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Essays 511 - 540

Cinematic Interpretations of Hamlet

decision for Olivier to choose to embark on this project. At the age of forty, Olivier thought he was too old to play the Danish p...

Act 3, Scene 4 of William Shakespeare's Othello

immediately to fetch the handkerchief. Emilia, Desdemonas maid and Iagos wife, comments: 4. "Is not this man jealous?" (III.4.99)....

William Shakespeare's A Midsummer Night's Dream and Moon Symbolism

In five pages this paper discusses the significance of the moon symbolism in this analysis of William Shakespeare's comedy A Midsu...

Comedy of Errors by William Shakespeare

In seven pages this paper discusses the emotional mix that is represented in William Shakespeare's Comedy of Errors. Four sources...

Act Five, Scene I of William Shakespeare's The Tempest and Prospero's Resolution

In five pages this paper examines what is responsible for the resolution Prospero makes at the end of William Shakespeare's final ...

Good and Evil in a Critique of Macbeth

Good and evil in William Shakespeare's Macbeth are a main source of three literary critiques. This paper offers a tutorial lesson ...

1952 Film Version of Othello

In five pages this paper considers the unique opening scene of Orson Welles' 1952 adaptation of William Shakespeare's famous trage...

Shakespeare, Love, and Loyalty

In five pages this report examines the plays Love's Labor's Lost and A Midsummer Night's Dream in terms of William Shakespeare's d...

Gloria Naylor's Mama Day

In five pages this paper assesses the literary greatness of Mama Day by Gloria Naylor in comparison with William Shakespeare's The...

Hamlet's 2 Sides The Two Sides of Hamlet, Before and After the Appearance of His Father's Ghost

In eight pages this paper analyzes William Shakespeare's most famous protagonist before his father's ghost's appearance and afterw...

Historical Literature and Family Dynamics

In five pages this report examines how family dynamics were portrayed in epic literature in a consideration of Sappho's poetry, Ar...

Orson Welles' 1952 Film Othello

Iago - played by Michael MacLiammoir Iago is roughly thrust into the cage, and by means of a creaking iron wheel and pulley, the ...

Literature's 'Three Unities'

A deetailed description of the 'three unities' as they are manifested within William Shakespeare's King Lear and Sophocles' Oedipu...

Relationships and Love in 'Porphyria's Lover' by Robert Browning and Othello by William Shakespeare

This paper contrasts and compares how relationships and love are thematically represented in Robert Browning's poem and William Sh...

Tragic Flaw of Prince Hamlet

In six pages William Shakespeare's protagonist is analyzed in terms of his emotional extremes, which collectively represent his tr...

Hand of Destiny

In five pages the hand of destiny as it reveals itself in William Shakespeare's Macbeth and tin the films The Man Who Shot Liberty...

Bisexual Sonnets of William Shakespeare

This paper analyzes the bisexual implications of William Shakespeare's Sonnet 18 and Sonnet 20. There are no other sources listed...

Rebecca West, Virginia Woolf, and Characters 'Under the English Queen Mother's Umbrella

This discussion topic focuses on Rebecca West and Virginia Woolf and consists of nine pages. Eight sources are cited in the bibli...

King Lear by William Shakespeare and Natural Law

In 5 pages this paper examines how the Elizabethans perceived natural law in a consideration of how it is represented in William S...

Othello and Emilia's Statement 'Thou hast not half the power to do me harm/As I have to be hurt'

skitters to the old event with a new trigger. It does not matter that it is a new person, a new time, or a new love. The memory...

Comparative Analysis of Othello Play and Film

In five pages William Shakespeare's original play is contrasted and compared with Oliver Parker's 1995 cinematic interpretation. ...

Disguise in Three Comedies by William Shakespeare

In ten pages this paper examines how disguise is used in a comparative analysis of William Shakespeare's The Merchant of Venice, M...

Comedy, Appearances, and Reality in Othello by William Shakespeare

only as a representation of misconstrued appearance. As time progresses, Othello - quite arguably the only character with a stell...

Shakespeare: Sonnet 73

is so black that it seems like death itself. The inference we have to make here is that he is dying, or at least is old enough to ...

Fate and Foreboding in Romeo and Juliet

It also sets the stage for the viewer/reader to know the foundations of history concerning the families when Romeo and Juliet firs...

Evaluating Hamlet

Ophelia: More than Just Friends? A Palace Source Tells All"). Then there is also the almost-incestuous relationship between Haml...

Director Michael Almereyda's Version of Hamlet

as being spoiled and self-centered. Furthermore, the directors decision to turn a number of Hamlets soliloquies into interior mono...

The Taming of the Shrew PA Ballet Production

staged "fights" in movies and plays, these actions are real and therefore telegraph real emotion to the audience. When Katherina s...

Comparing Stage and Film Versions of Othello

the audience a close up of Othellos face and the audience is able to watch the doubt creep over Othellos face. Without saying anyt...

Battle of the Sexes in “Midsummer Night’s Dream”

that Hermia wants to marry Lysander but that he has forbidden it and told her she must marry Demetrius (Shakespeare). Theseus unde...