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Essays 811 - 840

Desdemona and the 'Jewel' Motif Recurrence in William Shakespeare's Othello

forthright and courageous. Coupled with these admirable characteristics, Desdemona also harbors a significant moral sensitivity a...

William Shakespeare's King Lear and its Christian Content

persecuted and killed for their faith. We also note that throughout the play Lear slowly develops into a man who understands hi...

William Shakespeare's Twelfth Night, Charles Dickens' A Christmas Carol, and Epiphanies

all of his lessons come into play and culminate to create a powerful epiphany. We note some of this in the following excerpt: "Spi...

Women's Roles in William Shakespeare's Taming of the Shrew

husbands duty to lead his wife toward proper behavior. Inherent in the relationship between God and humanity, which the marriage ...

Renaissance Racism and William Shakespeare's Othello

to Todorov, the Spaniards could not conceive of the Native Americans as "equally human but culturally different" (Berry 315). The...

Comparative Analysis of Prospero and Vincentio in William Shakespeare's The Tempest and Measure for Measure

city, broadening his knowledge, which, in turn, improves his skill as a ruler. While there is a logical explanation for his knowle...

William Shakespeare's 'Absent' Mothers in Six Plays

"What, will you not suffer me? Nay, now I see / She is your treasure, she must have a husband; / I must dance bare-foot on her we...

Freudian Psychology in D.C. Thomas' The White Hotel and William Shakespeare's A Midsummer Night's Dream

interacting systems, the id, the ego, and the superego. The id is, according to Freud, the original system of the personality up...

Past and Present Racism and William Shakespeare's Othello

to share Iagos disgust and refers to Desdemonas acceptance of Othello as her "gross revolt" (I.i.134) and Roderigo shows his dista...

William Shakespeare's Othello Act I and Iago's Persuasiveness

(Shakespeare I i). In this we see a subtle indication that he has ended his anger and is now humble, doing what he must in followi...

William Shakespeare's Histories and New Historicist Criticism

which make up the spectrum of everyday life of the period. Spiegel (1997), for instance, makes the point that one can see such tex...

William Shakespeare's King Lear and Theology

with and through broad theological propositions that include the inherent conflict between medieval and Renaissance values (Sisson...

Sex and William Shakespeare's Much Ado About Nothing

is referring to the banter that Beatrice and Benedick engage in every time they meet. This type of banter is prevalent throughout ...

Character Analysis of Touchstone in William Shakespeare's As You Like It

the mustard was naught: now Ill stand to it, the pancakes were naught and the mustard was good, and yet was not the knight forswor...

Analyzing William Shakespeare's Twelfth Night

and imprison-ment in the stocks. But there is something that excites in us a stronger feeling than all this-it is Violas confessio...

Comparing William Shakespeare's Plays The Tempest and A Midsummer Night's Dream

and become crazy from the heat, so to speak. While preparations are commencing for the upcoming wedding between Theseus, the Duke...

Male and Female Relationships in William Shakespeare's Antony and Cleopatra and John Milton's 'Paradise Lost'

Cleopatra is a very sensual woman who is aware of her own passion. This, however, does not detract from her ability to rule...

William Shakespeare's As You Like It and Aphra Behn's Rover

but she keeps her emotions in check so that she can carry off her masquerade as a man. When Rosalind confronts the Dukes accusat...

Love in William Shakespeare's Romeo and Juliet A Campbell Analysis

Romeo simply stopped at this infatuation then the tale would not have been so tragic. Romeo gets to know Juliet, and the friar aid...

Beatrice and Hero in William Shakespeare's Much Ado About Nothing

love for her. It 8s also worth noting, that despite the clear and eloquent words, t no point in the pay do we see Hero and Claudio...

Drama of William Shakespeare's Othello

verbal appearance and actual reality that Othello addresses throughout the play, wavering back and forth as a means by which to es...

William Shakespeare's First Folio

Tale, and The Tempest, Julius Caesar, Macbeth, Antony and Cleopatra, Coriolanus, As You Like It and Twelfth Night(West 180, see al...

William Shakespeare's Richard the Third and the Use of Pronouns

regarded as the "polite" or "formal" form of the second person (Garvey 12). The familiar use of "thou" is best illustrated throu...

Changes Undergone by Macbeth in William Shakespeare's Tragic Play

is perhaps the worst mistake he could have made. He was not a man of murder, or a man who lusted after power. But, his wife was bo...

Timeless Appeal of William Shakespeare's Romeo and Juliet and Leonard Bernstein's West Side Story

has to credit the famous bard for organizing the tale in to a form that has lasted and continue to inspire throughout the ages. O...

Romantic Comedy Conventions and William Shakespeare's A Midsummer Night's Dream

eye"(Shakespeare Act 1, sc. 1, line 140). Thus, this first criteria and/or convention has been met. Hermia wants Lysander, bu...

William Shakespeare's Othello Cinematic Adaptations

box office. Welles was a product of his time and though he had tremendous creativity when it came to camera angles and budgets,...

William Shakespeare's Coriolanus

men pitted against one another. As a reader, and as an audience member, one does not have any sort of emotional attachment to any ...

Motivation of Iago in William Shakespeare's Othello

onto that of an innocent man. This cleverly conceived plot is Iagos manner of psychologically fooling the one he is also deceivin...

Annotated Bibliography on William Shakespeare's Tweflth Night

Lamb, Mary Ellen. "Tracing a Heterosexual Erotics of Service in Twelfth Night and the Autobiographical Writings of Thomas Whythor...