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Hitchcock's Use of Mise en Scene in Rear Window and Vertigo

lends great insight into the cinematic development of any film, especially the films of Hitchcock. In his movies, every shot has ...

Mise en Scene in Alfred Hitchcock's Film Vertigo

know the woman, named Madeline, he falls in love with her. However, Madeline succeeds in committing suicide and Scotty is helpless...

Psycho Film Critically Analyzed

In thirteen pages Alfred Hitchcock's 1960 suspense masterpiece is analyzed in terms of effect, form, and function with a cinematic...

Techniques of Filmmaker Alfred Hitchcock

The cuts are approximately equal in length. Finally Thornhill asks if hes supposed to meet someone and the stranger replies...

Spectator in Alfred Hitchcock's Film Rear Window

action shot at a car race. To rely on an old clich?, he is "bored to tears." He spends most of his convalescent time sitting at th...

Hitchcock/Rear Window & North by Northwest

film. More credits fall and slide into place, which foreshadows how Thornhill will later slide, nearly falling off the face of Lin...

Narrative Construction in “Rear Window”

ultimately meaningless and pointless. An audience member, however, wants to understand whats happening, and uses a film narrative ...

Cinematography in the Opening Scene of Alfred Hitchcock's Rear Window

In five pages this paper discusses Rear Window by director Alfred Hitchcock in an analysis of its opening scene cinematography. F...

Rear Window, Vertigo, and Psycho Films by Alfred Hitchcock

of eyes, camera angles (such as the shower scene), and a real solid play on the psychological. Norman Bates is, perhaps first a...

Hitchcock’s Auteur Vision: “Rear Window”

they were in the wrong place at the wrong time. In The Birds, for instance, Melanie (Tippi Hedren) pursues Mitch (Rod Taylor), a m...

Scene Analysis/Taxi Driver

on the mise-en-scene, camera work, editing and sound in a scene where Bickle states his intention to "get in shape now" and that h...

Scene Analyses from Do the Right Thing, American Beauty, Thelma and Louise, and Taxi Driver

manicured lawns and rose gardens. But for every blooming rose, there is a thorn lurking somewhere, and through the frequent imagi...

Walter Salle's Motorcycle Diaries

a camaraderie that is more reminiscent of Huck and Tom than future revolutionaries. However, as they begin to see the poverty and ...

The Bourne Identity Cinematic Analysis

to tell what might appear on first glance to be a tired old story. First, there is the scintillating color that enables the film ...

Federico Fellini's Movies and Their Cinematic Influence

he would have lent his considerable talents and boundless energy to the circus arena "because the circus is just that same mixture...

Filmmakers Stanley Donen and Vincent Minnelli

In ten pages the directing styles of film musical directors Stanley Donen and Vincent Minnelli are contrasted and compared in term...

Exploring Mise-en-scene

is familiar to them from their own experience of life. If however the audience suddenly finds itself at Hogwarts School of Witchc...

Relationships Among Media

presence of Big Brother, the Thoughtpolice, Newspeak and other concepts work together to create an atmosphere of oppression and dr...

Eyes in Film

Schwartz towards the woman he is longing for; the disappointed gaze of his wife Lotte (Cameron Diaz). When a person is presumably ...

Essays on Alfred Hitchcock's Rear Window, Video, and TV

at a blackboard writing words. As soon as he completes the "d" in the last word the tape is over. The running time for the tape is...

An Analysis of Alfred Hitchcock's Film Rear Window

In five pages this research paper considers how voyeurism is depicted in this 1954 suspense thriller particularly as it relates to...

“Rear Window” and “Blow-Up”

same lust. At times, his meddling seems to be a good thing, as when he and his nurse/masseuse Stella (Thelma Ritter) see a neighbo...

“Modern Times” and “Rear Window”

(Dirks, 2008). There is almost nothing positive about the surveillance that Chaplin describes here; it consists solely of a powerf...

Coen Brothers' O Brother, Where Art Thou Sirens and KKK Scenes Analyzed

of a directors wish to go into a more exciting creative direction by deviating from his formulaic musical comedies and instead mak...

Models, Miniatures, and the Battle for Hoth in The Empire Strikes Back

Many of his early Star Wars films feature several shots of models and miniatures that convey realism as impressively and in less t...

Cinema, Ideology and the Viewer

public, which is basically whats going on here; that is widely accepted and understood. If it were not a cultural norm for people ...

Crimes and Misdemeanors, Film Analysis

over the credits, signifying that Judah has recovered from his burden of guilt and is prepared to get on with and enjoy his life (...

Film Review, Fifth Element

This film review offers a comprehensive overview of "Fifth Element" (1997) that discusses editing, mise-en-scene, sound, cinematog...

The Andromeda Strain, Mise-en-Scene

This essay pertains to the art production and mise-en-scene that characterizes "The Andromeda Strain," a 1971 film directed by Rob...

Women in the French Cinema of Jean Luc Godard and Louis Malle

In ten sources this paper examines women's roles in the films by these French auteurs with mise en scene among the topics of discu...