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Essays 661 - 690

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

Handkerchief Significance in William Shakespeare's Othello

good man, whom he has treated unjustly. Desdemona has, of course, been persuaded by Iago to defend Cassio, as he knows that this w...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

William Shakespeare's The Merchant of Venice and Law

In fourteen pages this report examines law in literature in an interpretation consideration that focuses upon The Merchant of Veni...

Uses of Animal Imagery in Goodnight Desdemona and William Shakespeare's Othello

In 6 pages this paper compares how animal imagery is used in 2 different works of similar subject matter. There are 2 sources cit...

Desdemona in William Shakespeare's Othello

In five pages this paper presents the argument that Desdemona's love for the Moorish Othello expands romantic love to include fide...

Act One, Scene Three of William Shakespeare's Othello

In six pages this pivotal scene and its impact on the characters as well as its tragic implications are analyzed. There are no ot...

Victorian Twist to William Shakespeare's A Midsummer Night Dream

In 6 pages this paper examines the validity of putting a Victorian Age twist on the telling of Shakespeare's Elizabethan comedy. ...

Issue Appeasement in William Shakespeare's Macbeth, The Merchant of Venice, and Romeo and Juliet

In ten pages this paper discusses Shakespeare's efforts at religious, political, and social appeasement in this trio of plays. El...

'Fair is Foul and Foul is Fair' in William Shakespeare's Characterizations of Lord and Lady Macbeth

will make our lives complete, and for a while they thought too their lives were complete. They were "fair" indeed. Then as we sta...

Love in Toni Morrison's Sula, Charles Dickens' Hard Times, and William Shakespeare's Othello

In six pages this essay considers how heroines love in each of these works which also discusses the social reflections of their ap...

William Shakespeare's Part I, Henry IV, Fathers and Sons

In five pages father and sons are examined in terms of emotions, expectations, and relationship between them within the context of...

Depiction of Women in William Shakespeare's A Midsummer Night's Dream

This paper examines how women were depicted by William Shakespeare in his comedy A Midsummer Night's Dream in eleven pages with th...

Analysis of Gustave Flaubert's Madame Bovary and William Shakespeare's King Lear Act I

In five pages there are four questions answered in an analysis of how metaphor and imagery are employed in these two literary work...

Race Aspects in William Shakespeare's Othello

In five pages the blackness of Othello the Moor is considered on various levels. Five sources are listed in the bibliography....

William Shakespeare's Romeo and Juliet and the Roles of Aggression and Violence

In five pages this paper discusses how Shakespeare employed violence and aggression in this tragedy in a consideration of the role...

William Shakespeare's A Midsummer Night's Dream and Foolishness

In six pages the foolishness of characters Lysander, Hermia, Demetrius, Helena, Oberon, and Titania as presented by Shakespear are...

A Midsummer Night's Dream and William Shakespeare's Humorous Approach to Love

logic. The play consists of a quartet of couples - secondary characters King Oberon and Queen Titania, and Theseus and Hippolyta;...

Romeo's Character Development in William Shakespeare's Scene Changes in Romeo and Juliet

He and his cousin, are talking. Benvolio tried to stop the fight between the warring factions. He believed that to fight was ign...

Comparing Film Versions of Twelfth Night

which is at the "heart of this piece, cannot stand such a strong dose of reality" (Brode 98). There is artificiality in abundanc...

Emilia and Desdemona in William Shakespeare's Othello

In five pages these two wives victimized by their spouses are examined in a similarities and differences comparison and contrast. ...

Tragic Hero's Journey in Arthur Miller's Death of a Salesman and William Shakespeare's King Lear

In five pages this paper examines how the tragic hero's journey is thematically portrayed in these plays. Three sources are cited...

William Shakespeare's Romeo and Juliet and its Theatrical Staging

play opens, the streets of Verona flash with swords and malice as the ancient vendetta between the wealthy houses of Capulet and M...

William Shakespeare's Othello and Iago's Destructive Motivations

a squadron in the field" (I.i.9-22). According to Iago, Othello has passed him over for the position of lieutenant (or second in ...

Fathers in William Shakespeare's The Taming of the Shrew and A Midsummer Night's Dream

love and regards them as intrusions between his will and his daughters future. He says that Lysander has Turnd her obedience, whic...

Governance Views in William Shakespeare's The Tempest and Sophocles' Antigone

were not performed. However, almost as soon as he has made this ruling - that Polyneices body should lay unburied - Creon is faced...

Racism in William Shakespeare's Othello

that is perverted by the subterfuge and overt evil of Iago. Examining the character of Iago is enlightening to anyone who has ever...

Iago's Shame in Act 3, Scene 3 of William Shakespeare's Othello

for the Moor, and he does so with artful and apparent reluctance. He plants the seed of doubt for Othello without ever maki...