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Essays 1291 - 1320

Coen Brothers' Film O Brother Where Art Thou? and Marxist Themes

McGill spins a yarn about buried ill-gotten gains ($1.2 million) that he promises to share (Berardinelli). In their journey, the...

A Rogerian Perspective Documentary

The assignment asks how the student relates to Annas problem. This writer/tutor imagines that it is quite easy for many women to r...

Film Review of Diary of a Mad Black Woman

whom he has already fathered two children. Charles literally drags Helen to the front door and throws her out of the house (IMDb,...

Analyzing the Bowling for Columbine Film

is an unfortunate event, but the event takes place not because the boy did not have a good mother, but because his mother was poor...

Social Process Theory and the Film American History X

1998). Derek is induced into joining a neo-Nazi movement by a older hate-monger played by Stacy Keach, who uses him as a neighbo...

Abnormal Psychology and the Film Copycat

is a virtual prisoner in her home (Copycat). She has withdrawn from both work and her life and the only contact she has with the o...

Critical Response to the Film The Gods Must Be Crazy

anthropological data on this tribe, it is impossible to say precisely where this assessment errs, but err it must, simply because ...

Angela's Ashes Film Version Creation

In five pages transforming Frank McCourt's autobiographical text into a screenplay is examined in terms of necessary elements and ...

Film Gone With the Wind and Black Representation

darkies" (Leab 99). Focusing on the Atlanta plantation of Gerald and Ellen OHara, Gone With the Wind represented life for souther...

Comparing Black Nationalism and Identity in Benedict Anderson's 'Imagined Communities: Reflections on the Origins and Spread of Nationalism' and the Film 'Gone With the Wind'

contemplate how individual and cultural identities are constructed in the first place. In the opinion of Benedict Anderson, autho...

Evil in Alfred Hitchcock's Films Rope and North by Northwest

the most louche, laidback villains in screen history" (Brooke, 2005, PG) emphasises Thornhills naivety as far as espionage and mur...

Film as Religion by John Lyden

What is generally missed, according to Lyden, is that regardless of cinematic content, audiences receive all the messages of a fil...

Ron Howard's A Beautiful Mind Cinematic Analysis

harrowing to watch, with Nash suffering several climactic breakdowns and brief moments of lucidity and temporary remission. The u...

Ethical Views of the Movie Saving Private Ryan

the face of it, to go against the utilitarian principle of the "greatest good of the greatest number", taking a more long-term vie...

Tragic Form of Aristotle and Contemporary Cinema

had erred so completely, even though he did so unknowingly, his only recourse was to take his own life. In Fight Club, then, th...

Authority and Power in Edward Zwick's Film Glory

In five pages Zwick's film based on Col. Robert G. Shaw's letters is analyzed in terms of how a multiracial setting addresses auth...

Communication Skills Teaching and the Movie To Sir with Love

way to get a job and keep it. By treating the kids as adults and giving respect, he begins to get it back in turn, along with at...

Shaping History Through Cinematic Narratives

rather how it appears to the person that is hearing or viewing the story. Does the narrative appear to distort or change what ha...

Filmmakers Stanley Donen and Vincent Minnelli

In ten pages the directing styles of film musical directors Stanley Donen and Vincent Minnelli are contrasted and compared in term...

It's a Mad, Mad, Mad, Mad World, The Great Race, and Cinematic Slapstick

" or literally "slapping the stick"(Von Busack ppg). It is a physical humor, reminding us that we are physical beings in a real w...

Comparison of Richard Loncraine's Film Richard III and William Shakespeare's The Tragedy of Richard the Third

The caricature representation of Richard in both film and play is discussed in ten pages. Nine sources are cited in the bibliograp...

Tom Hanks film Cast Away and an Application of the Neuman Systems Model

ears becoming accustomed to the competing moral attitudes found in such terms as co-operation, teamwork and, especially, community...

Chinese Director Zhang Yimou's Western Film Elements

This paper examines director Zhang Yimou's commercial film success and the Western elements featured in his movies in 10 pages. F...

Feminist Cinematic Theory and Psychoanalysis

In five pages this paper examines psychoanalysis' relevance to feminist cinematic theory in a consideration of the article 'Masoch...

Female Characters as Spectators in Early Cinema

This paper examines the heavily male-influenced film industry as it related to the roles played by female characters. The author ...

Film and Novel Versions of Day of the Locust

In three pages an analysis of Tod Hackett's character is the primary focus of this comparative novel and film analysis of Day of t...

Children's Film Version of A Midsummer Night's Dream by William Shakespeare

In seven pages this paper examines how a children's film version of this whimsical comedy by William Shakespeare could be accompli...

James Cameron's Film Titanic and the Existentialist Philosophy of Jean Paul Sartre

This paper applies existentialism to an analysis of the character Jack in the Titanic film by director James Cameron in 5 pages. ...

The Film White Mile and Analyzing Dan's Behavior

This 1994 film analyzes the character's behavior through a discussion of Needleman's perspective, the Aristotelian system, and Dil...

Elizabethan Theatrical Drama Represented by the Film Shakespeare in Love

significant influence on the literature being written. Words, turns of phrases, double-meanings were all of the utmost importance ...