidinal desire and an internal examination, which tends to idealize self (Naiman 333). The one factor which unites the two symb...

Comparative Analysis of Wladislaw Szpilman's Book The Pianist and Roman Polanski's Film Adaptation

true to the book? When Szpilman took pen to paper, he seemingly did so to relay the events of his life. Realizing that he had sur...

Who's Afraid of Virginia Woolf? and Postmodernism

symbolic, it can be said to the juxtaposition of Martha to George(Clurman 12). Martha is high energy and ambitious, whereas George...

Analysis of Clint Eastwood's Film Unforgiven

In five pages this paper examines how the opening sequence of the Clint Eastwood film Unforgiven sets the movie's overall tone. F...

Knowledge and Personal Awareness in the 1999 Film The Matrix

Reality, knowledge, and personal awareness are considered in this analysis of The Matrix film in a report consisting of five pages...

Analysis of the Film Rosetta

indeed, that is what the film is about. In some ways the work is reminiscent of the black comedy Muriels Wedding. The intense lo...

Analysis of the Death of a Salesman Film

He is someone who today would appear on the Jerry Springer Show. His life had always been dysfunctional and all he ever wanted was...