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Essays 661 - 690

Past and Present Racism and William Shakespeare's Othello

to share Iagos disgust and refers to Desdemonas acceptance of Othello as her "gross revolt" (I.i.134) and Roderigo shows his dista...

William Shakespeare's 'Absent' Mothers in Six Plays

"What, will you not suffer me? Nay, now I see / She is your treasure, she must have a husband; / I must dance bare-foot on her we...

Freudian Psychology in D.C. Thomas' The White Hotel and William Shakespeare's A Midsummer Night's Dream

interacting systems, the id, the ego, and the superego. The id is, according to Freud, the original system of the personality up...

Comparative Analysis of Prospero and Vincentio in William Shakespeare's The Tempest and Measure for Measure

city, broadening his knowledge, which, in turn, improves his skill as a ruler. While there is a logical explanation for his knowle...

William Shakespeare's Othello and Iago's Destructive Motivations

a squadron in the field" (I.i.9-22). According to Iago, Othello has passed him over for the position of lieutenant (or second in ...

Emilia and Desdemona in William Shakespeare's Othello

In five pages these two wives victimized by their spouses are examined in a similarities and differences comparison and contrast. ...

Tragic Hero's Journey in Arthur Miller's Death of a Salesman and William Shakespeare's King Lear

In five pages this paper examines how the tragic hero's journey is thematically portrayed in these plays. Three sources are cited...

William Shakespeare's Romeo and Juliet and its Theatrical Staging

play opens, the streets of Verona flash with swords and malice as the ancient vendetta between the wealthy houses of Capulet and M...

Male and Female Relationships in William Shakespeare's Antony and Cleopatra and John Milton's 'Paradise Lost'

Cleopatra is a very sensual woman who is aware of her own passion. This, however, does not detract from her ability to rule...

Comparing William Shakespeare's Plays The Tempest and A Midsummer Night's Dream

and become crazy from the heat, so to speak. While preparations are commencing for the upcoming wedding between Theseus, the Duke...

Rewriting History with William Shakespeare's 'Richard the Third'

who stood in his path to the English throne, was so memorable that his work of fiction has become accepted as historical fact. Ho...

Katherine and Henry in William Shakespeare's Henry V

power was not necessarily through the might of his military, but from the popularity of a kings subjects. In Henry V, ther...

Comparative Analysis of Krogstad in Henrik Ibsen's A Doll's House and Iago in William Shakespeare's Othello

shall my purpose work on him" (Shakespeare I iii). From there on out we begin to realize that we, as the audience, are the only on...

Critically Exploring William Shakespeare's 'Othello' from a Marxist Perspective

a black man was not suitable to be a ruler. In clever fashion, he sets about to accomplish his goal. In fact, when Iago and Roder...

Character Noting in William Shakespeare's Much Ado About Nothing

Likewise, Beatrice vows that she will never marry. However, the audience can see from the beginning that there is an attraction be...

Choice or Fate in William Shakespeare's Macbeth

say, shows that how each man reacted to this situation was a matter of choice -- not fate. Traditionally, much of the blame for ...

William Shakespeare's Othello and Its Pleasurable Aspects

actions, in terms of black and white, good and bad. It is axiomatic that people wish to see those they regard as "good" as incapab...

William Shakespeare's A Midsummer Night's Dream, The Taming of the Shrew, and Fathers

appears to be Lucentio, but should he be unable to produce his father (which would verify his lineage and financial status), then ...

Romantic Love Psychology and William Shakespeare's Much Ado About Nothing

humble thanks: but that I will have a recheat winded in my forehead, or hang my bugle in an invisible baldrick, all women shall pa...

William Shakespeare's Romeo and Juliet and Religious Imagery

speech associates her with a shrine, a religious object, and then offers up his lips as pilgrims. Pilgrims often made journeys to ...

Poetic Comparison of William Shakespeare's 'Sonnet 127' and Sir Philip Sidney's 'Astrophil and Stella Sonnet 72'

In Sonnet 72, it becomes evident that the initial sexual flush is still very much in evidence, but the references to the distant h...

Desdemona and the 'Jewel' Motif Recurrence in William Shakespeare's Othello

forthright and courageous. Coupled with these admirable characteristics, Desdemona also harbors a significant moral sensitivity a...

William Shakespeare's Othello and the 'Jewel' Desdemona

as he did during the fateful dinner when the guest at the Brabantio table was the victorious General Othello, his treasure could n...

Comparison of John Webster's The Duchess of Malfi and William Shakespeare's Twelfth Night

pining away because of his unrequited love for Olivia, who also has a potential suitor in Sir Andrew Aguecheek. Olivia wants no m...

William Shakespeare's Infamous Couple Lord and Lady Macbeth

indicates, Lady Macbeth provides the necessary motivation for the initial murder. She tells Macbeth that if she had sworn an oath ...

William Shakespeare's As You Like It and Aphra Behn's Rover

but she keeps her emotions in check so that she can carry off her masquerade as a man. When Rosalind confronts the Dukes accusat...

Drama of William Shakespeare's Othello

verbal appearance and actual reality that Othello addresses throughout the play, wavering back and forth as a means by which to es...

Beatrice and Hero in William Shakespeare's Much Ado About Nothing

love for her. It 8s also worth noting, that despite the clear and eloquent words, t no point in the pay do we see Hero and Claudio...

Love in William Shakespeare's Romeo and Juliet A Campbell Analysis

Romeo simply stopped at this infatuation then the tale would not have been so tragic. Romeo gets to know Juliet, and the friar aid...

William Shakespeare's Richard the Third and the Use of Pronouns

regarded as the "polite" or "formal" form of the second person (Garvey 12). The familiar use of "thou" is best illustrated throu...