SEARCH RESULTS

YOU WERE LOOKING FOR :Hotel Rwanda Cinematic Analysis

Essays 451 - 480

Jean Pierre and Luc Dardenne and Their Cinematic Style

Palme dOr and "best actress" for its star in 1999 (Dargis). The brothers generally share the tasks of both writing and directing...

Cinematic Perspectives of Society and Race

culture. "Out of Africa", for example, is a love story. It is also a story of contrasts. A Danish woman lands in the middle of K...

Overview of the Western Cinematic Genre

Battle of Summit Springs, a reenactment that showcased Cody rescuing poor white damsel Indian captives in distress (Buscombe 286)....

Cinematic Depiction of Hong Kong

that it has always been a colony of sorts. Its independence is illusive and while things have changed since 1997, it seems as if H...

Citizen Kane, Cinematic Art

reporter investigating this issue and interviewing the various people who new Kane. From the newsreel, the audience learns that ...

Cinematic Interpretations of Hamlet

decision for Olivier to choose to embark on this project. At the age of forty, Olivier thought he was too old to play the Danish p...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

Cinematic Comparison of Smoke Signals and Simon Burch

saved Thomass life) and to explore the meaning their culture has for each of them (Berardinelli, 1998). Its also notable, Berardi...

Cinematic Comparison of Jean Renoir's The Rules of the Game and Charlie Chaplin's Modern Times

homeless man, or a prison inmate that has been arrested for some outrageous reason (Nissley 165). To illustrate how technology ha...

Cinematic Narrative in Pulp Fiction and Citizen Kane

We note he grows to be a gregarious individual who seems driven to succeed in unusual ways, always seeking some adventure and some...

Silence of the Lambs Novel and Cinematic Versions

remained amazingly faithful to the book, in his commitment to retaining its essence, there were some changes that needed to be mad...

Horror Cinematic Genre

horror film, according to director Elias Merhige, "The horror film transforms itself, adapting to our fears, to the things that we...

Cinematic Interpretation of History

In terms of the way in which...

Franco Zeffirelli's Cinematic Interpretation of Romeo and Juliet by William Shakespeare

the still city, which is bathed in ethereal morning light, the city is shrouded in fog. This is also symbolic, in that its white s...

Shakespeare's Richard the Third and Hamlet in Cinematic Cross References Deconstruction

In five pages this report considers how famous literary works such as Shakepeare's plays must be deconstructed in order to be cine...

Watergate's Cinematic Interpretations

In five pages the portrayal of the Watergate scandal in Alan J. Pakula's All the President's Men and Andrew Fleming's Dick are com...

Cinematic Comparison of 2001 A Space Odyssey and The Matrix

definitely postmodern? In some ways, that appears to be true, but in other ways that may not be the case at all. 2001 began with...

Literary and Cinematic Portrayal of Slavery

In seven pages this paper considers how slavery has been portrayed in cinema, stories, and books. Eleven sources are cited in the...

Shaping History Through Cinematic Narratives

rather how it appears to the person that is hearing or viewing the story. Does the narrative appear to distort or change what ha...

It's a Mad, Mad, Mad, Mad World, The Great Race, and Cinematic Slapstick

" or literally "slapping the stick"(Von Busack ppg). It is a physical humor, reminding us that we are physical beings in a real w...

Cinematic History of Filmmaker Francis Ford Coppola's The Godfather

In six pages this paper examines The Godfather in terms of how it represented gender, race, and class. Three sources are cited in...

Novel and Cinematic Comparisons of The Great Gatsby

two depictions. Within the theme of The Great Gatsby, Daisy, as weak and dependent as she may be, knows the power she has over me...

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

Artistic and Cinematic Postmodernism

In five pages this research paper examines postmodernism as it is reflected in cinema and art. Seven sources are cited in the bib...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Comparing Rudyard Kipling's Prose with John Huston's Cinematic Narrative in The Man Who Would Be King

In five pages the voices used in these very different ways of telling the same story are compared and contrasted in terms of artis...

Cinematic Depiction of Deviance

In eleven pages this paper discusses how deviance is cinematically depicted in such films as Leaving Las Vegas and One Flew Over t...

U.S. Society and Cinematic Stereotypes of Hispanics

In five pages this paper considers how Hispanics have been stereotyped by American society and how cinema has perpetuated this dis...