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Essays 811 - 840

The Wizard of Oz, Citizen Kane, and Cinematic Reflections of America

In five pages this paper discusses how these films reflect expansionism, individualism, success, economic wealth, the 'American Dr...

Richard III Cinematic Adaptation by Laurence Olivier

In six pages Olivier's interpretation of Richard and the importance of the 5 soliloquies to the film are discussed. There are no ...

Cinematic Depiction of Unions in Hoffa, Wall Street, and The Grapes of Wrath

In five pages this paper examines how these films depict U.S. labor unions in an evaluation of whether or not management and labor...

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

Comparing Rudyard Kipling's Prose with John Huston's Cinematic Narrative in The Man Who Would Be King

In five pages the voices used in these very different ways of telling the same story are compared and contrasted in terms of artis...

Cinematic Version of Anthony Burgess' A Clockwork Orange and the Problems Faced by Director Stanley Kubrick

In eight pages this paper discusses the problems filmmaker Stanley Kubrick struggled with while making his big screen adaptation o...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...

Cinematic Comparative Analysis of Rushmore and The Graduate

In five pages this paper contrasts and compares the similarities and differences of these movies and how they represent the 'comin...

Shaping History Through Cinematic Narratives

rather how it appears to the person that is hearing or viewing the story. Does the narrative appear to distort or change what ha...

Novel and Cinematic Comparisons of The Great Gatsby

two depictions. Within the theme of The Great Gatsby, Daisy, as weak and dependent as she may be, knows the power she has over me...

Artistic and Cinematic Postmodernism

In five pages this research paper examines postmodernism as it is reflected in cinema and art. Seven sources are cited in the bib...

Literary and Cinematic Portrayal of Slavery

In seven pages this paper considers how slavery has been portrayed in cinema, stories, and books. Eleven sources are cited in the...

It's a Mad, Mad, Mad, Mad World, The Great Race, and Cinematic Slapstick

" or literally "slapping the stick"(Von Busack ppg). It is a physical humor, reminding us that we are physical beings in a real w...

Cinematic Analysis of Dead Man Walking and Schindler's List

This paper examines how character action is used by the director of Dead Man Walking, and commercially motivated criticisms of Sch...

Cinematic History of Filmmaker Francis Ford Coppola's The Godfather

In six pages this paper examines The Godfather in terms of how it represented gender, race, and class. Three sources are cited in...

Cinematic Analysis of What Dreams May Come Come

In five pages this paper examines the innovative camera techniques featured in the Robin Williams' film What Dreams May Come. Fou...

Cinematic Analysis of Children of a Lesser God

to hear the sound of my own voice, he says at one point, and indeed he does such a smooth and natural job of translation that the ...

Cinematic Analysis of Pierrot le Fou

ethnology, he developed an affinity for film which he would then continue to spend his life committed to (Biography of Jean-Luc Go...

African American Stereotypes and Cinematic Semiotics

rather than blatant stereotypes and also new films which spoof the previous stereotypes depicted which in effect erases cinematic ...

Cinematic Influences of 1960s' Society

the story of twelve men (all stereotypical white and middle class) who by luck of the draw are brought together to deliberate the ...

Social Order Visions in Police Cinematic Dramas

the beginning perhaps, a cop who felt that policeman could truly offer some form of social control that would eventually benefit a...

Cinematic Comparison of Threads, The Day After, and Testament

(originally produced to be shown on PBS, but later received theatrical distribution), which starred Jane Alexander and focused upo...

Cinematic Portrayal of Greek Virtue and Philosophers

84). However, Socrates is willing to concede that an individual can desire an evil thing if he mistakenly first evaluates it as go...

Cinematic Analysis of Oliver Parker's Othello

"right hand" man despite Iagos longer term of service (Null, 2002). Iago manages to incite a jealousy rage in Othello that results...

Cinematic Narrative in Pulp Fiction and Citizen Kane

We note he grows to be a gregarious individual who seems driven to succeed in unusual ways, always seeking some adventure and some...

Horror Cinematic Genre

horror film, according to director Elias Merhige, "The horror film transforms itself, adapting to our fears, to the things that we...

Silence of the Lambs Novel and Cinematic Versions

remained amazingly faithful to the book, in his commitment to retaining its essence, there were some changes that needed to be mad...

Cinematic Interpretation of History

In terms of the way in which...